Today marks 1,700 days since I first began posting a photo a day — plus accompanying essays — on ‘The State of London’ Facebook page; photos that were either taken on the day, or were drawn from the photos I’d started taking on bike rides throughout London’s 120 postcodes five years earlier. For anyone keeping count, that means that it’s now 3,526 days since I first set out on my bike to capture the changing face of London.
In the last 1,700 days, my ability to take photos has, I think, improved in general (largely because of the upgrade to my current camera, a Canon PowerShot G7 X Mk. II, in February 2019), and I have also, increasingly, devoted much more time to the essays that accompany each photo. I’m gratified to see that the project has steadily been gaining support, so that I recently welcomed my 5,000th follower.
As I have delved deeper into London’s history on my journeys, and in the research for the photos, I have come to recognize how resilient London is as a city, despite having lost so much in the Great Fire of London in 1666, and in the German bombing raids in World War II. Nevertheless, as I realized as soon as I began the project in May 2012, it has also recently been invaded, not by fire, or by a wartime enemy, but by predatory transnational capital, building huge new towers of offices in the City of London, and high-rise residential towers in Canary Wharf and in numerous former industrial sites across the capital (the Vauxhall Nine Elms Battersea Opportunity Area, for example), all eagerly facilitated by conniving politicians and generally supine architects.
Sunday marked 1,600 days since I first began posting a daily photo of London — with an accompanying essay — on my Facebook page ‘The State of London’, drawn from the daily bike rides I’d been making for the previous five years through the 120 postcodes of the London Postal District (those beginning with WC, EC, E N, NW, SE, SW and W), which covers 241 square miles.
I’m immensely grateful to the nearly 4,800 followers ‘The State of London’ has gathered on Facebook over the last four years, and the nearly 1,100 on Twitter, and if you can make a donation to support the project, it will be very gratefully received, as I have no institutional backing, and am reliant on you, my readers, to enable me to carry on cycling and taking photos, and researching and writing the essays that accompany every photo.
Please click on the ‘Donate’ button above if you can make a donation via PayPal. The page is set to dollars, because I also use it to support my work on ongoing work campaigning to get the prison at Guantánamo Bay closed, which I began 15 years ago, but for donations in pounds, all you really need to know is the conversion rate, which is currently about 3:4, so a donation of £15, for example, would be $20.
Nine years ago, in the spring of 2012, I set out on my bike, with a small point-and-shoot Canon camera, on a mission to take photos in all 120 postcodes of the London postal district, an area of 241 square miles featuring the City and the West End (EC and WC), and the compass points that radiate out from them (E, SE, SW, W, NW and N).
I embarked on the project after five largely sedentary years spent researching and writing about the prison at Guantánamo Bay, and an illness in 2011, in part because I wanted to get fit, but, in particular, because I wanted to get to know better the city that has been my home since I left university in 1985, and to record its multi-layered history and the significant changes that it was undergoing as it played host to the 2012 Olympic Games, and, more generally, as development money poured in to remake huge swathes of the capital for the 21st century, via an array of “regeneration” projects that largely seem to involve sidelining the genuine needs of Londoners in pursuit of profits for investors, both foreign and domestic.
Five years in, I began posting a daily photo on Facebook from the archive I’d built up since 2012, accompanying the photos with essays intended to establish it as a photo-journalistic appraisal of the capital in all of its complexity, and I hope that, as the project has gone on, it has also improved, as I embraced better technology (upgrading to a Canon PowerShot G7X Mk. II in February 2019), became a better photographer, and increasingly devoted more time to the essays that give the photos what I regard as a necessary context.
For the last two months, my physical world has shrunk immensely. For nine years I cycled almost every day, capturing the changing face of London on bike rides that have taken me to the furthest postcodes of Europe’s largest city, and that, since the first Covid lockdown in March 2020, involved me cycling most days into central London — the City and the West End — to capture what began as apocalyptic emptiness, to which, by degrees, human activity eventually returned, but on nothing like the scale that it was before Covid hit. I post a photo a day from those bike rides — with accompanying essays — on my Facebook page ‘The State of London’, and also on Twitter.
Two months ago, however, I sprained my leg quite badly — crossing an unexpected line when what I thought was healthy activity turned out to be something that, instead, signified that my body’s resilience was finite, and that I was wearing it out.
Since then, I’ve barely left my immediate neighbourhood. For most of the last two months, I felt fortunate if I was able to hobble to the bottom of the street I live in in Brockley, in south east London. The worst of it is now over, as the muscle I sprained has finally healed, but in the process of compensating my knee itself is now bruised and painful, and although I can walk further — up to and and around my local park, Hilly Fields, and around the streets nearest to me, I haven’t been able to venture further afield, except on a few occasions when my wife has driven me somewhere.
With the anniversary of the UK’s first Covid lockdown approaching, I look at how how the protest movements that have arisen over the last 12 months — about racist oppression, the safety of women and an attempted ban on protest itself — have spontaneously arisen when the logical limits of strict lockdowns have been reached. I also note how these movements stand in stark opposition to the protests of those engaged in Covid denial, who wilfully flout genuine public safety concerns through a toxic mix of dangerous conspiracy theories.
The devastatingly incompetent and corrupt government of Boris Johnson
Ever since the first Covid lockdown was declared in the UK, on March 23 last year, the British people have, for the most part, complied with the rules laid down by a government that was spectacularly ill-equipped to deal with a global pandemic, that has handled it with shattering incompetence, and that has also engaged in cronyism to an unprecedented extent.
Elected in December 2019 to ‘Get Brexit Done’ by just 29% of the registered electorate, Boris Johnson stacked his cabinet with inadequate, second-rate politicians whose only requirement for being chosen was that they were fanatically committed to Britain leaving the EU, an astonishingly misguided policy of national suicide that came out of David Cameron’s shameful capitulation to Euro-sceptics in his own party, and the threat posed by UKIP under Nigel Farage.
Today marks 1,400 days since I first began posting a photo a day — and accompanying essays — on my Facebook page ‘The State of London’, and I’m delighted that it has continued to grow in popularity, so that I now have over 4,300 followers, plus many more who follow the daily posts on my own Facebook page.
It now seems like another age since I first set out on my bike to chronicle the changing face of London in photos, in May 2012, exactly five years before I started posting a photo a day on Facebook. As I drew on the archive I’d built up for my daily posts — choosing a photo from each successive day, but from any of the years since the project started — the London of the second decade of the 21st century was a recognisable beast; sometimes charming, sometimes infuriating, a place where the gulf between the rich and the poor continued to grow at an alarming pace, and a place that has been invaded and occupied by predatory developers, building skyscraper office blocks that were not needed, and dense forests of residential tower blocks that were unaffordable for most hard-working Londoners, while selling off existing estates of social housing to be knocked down for further profits.
In terms of my photography and my research, the project has seen huge developments. After using simple point-and-shoot cameras at the beginning, I invested in a superior example, the Canon PowerShot G7X Mk II, two years ago, which transformed my photography, and I also began devoting more and more time to the text accompanying the photos, which, in the early days, had often been quite cursory.
Dear friends and supporters of ‘The State of London’,
It’s nearly nine years since I first set off on my bike to record London in photos on daily trips through the 241 square miles of the capital’s 120 postcodes — and nearly four years since I began posting a photo a day on Facebook, where I also post an accompanying essay to accompany each photo, and on Twitter.
At the time of writing, I’ve posted 1,350 photos on Facebook, and I’m delighted to note that the Facebook page currently has 4,250 followers, as well as the many other people who keep up with the project on my personal Facebook page.
I’m grateful for all the interest — and the wonderful supportive comments that I receive on a gratifyingly regular basis — but today I’d like to ask you, if you are able, to make a donation to support ‘The State of London’, as I have no financial backing whatsoever, and I’m relying on you to keep me going.
Recently I spoke to Andy Bungay of Riverside Radio, a community radio station in Wandsworth, for his show ‘The Chiminea’, which was broadcast on Boxing Day, and is available here on Mixcloud.
Andy and I have been speaking for several years, and it’s always great to talk to him. Our 50-minute segment of the two and a half hour show began just under 21 minutes in, when Andy played ‘Fighting Injustice’, the first of three songs by my band The Four Fathers, which has long been a live favourite, and whose chorus is something of a mantra of mine — “If you ain’t fighting injustice / You’re living on the dark side.”
We then began our discussion by taking about my photo-journalism project ‘The State of London’, which I began in 2012, and which involves me cycling and taking photos on a daily basis throughout London’s 120 postcodes, and, since 2017, posting a photo a day, with an accompanying story, on Facebook.
Sunday marked 1,300 days — over three and a half years — since I first began posting a photo a day (plus an accompanying essay) on my Facebook page ‘The State of London.’
The Facebook project began on May 11, 2017, the fifth anniversary of the day I first consciously began cycling around the 120 postcodes of the London Postal District (the postcodes beginning E, EC, N, NW, SE, SW, W and WC), intending to capture, in photos, the changing face of the city, and its different manifestations based on the weather and the seasons.
My thanks to everyone taking an interest in the project, which has just reached 3,800 followers — plus many more who follow the photos on my own Facebook page, and also those who follow ‘The State of London’ on Twitter.
Is this how the world as we know it ends, then — not with a bang, or even a whimper, but with the slow, silent death of shops, pubs, restaurants and live culture?
England’s second Covid lockdown, introduced on November 5 in response to rising infection rates, has, in a crucial pre-Christmas month for business, shut down all shops regarded as “non-essential” — in other words, to name just a few examples, all clothes shops, gift shops and bookshops, as well as pubs and restaurants — with a sense of timing that could lead one to conclude that it was dictated by Amazon and other online retailers for whom Covid has seen their businesses reap unprecedented profits.
The cost of this, in terms of businesses shutting down, and employees laid off, is not yet known, but it seems likely that, as 2021 unfolds, the centres of our cities and towns will be wastelands, reminiscent of the early 1980s under Margaret Thatcher.
Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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