Act Now or Face Extinction: My Birthday Present From the Intergovernmental Panel on Climate Change
Please support my work as a reader-funded investigative journalist, commentator and activist. If you can help, please click on the button below to donate via PayPal.
Today is my birthday.
59 years ago, in Salford Maternity Hospital, my mother brought me into this world during one of the coldest winters in modern history, believed to have been the coldest since the winter of 1739-40.
59 years on from my birth, as I reflect on all that has happened to me in the 21,550 days of my life — all my struggles, my achievements, my loves, my joys, my sorrows, and my persistent inability not to question what those in authority tell me — and as I also reflect on the political and cultural changes of these many decades, I am struck by how this is all in the past, and how the pulse of life itself, which inhabits a continuous present that so many of us struggle to accept, is now located in a world in which bleak winters, like that of 1962-63, will never happen again.
When we look at why that is, one abiding truth becomes clear. Life on earth is a chemical miracle, one that requires a fine balance between its various components to maintain an atmosphere in which life is abundant. We know of nowhere else in the universe where life teems as it does on earth, and yet, because of capitalist greed and hubris, and a dangerous disconnection from nature, we are undermining the miracle of life, changing the atmosphere, primarily through our use of fossil fuels, into one that that will make the world inhospitable.
The Four Fathers Release New Existential Song ‘The Wheel of Life’, As Bandcamp Waives Its Revenue Share to Help Musicians
My band The Four Fathers have just released the last of three songs we recorded before the coronavirus hit, with the multi-talented musician and producer Charlie Hart, whose illustrious career involves playing with Ian Dury in Kilburn and the High Roads, many years with Ronnie Lane, after he left the Faces, in Slim Chance, and several occasions spent working with the wonderful Congolese singer Samba Mapangala.
The release is ‘The Wheel of Life’, a meditation on aging, and on the importance of living in the moment, which I hope has some resonance right now, as we all try to cope with the impact of the novel coronavirus, COVID-19, which brought our thoughtlessly excessive lifestyles to an abrupt halt three months ago, but which has also precipitated a forthcoming recession of possibly terrifying proportions, as well as silencing all forms of culture that involves live interaction at close quarters.
Live music is just one the casualties of this strange new world, and while we try to work out how to resume entertaining one another in a live context, creative people are suffering. In an attempt to help, Bandcamp, the US online music service, which we use in preference to streaming companies, has been waiving its fees on specific days throughout the coronavirus lockdowns, starting on March 20, when music fans spent “$4.3 million on music and merch — 15x the amount of a normal Friday — helping artists cover rents, mortgages, groceries, medications, and so much more”, and followed by May 1, when fans paid artists $7.1 million, and June 5, when fans paid artists $4.8 million.
Who's still at Guantánamo?
