A week last Friday, at Hackney Empire (the legendary Grade II listed theatre in east London), BAC Beatbox Academy, a group of young beatboxers, singers and rappers based in Battersea Arts Centre in south west London brought back to life their show ‘Frankenstein: How to Make a Monster’, the top-rated show at the Edinburgh Festival Fringe in 2019, which was in the early stages of a British Council-backed world tour — having wowed the Adelaide Fringe in February and March 2020 — when Covid hit, and everything ground to a halt.
The performance at Hackney Empire on March 11 — when the theatre, with support from Hackney Council, put it on as a free performance for 11-18 year olds — marked its return after two years, and it was a raging, resounding success.
Devised over two years (from 2016 to 2018) by six members of the Beatbox Academy (including my son Tyler), under the direction of Beatbox Academy founder Conrad Murray and visiting director David Cumming, and with wonderfully powerful choreography and lighting, the show takes the themes of Mary Shelley’s ‘Frankenstein’, and, eschewing a linear narrative, updates them via reflections on alienation and the dangerous power of social media in a largely impressionistic manner.
Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
Email Andy Worthington
Please support Andy Worthington, independent journalist: