The Evil Empire Isn’t Russia; It’s Fossil Fuel-Based Capitalism, Waging Apocalyptic War on the Planet and the Whole of Humanity

The US military and some of their phenomenal fossil fuel-based pollution, in a photo made available by the US Department of Veterans Affairs, and previously used to accompany a Counterfire article, ‘Why stopping wars is essential for stopping climate change,’ in March 2019.

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Since Russia invaded Ukraine 15 months ago, the West has been subjected to a pro-war propaganda campaign, on Ukraine’s behalf, on a scale not seen since the run-up to the illegal invasion of Iraq in 2003.

I don’t mean to suggest in any way that we shouldn’t feel sympathy for the people of Ukraine, but the relentless reporting of their suffering, which dominated the news, to the exclusion of almost everything else, for several months after the war began, was so all-pervasive that it was difficult to recognize — or to remember — that, as is powerfully explained in ‘Why Are We in Ukraine?’, a major new article for Harper’s Magazine by Benjamin Schwarz and Christopher Layne, the war didn’t happen because Vladimir Putin is a figure of pure evil, but because of over 30 years of provocation by the US.

Since the fragmentation of the Soviet Union, between 1989 and 1991, the US has sought to erase the reality that its relationship with Russia is, necessarily, one of two vast and different political entities, each bristling with nuclear weapons, and has, instead, increasingly regarded itself as the world’s sole superpower, entitled to use NATO to encroach further and further on Russian territory, despite Secretary of State James Baker, in February 1990, convincing Mikhail Gorbachev to give up East Germany by telling him that, if he did so, NATO would “not shift one inch eastward from its present position.”

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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