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Saturday January 11 marked another gruesome and unforgivable milestone in the US’s ongoing long war on law and fundamental human decency — the 23rd anniversary of the opening of the “war on terror” prison at Guantánamo Bay, where, despite recent positive developments (the release of 15 men), another 15 are still held in varying states of lawlessness.

To mark the occasion, groups across the US and around the world, who have been admirably and diligently taking part in monthly coordinated “First Wednesday” vigils for the last two years calling for the prison’s closure, shifted the dates of their vigils to the anniversary — although normal service will be resumed next month, on Wednesday February 5.

Below are photos of the vigils in Washington, D.C., London, New York, San Francisco, Cobleskill, NY and Detroit. A planned vigil in Los Angeles had to be called off because of the wildfires, and other groups held vigils on other days — Portland, OR on January 1, and Mexico City on January 8 — with the vigil outside the European Parliament in Brussels taking place this coming Thursday, January 16. Groups involved include various Amnesty International groups, Witness Against Torture, the World Can’t Wait, Close Guantánamo, the National Religious Campaign Against Torture, the UK Guantánamo Network, and many other groups, with other organizations also supporting the vigils on an ongoing basis.

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Last Thursday, a powerful and historically significant event took place in London, when an exhibition of Guantánamo prisoners’ artwork was launched at Rich Mix, a cultural and community space at 35-47 Bethnal Green Road in Shoreditch, London E1 6LA. The exhibition was supported by the UK Guantánamo Network (an umbrella group of organizations calling for Guantánamo’s closure), in collaboration with Amnesty International UK, and was curated by Lise Rossi and Dominique O’Neil, core team members of the UK Guantánamo Network, and Amnesty International members.

The exhibition, “Don’t Forget Us Here”, named after the compelling 2021 memoir of former prisoner Mansoor Adayfi, runs until January 5, and the launch was, genuinely, historically significant because it is the first exhibition of Guantánamo prisoners’ artwork in the UK, and because Mansoor himself attended, and gave a profoundly moving speech about the significance of art for the men held at Guantánamo.

If we lived in a world that cared about the continued existence of the prison at Guantánamo Bay, and the power of artwork to break through the sweeping isolation and dehumanization to which the men held there were subjected throughout the seven years that they were held under George W. Bush, until an easing of conditions under President Biden allowed “compliant” prisoners to take classes, including art classes, on a communal basis, Mansoor would have been featured on mainstream news channels, but, shamefully the world doesn’t care.

Since the prison at Guantánamo Bay opened nearly 23 years ago, holding Muslim men (and boys) for the most part indefinitely without charge or trial, most of the western mainstream media — and particular the US media — turned a blind eye to the dehumanization and brutalization of Muslims held there, and also held elsewhere in the US’s global network of “war on terror” prisons.

They also stayed largely silent as the west’s ruinous warmongering policies in Muslim countries created a global wave of refugees in 2015, which, in turn, exacerbated anti-refugee and anti-immigrant sentiment to such an extent that the UK left the EU via Brexit, Donald Trump was elected in the US, and racism and Islamophobia are now so deeply entrenched that western governments, and most of the western media, have failed to recognize Israel’s relentless 14-month long assault on Palestinians in the Gaza Strip as genocide, even though, if it involved anyone but Muslims, they would have fallen over themselves to condemn it.

In this fundamentally racist media landscape, the only news channel that was present at the launch was the Turkish news channel TRT World. They interviewed Mansoor and produced the short feature below, which included footage from the launch. I hope that you have time to watch it, but I also hope that further footage eventually surfaces — perhaps of my introductory speech, providing a summary of the situation at Guantánamo now, of the urgent need for 16 men approved for release (including two artists) to be freed before President Biden leaves office, but especially of Mansoor’s charming, eloquent and heartfelt discussion of the meaning of the art.

For anyone wanting to know more, I urge you, if you haven’t done so already, to read Mansoor’s memoir, which contains a truly inspiring chapter on the liberating effects of creativity on the men deprived of free expression for so long.

One of these men is Moath al-Alwi, the only one of the six artists whose work is featured in the exhibition who is still held, even though he was unanimously approved for release by a high-level US government review process nearly three years ago. Moath’s speciality is making three-dimensional sculptures of sailing ships, which he creates, with extraordinary inventiveness, using recycled materials. As Mansoor explains in his memoir, “Moath could make anything once he set his mind to it.”

On display as part of the exhibition is a beautiful video of Moath’s ship-building techniques, made many years ago for the New York Times, and now available on the video creators’ YouTube channel, and posted below. It features an actor speaking Moath’s own words, and vividly brings to life his inventiveness.

This period in Guantánamo’s long history, when creativity was tolerated, or even encouraged, is referred to by Mansoor, in his memoir, as “the golden age”, and the following passage demonstrates wonderfully how Moath was able to liberate not only himself, but also his fellow prisoners, and even some of the guards, through his three-dimensional creations.

We were at the peak of the golden age when Moath made his own windows. One opened east to Makkah and the sun rising over a vast blue sea dotted with ships and palm trees swaying gently in the morning light. The other window opened west to the most beautiful sunset, palm trees so close you could touch them, birds flying freely, and the sea a deep and mysterious blue. People came from all over to enjoy those windows and his other work. No one was jealous, except maybe some of the guards. The camp admin didn’t know how to feel about them.

While the other five artists — Sabri Al-Qurashi, Muhammad Ansi, Ahmed Rabbani, Abdualmalik Abud (aka Abd Almalik) and Mansoor himself — have been released from Guantánamo, it would be unwise to conclude that their release has, necessarily, meant freedom. This is because many prisoners released from Guantánamo, and, in particular, many of those resettled in third countries because it was regarded as unsafe for them to be sent home, continue to suffer from the stigma of having been held at Guantánamo — regarded with suspicion, denied travel documents, unable to work, and prevented from being reunited with their families, to name just a few examples of the ways in which they remain marginalized and without fundamental rights — even though they were never charged with a crime.

As I explained when I posted an article about the art exhibition a few weeks ago, “For the men released from Guantánamo, life has not necessarily improved. While Mansoor, released in Serbia in 2016, has, in recent years, finally been allowed to travel freely, and Abd Almalik lives in Montenegro, and has a website making his artwork available to interested parties, Sabri Al-Qurashi, released in Kazakhstan in 2014, lives fundamentally without any basic rights, and Muhammad Ansi, resettled in Oman in 2017, was, recently, forcibly repatriated to his home country of Yemen,  where his status in unknown. Ahmed Rabbani, meanwhile, who was returned to his home country of Pakistan in February 2023, has found no support on his return, and recently suffered the loss of his brother, Abdul Rahim, also held with him in Guantánamo, and, previously, in CIA ‘black sites’, because of this lack of care.”

One other artist, not featured in the exhibition, also deserves mention, as he is also still held at Guantánamo, despite having been unanimously approved for release in July 2022. Khaled Qassim (aka Khalid Qassim, or Khalid Qasim), celebrated by Mansoor as a kind and caring person, a cellblock leader, a singer, a poet and a footballer, made sculptural paintings using the fabric of Guantánamo itself — the gravel on the ground — mixed with glue and then painted, as well as heavily lacquered allegorical paintings, and, along with Moath, the quality of his work is worthy of international attention.

As for the exhibition itself, its opening in the UK is in itself something of minor miracle. As Mansoor explains in his memoir, “the golden age” at Guantánamo didn’t last forever. Within just a few years, as the military leadership rotated and changed, another violent clampdown occurred, and by early 2013 the prisoners had embarked on a prison-wide hunger strike, which, after years of global media indifference, suddenly reawakened them to the prison’s ongoing existence, and finally prompted Obama to resume the release of prisoners, which had largely ground to a halt after Republicans had raised repeated obstacles to delay or prevent the ability of the administration to free anyone.

Despite this renewed clampdown, during the period when a certain openness held sway, the prisoners had been allowed to give their art to their lawyers, and, via them, to their families, and, as a result, in October 2017, the very first exhibition of prisoners’ artwork — including some of Moath’s sailing ships — opened at the John Jay College of Criminal Justice in New York City. Versions of it have since taken place in other locations in the US, as well as in Berlin and the European Parliament, and, most recently, with Mansoor’s involvement, in Belgrade, although that first exhibition prompted a horrible backlash from the Pentagon that had a profound impact on the artists still held.

As I explained in my recent article, “the existing arrangements — in which prisoners were allowed to give their art to their lawyers, and, via them, to their families — were abruptly cancelled, and the Pentagon claimed ownership of all the men’s art, the right to destroy it, if they wished, and the right to prevent any prisoner from leaving the prison with any of the work they had created. Prisoners were also — at least in some cases — prevented or restricted from making any new artwork.”

As I proceeded to explain, “These various threats and bans stayed in place until February 2023, when, finally, in response to a submission by two UN Special Mandates holders — the Special Rapporteur in the field of cultural rights, and the Special Rapporteur on the promotion and protection of human rights and fundamental freedoms while countering terrorism — they were lifted.”

The lifting of the ban allowed Ahmed Rabbani to return with his artwork to Pakistan, where he subsequently held an exhibition. However, although it must also have improved the mental health of Moath and Khaled, for both of whom art has become a part of themselves, it means nothing when they can still see no end to their imprisonment, because, as has been commonplace throughout Guantánamo’s history, despite them having been approved for release, they are still held by a captor — the US government — that has little or no interest in prioritizing the release of men it should never have held in the first place.

* * * * *

Andy Worthington is a freelance investigative journalist, activist, author, photographer (of an ongoing photo-journalism project, ‘The State of London’), film-maker and singer-songwriter (the lead singer and main songwriter for the London-based band The Four Fathers, whose music is available via Bandcamp). He is the co-founder of the Close Guantánamo campaign (see the ongoing photo campaign here) and the successful We Stand With Shaker campaign of 2014-15, and the author of The Guantánamo Files: The Stories of the 774 Detainees in America’s Illegal Prison and of two other books: Stonehenge: Celebration and Subversion and The Battle of the Beanfield. He is also the co-director (with Polly Nash) of the documentary film, “Outside the Law: Stories from Guantánamo” (available on DVD here, or you can watch it online here, via the production company Spectacle, for £2.50).

In 2017, Andy became very involved in housing issues. He is the narrator of the documentary film, ‘Concrete Soldiers UK’, about the destruction of council estates, and the inspiring resistance of residents, he wrote a song ‘Grenfell’, in the aftermath of the entirely preventable fire in June 2017 that killed over 70 people, and, in 2018, he was part of the occupation of the Old Tidemill Wildlife Garden in Deptford, to try to prevent its destruction — and that of 16 structurally sound council flats next door — by Lewisham Council and Peabody.

Since 2019, Andy has become increasingly involved in environmental activism, recognizing that climate change poses an unprecedented threat to life on earth, and that the window for change — requiring a severe reduction in the emission of all greenhouse gases, and the dismantling of our suicidal global capitalist system — is rapidly shrinking, as tipping points are reached that are occurring much quicker than even pessimistic climate scientists expected. You can read his articles about the climate crisis here.

To receive new articles in your inbox, please subscribe to Andy’s new Substack account, set up in November 2024, where he’ll be sending out a weekly newsletter, or his RSS feed — and he can also be found on Facebook (and here), Twitter, Flickr and YouTube. Also see the six-part definitive Guantánamo prisoner list, The Complete Guantánamo Files, the definitive Guantánamo habeas list, the full military commissions list, and the chronological list of all Andy’s articles.

Please also consider joining the Close Guantánamo campaign, and, if you appreciate Andy’s work, feel free to make a donation.

Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months. If you can help, please click on the button below to donate via PayPal.

 

On Wednesday, December 4, campaigners across the US and around the world held the latest coordinated monthly vigils for the closure of the prison at Guantánamo Bay. The vigils began in February 2023, taking place on the first Wednesday of every month, and, as a result, they have become known, amongst some of the organizers, as the “First Wednesday vigils.”

Photos from the vigils are posted below, as is a detailed description of why this month’s vigils, in particular, were so important.

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I’m delighted to announce that, on Thursday December 5, an exhibition of Guantánamo prisoners’ artwork, “Don’t Forget Us Here”, named after the 2021 memoir of former prisoner Mansoor Adayfi, will be launching at Rich Mix, a cultural and community space in Shoreditch, at 35-47 Bethnal Green Road, London E1 6LA.

The exhibition will be running until January 5, with an opening event, starting at 6pm on December 5, featuring Mansoor and myself as speakers. It was organized by the UK Guantánamo Network (an umbrella group of organizations calling for Guantánamo’s closure), in collaboration with Amnesty International UK, and was put together by Lise Rossi and Dominique O’Neil, core team members of the UK Guantánamo Network, and Amnesty International members.

The exhibition — the first in the UK — is a version of an exhibition of artwork by current and former prisoners that first opened at the John Jay College of Criminal Justice in New York City in October 2017, and that has since toured across the US, as well as in Berlin and the European Parliament.

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Weariness mingled with determination marked the mood at the nine monthly coordinated vigils for the closure of the prison at Guantánamo Bay that took place across the US, and in London and Brussels, on November 6, 2024, the day after the US Presidential Election, when it had already become clear that Donald Trump would be the next president of the United States. Those involved represent organizations including Amnesty International, Close Guantánamo, Witness Against Torture, the World Can’t Wait, NRCAT (the National Religious Campaign Against Torture), Veterans for Peace and the UK Guantánamo Network.

Photos of these vigils are posted below, along with comments from those involved in organizing them, reflecting on their feelings as the news began to sink in that, in just ten weeks’ time, Guantánamo’s biggest supporter will be back in the White House. Please enjoy the photos and the commentary, and continue reading for my reflections on what this particular result means for the 30 men still held at Guantánamo. The next vigils are on Wednesday December 4, and in January we’ll break from our normal vigils on the first Wednesday of every month to join with other groups on Saturday January 11, the 23rd anniversary of the opening of Guantánamo, when we’ll also be marking 8,400 days of Guantánamo’s existence.

While we all fear the worst for Trump’s second term as president — in connection with the already apocalyptic reality of climate collapse, women’s reproductive rights, the safety of immigrants and refugees, and, quite probably, unfettered support for Israel’s ongoing genocide in the Gaza Strip, and its predatory actions in the West Bank and Lebanon — what all of us gathered on Wednesday also knew immediately was that, specifically on Guantánamo, Trump will be an unmitigated disaster, sealing the prison shut as he did in his first term in office, so that no one will leave the prison unless, by some miracle, they secure a victory in a habeas corpus petition in a US court.

For nearly two years, since I initiated the monthly global vigils on the first Wednesday of every month in February 2023, campaigners have been working tirelessly to try to get the Biden administration to address the plight of the men still held at Guantánamo, in particular by releasing the men still held who have long been approved for release.

At the time of Trump’s victory, of the 30 men still held at Guantánamo, 16 of them, to Biden’s shame, have been approved for release for between two and four years, and in three outlying cases for nearly 15 years. All are still held because the decisions to release them were taken by high-level US government review boards, whose decisions were purely administrative, meaning that no legal mechanism exists to compel the government to actually free them, if, as has become increasingly apparent, the Biden administration has had no interest in doing so.

An additional complication is that, for the most part, these men cannot be sent back to their home countries, because of provisions created by Republicans, proscribing the return of prisoners to certain countries, which are included every year in the annual National Defense Authorization Act. As a result, third countries must be found that are prepared to offer them new homes.

A year ago, eleven of these men were meant to have been resettled in Oman, but their planned release coincided with the October 7 attacks in Israel, and was called off after the Biden administration decided that the “political optics” were not appropriate for their release.

No new date has been set for these men’s release, but what is desperately needed right now is for President Biden to recognize that, having failed to free anyone from Guantánamo since April 2023, and with the imminent horrors of Trump’s animosity towards everyone held there creeping closer with ever passing day, he needs to act with great urgency to locate a suitable destination for resettlement, and to finalize negotiations with the host country, or host countries, before December 19, so that they can freed on January 19, the day before Trump’s inauguration. The month’s delay relates to another act of Republican obstruction, requiring that Congress be notified 30 days before the release of anyone from Guantánamo.

In the coming weeks, I anticipate that lawyers and human rights organizations will be pooling resources to try to exert pressure on Biden in his last two months in office, and I intend to work with them as much as possible, and to do what I can to facilitate the involvement of activists and campaigners, who have been so important in trying to keep the injustice of Guantánamo in the public eye, to hold back the amnesia that otherwise threatens to engulf it entirely.

Please feel free to watch the video below, via YouTube, in which, at the London vigil, I explained the situation at Guantánamo right now, and why it is so imperative for President Biden to take swift action to free the men still held who have long been approved for release.

Further photos from the vigils are below.

The ninth vigil that took place on November 6 was in Los Angeles, via solitary campaigner Jon Krampner, who sent the following message: “I stood in front of the Downtown Los Angeles Federal Building for an hour today in my orange jumpsuit and black hood with my AI ‘Close Guantánamo’ sign. It seemed like there were a few more people than usual today. Apparently there were a lot of people there for their citizenship reviews, as I could occasionally hear building security officers tell prospective interviewees not to bring in any weapons, guns, knives, illegal drugs or alcohol. It seems counterintuitive to me that someone would show up to a citizenship interview with a bazooka, Bowie knife, line of coke and a pint of Jim Beam, but the federal government wants to have all bases covered. I did get one person to take a picture of me. I gave him a slip of paper with my e-mail address printed in 18-point boldface type and he appeared to send it to me while I was standing there. But, as is so often the case, when I got home, there was no e-mail from him.”

In Minneapolis, Amnesty campaigners canceled their proposed vigil, because, as they explained, “We have just left daylight savings time, so our event would have been in darkness.” Instead, however, they held a Virtual Guantánamo event instead, with members of the group urged to contact President Biden.

In Mexico City, meanwhile, campaigners were unable to hold their monthly vigil, but Natalia Rivera Scott wrote, “I took some photos with my altar for the Día de Muertos. Every year I put the names of the men of Guantánamo that have died so I hope it’s meaningful.” One of those photos is posted below.

* * * * *

Andy Worthington is a freelance investigative journalist, activist, author, photographer (of an ongoing photo-journalism project, ‘The State of London’), film-maker and singer-songwriter (the lead singer and main songwriter for the London-based band The Four Fathers, whose music is available via Bandcamp). He is the co-founder of the Close Guantánamo campaign (see the ongoing photo campaign here) and the successful We Stand With Shaker campaign of 2014-15, and the author of The Guantánamo Files: The Stories of the 774 Detainees in America’s Illegal Prison and of two other books: Stonehenge: Celebration and Subversion and The Battle of the Beanfield. He is also the co-director (with Polly Nash) of the documentary film, “Outside the Law: Stories from Guantánamo” (available on DVD here, or you can watch it online here, via the production company Spectacle, for £2.50).

In 2017, Andy became very involved in housing issues. He is the narrator of the documentary film, ‘Concrete Soldiers UK’, about the destruction of council estates, and the inspiring resistance of residents, he wrote a song ‘Grenfell’, in the aftermath of the entirely preventable fire in June 2017 that killed over 70 people, and, in 2018, he was part of the occupation of the Old Tidemill Wildlife Garden in Deptford, to try to prevent its destruction — and that of 16 structurally sound council flats next door — by Lewisham Council and Peabody.

Since 2019, Andy has become increasingly involved in environmental activism, recognizing that climate change poses an unprecedented threat to life on earth, and that the window for change — requiring a severe reduction in the emission of all greenhouse gases, and the dismantling of our suicidal global capitalist system — is rapidly shrinking, as tipping points are reached that are occurring much quicker than even pessimistic climate scientists expected. You can read his articles about the climate crisis here.

To receive new articles in your inbox, please subscribe to Andy’s RSS feed — and he can also be found on Facebook (and here), Twitter, Flickr and YouTube. Also see the six-part definitive Guantánamo prisoner list, The Complete Guantánamo Files, the definitive Guantánamo habeas list, the full military commissions list, and the chronological list of all Andy’s articles.

Please also consider joining the Close Guantánamo campaign, and, if you appreciate Andy’s work, feel free to make a donation.

Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months. If you can help, please click on the button below to donate via PayPal.

 

For 20 months now, campaigners around the world — from organizations including Amnesty International, Close Guantánamo, Witness Against Torture, the World Can’t Wait, NRCAT (the National Religious Campaign Against Torture), Veterans for Peace and the UK Guantánamo Network — have held coordinated vigils across the US and around the world, on the first Wednesday of every month, calling for the closure of the prison at Guantánamo Bay.

On October 2, campaigners held vigils outside the White House in Washington, D.C., in London, New York City, San Francisco, Brussels, Cobleskill, NY, Detroit, Minneapolis and Portland, Oregon. Campaigners in Mexico City weren’t able to take part this month, but secured photos of a former prisoner and of supporters holding up “Cierren Guantánamo” signs, and in Strasbourg, at the Council of Europe, a Belgian campaigner successfully persuaded delegates at a meeting to have a photo taken in solidarity with those holding vigils worldwide. Many of the campaigners also held up posters marking 8,300 days of Guantánamo’s existence the day before. The posters, an initiative of the Close Guantánamo campaign, mark every 100 days of the prison’s existence, and all of the 8,300 days photos — 70 in total — can be found here.

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Huge thanks to everyone who took part in the latest coordinated global monthly vigils for the closure of the prison at Guantánamo Bay on September 4, 2024. My apologies for taking so long to collate the photos and to post this report, but on the day of the vigils I flew out to Sicily on a family holiday, where I was offline as part of a ten-day digital detox — a pause in the relentlessness of the bad news that plagues us on so many fronts, which I can heartily recommend to all activists and campaigners at risk of burnout from atrocity overload.

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On Wednesday (August 7) campaigners for the closure of the prison at Guantánamo Bay marked 18 months of monthly coordinated global vigils for the prison’s closure at seven locations across the US — Washington, D.C., New York, San Francisco, Detroit, Minneapolis, Cobleskill, NY and Los Angeles — and in London and Brussels, with a delayed vigil taking place the day after in Mexico City. The campaigners represent numerous organizations committed to the closure of Guantánamo, including Amnesty International, Witness Against Torture, the World Can’t Wait, NRCAT (the National Religious Campaign Against Torture) and the UK Guantánamo Network, with numerous other supporting organizations.

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My thanks, as always, to the campaigners in ten different locations across the US and around the world who came together on Wednesday (July 3), to call for the closure of the prison at Guantánamo Bay — in Washington, D.C., London, New York City, Mexico City, Brussels, San Francisco, Detroit, Cobleskill, NY, Minneapolis and Los Angeles, from organizations including Amnesty International, Witness Against Torture, the World Can’t Wait and the UK Guantánamo Network, and with supporting organizations including the National Religious Campaign Against Torture, the Center for Constitutional Rights and September 11th Families for Peaceful Tomorrows.

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On Wednesday, campaigners in ten locations across the US and around the world held the latest monthly coordinated global vigils calling for the closure of the prison at Guantánamo Bay, which, on June 23, will have been open for 8,200 days.

The monthly vigils, which I initiated last February, took place in Washington, D.C., New York, London, Mexico City, Brussels, San Francisco, Cobleskill, NY, Detroit, Minneapolis and Los Angeles, and focused, as usual, not just on calls for the prison’s eventual closure, but also for the immediate release of 16 men (out of the 30 still held) who have long been approved for release, but are still held because the decisions to release them — taken unanimously by high-level US government review processes — were, nevertheless, purely administrative. This means that no legal mechanism exists to compel the Biden administration to free them, if, as is increasingly apparent, President Biden and Antony Blinken have no interest in prioritizing their release.

As the poster that I update every month shows, as of June 5, these men had been held for between 621 and 1,315 days since the decisions were taken to release them, and, in three outlying cases, for 5,248 days. Any country that tolerates this cannot be said to have the slightest respect for the law, or, indeed, for any fundamental human notions of decency.

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