11.5.22
A fundraiser marking ten years of my photo-journalism project ‘The State of London’, and marking five years since I began posting a photo a day from the project, plus accompanying essays, on Facebook. This is an entirely reader-funded project, so any help you can provide will be very gratefully received.
26.4.22
Publicising the new documentary film, ‘The Battle for Deptford’, directed by Hat Vickers, about the struggle to save the Old Tidemill Wildlife Garden and Reginald House from destruction for an inappropriate housing development, which culminated in a two-month occupation of the garden that I was involved in, followed by its violent eviction by bailiffs hired by Lewisham Council.
16.2.22
The latest quarterly fundraiser for my ongoing, reader-supported photo-journalism project ‘The State of London’, for which I have no institutional backing whatsoever. Every day I cycle in London taking photos, choose a photo to post, research it and write about it, share it on social media, and interact with my supporters. It’s a labour of love, but if you can make a donation to support it that will be very much appreciated.
4.1.22
Celebrating 1,700 days since I first began posting photos of London, with accompanying essays, on ‘The State of London’ Facebook page, which I established in May 2017, on the fifth anniversary of when I first started cycling around London’s 120 postcodes taking photos, and which recently reached 5,000 followers.
29.9.21
Marking 1,600 days since I began posting a photo a day, with an accompanying essay, on my Facebook page ‘The State of London’, drawn from my daily bike rides though London’s 120 postcodes, which I began in 2012. I also extend my thanks to the nearly 6,000 people following the project on social media.
20.8.21
The latest fundraiser for my photo-journalism project ‘The State of London’, a labour of love for which I have no institutional backing whatsoever, and rely on your support to enable me to keep cycling, taking photos and posting a photo a day, with accompanying essays, on social media.
14.6.21
I remember the 72 people who lost their lives in the Grenfell Tower fire exactly four years ago, through profiteering and cost-cutting on the part of those responsible for their safety, and I also look at how, since then, the cladding scandal that became so apparent at Grenfell now involves millions of people in unsafe tower blocks across the country, many of them leaseholders, who bought their homes in good faith, but now find themselves in unsafe and worthless properties, abandoned by the government and the developers of their homes, and facing bills of up to £100,000 to remove the dangerous cladding that was installed through no fault of their own.
11.5.21
A fundraiser marking nine years since I first began photographing London’s 120 postcodes by bike for my ongoing, reader-funded photo-journalism project ‘The State of London’, for which I have no institutional backing whatsoever. Any donations you can make will be very gratefully received.
10.3.21
Marking 1,400 days since I began posting a photo a day, with accompanying text, on my Facebook page ‘The State of London’, from my nearly nine years of photos taken on daily bike rides throughout the capital, with particular reference to the last year that I have spent photographing and reporting on London under Covid.
3.1.21
Here’s a link to, and my detailed description of a recent interview I undertook with Andy Bungay for his show on Riverside Radio in Wandsworth, including discussion of the Save Reginald Save Tidemill campaign, the Grenfell Tower fire, and, of course, the impact of Covid-19 on residential and business rents in the capital. We also discussed my photo-journalism project ‘The State of London’, and Andy also played three songs by my band The Four Fathers.
Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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