Quarterly Fundraiser for My Photo-Journalism Project ‘The State of London’

The latest photos posted in Andy Worthington’s ongoing photo-journalism project ‘The State of London.’

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Nine years ago, in the spring of 2012, I set out on my bike, with a small point-and-shoot Canon camera, on a mission to take photos in all 120 postcodes of the London postal district, an area of 241 square miles featuring the City and the West End (EC and WC), and the compass points that radiate out from them (E, SE, SW, W, NW and N). 

I embarked on the project after five largely sedentary years spent researching and writing about the prison at Guantánamo Bay, and an illness in 2011, in part because I wanted to get fit, but, in particular, because I wanted to get to know better the city that has been my home since I left university in 1985, and to record its multi-layered history and the significant changes that it was undergoing as it played host to the 2012 Olympic Games, and, more generally, as development money poured in to remake huge swathes of the capital for the 21st century, via an array of “regeneration” projects that largely seem to involve sidelining the genuine needs of Londoners in pursuit of profits for investors, both foreign and domestic.  

Five years in, I began posting a daily photo on Facebook from the archive I’d built up since 2012, accompanying the photos with essays intended to establish it as a photo-journalistic appraisal of the capital in all of its complexity, and I hope that, as the project has gone on, it has also improved, as I embraced better technology (upgrading to a Canon PowerShot G7X Mk. II in February 2019), became a better photographer, and increasingly devoted more time to the essays that give the photos what I regard as a necessary context.

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Covid, Ghost Cities and the Collapse of Property Prices in the West End and the City of London

An almost entirely deserted Oxford Circus on November 10, 2020, during the latest Covid lockdown in England. A previously unpublished photo from Andy Worthington’s photo-journalism project ‘The State of London.’

Please support my work as a reader-funded investigative journalist and photographer. If you can help, please click on the button below to donate via PayPal.




 

Is this how the world as we know it ends, then — not with a bang, or even a whimper, but with the slow, silent death of shops, pubs, restaurants and live culture?

England’s second Covid lockdown, introduced on November 5 in response to rising infection rates, has, in a crucial pre-Christmas month for business, shut down all shops regarded as “non-essential” — in other words, to name just a few examples, all clothes shops, gift shops and bookshops, as well as pubs and restaurants — with a sense of timing that could lead one to conclude that it was dictated by Amazon and other online retailers for whom Covid has seen their businesses reap unprecedented profits.

The cost of this, in terms of businesses shutting down, and employees laid off, is not yet known, but it seems likely that, as 2021 unfolds, the centres of our cities and towns will be wastelands, reminiscent of the early 1980s under Margaret Thatcher.

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The State of London: Marking 120 Days of My London Lockdown Photos with Some Previously Unpublished Images

Old Compton Street in Soho, London W1, March 22, 2020, the day before the coronavirus lockdown began (Photo: Andy Worthington).

Please feel free to support ‘The State of London’ with a donation, as I have no institutional backing for it, and it is, instead, a reader-funded project. If you can help, please click on the button below to donate via PayPal.




Check out all ‘The State of London’ photos here.

Yesterday marked 120 days straight that I’ve been cycling around London, taking photos of the coronavirus lockdown — and, in recent weeks, its partial easing — and posting a photo a day on ‘The State of London’ Facebook and Twitter pages.

I first began cycling around London on a daily basis, taking photos for a photo-journalism project that I soon named ‘The State of London’, over eight years ago, in May 2012, and on the fifth anniversary I began posting a photo a day on Facebook. Until the coronavirus hit, the photos I posted were drawn from the various years since I began the project — on that particular day, but from any of the years since the project began in 2012.

When the coronavirus hit, however — and particularly after the lockdown officially began on March 23 — the archive suddenly seemed, if not irrelevant, then relating to another, lost time, as the streets of the capital emptied, and economic activity ground almost to a halt.

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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