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I’m delighted to announce the release, on Bandcamp, of ‘Songs of Loss and Resistance’, the new album by The Four Fathers, marking ten years of our existence as a south London-based band playing mostly original folky, rocky, reggae-inflected protest music.

The album, our third, and a belated follow-up to our second album, ‘How Much Is A Life Worth?’, released in November 2017, was recorded, sporadically, over the last six years, in sessions in July 2018, December 2019, July 2022 and January 2024, with the great Charlie Hart, a multi-instrumentalist and producer, best-known as a member of Ronnie Lane’s Slim Chance in the 1970s and ‘80s, who also plays electric piano and accordion on three of the songs. Do check out Charlie’s work if you don’t know it, as he is currently involved in two very worthwhile musical projects — the Equators, an epic collective of talented players of African-tinged jazz and r’n’b, and a revival of Slim Chance, mostly featuring musicians who played with Ronnie in the band’s bucolic heyday, following Ronnie’s exodus from the excess of the Faces.

The long genesis of the album was caused by personnel changes, the huge disruption of Covid in 2021 and 2022, and the difficulty of getting everyone together to rehearse, and, most specifically, to work on arrangements of the songs in the gaps between work commitments and, more recently, the kinds of family illnesses that begin to afflict those of us in our 50s and 60s with ageing parents.

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My band The Four Fathers have just released the last of three songs we recorded before the coronavirus hit, with the multi-talented musician and producer Charlie Hart, whose illustrious career involves playing with Ian Dury in Kilburn and the High Roads, many years with Ronnie Lane, after he left the Faces, in Slim Chance, and several occasions spent working with the wonderful Congolese singer Samba Mapangala.

The release is ‘The Wheel of Life’, a meditation on aging, and on the importance of living in the moment, which I hope has some resonance right now, as we all try to cope with the impact of the novel coronavirus, COVID-19, which brought our thoughtlessly excessive lifestyles to an abrupt halt three months ago, but which has also precipitated a forthcoming recession of possibly terrifying proportions, as well as silencing all forms of culture that involves live interaction at close quarters.

Live music is just one the casualties of this strange new world, and while we try to work out how to resume entertaining one another in a live context, creative people are suffering. In an attempt to help, Bandcamp, the US online music service, which we use in preference to streaming companies, has been waiving its fees on specific days throughout the coronavirus lockdowns, starting on March 20, when music fans spent “$4.3 million on music and merch — 15x the amount of a normal Friday — helping artists cover rents, mortgages, groceries, medications, and so much more”, and followed by May 1, when fans paid artists $7.1 million, and June 5, when fans paid artists $4.8 million.

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Today marks 25 days until the UK is supposed to leave the EU, and my band The Four Fathers are taking the opportunity to release — via Bandcamp — our anti-Brexit anthem, ‘I Want My Country Back (From The People Who Wanted Their Country Back)’, which has become something of a live favourite over the last couple of years.

Please have a listen to it, share it if you like it, and, if you want, you can even buy it as a download (for £1/$1.25 — or more if you wish).

I wrote it in the weeks after the referendum, when the chorus came to me out of the blue — as often happens to me — and I then struggled to hammer out some verses, aimed at the stupidity, arrogance and lies of, variously, Boris Johnson, Nigel Farage and David Cameron. However, although the chorus arrived fully-formed and has never changed, I thoroughly revised the lyrics for the verses after discussions with my friend, the musician and producer Charlie Hart, whose suggestions led me in a direction that was — at least partly — more poetic, especially in the song’s opening lines:  Read the rest of this entry »

My band The Four Fathers have just released a brand-new online single, ‘Equal Rights And Justice For All,’ a passionate defence of habeas corpus, which is supposed to protect all of us from arbitrary imprisonment.

The song — an insistent and infectious roots reggae groove — was inspired by my work trying to get the prison at Guantánamo Bay closed down, my work opposing the use of secret evidence in the UK, and also by the 800th anniversary of King John signing Magna Carta in 2015. The key element of this document, which the barons obliged him to sign, was habeas corpus, the right to be bought before a judge to test the validity of one’s imprisonment, which, over the centuries that followed, ended up applying to everyone, and was successfully exported around the world as a hugely significant bulwark against tyranny.

See below for the song, on Bandcamp, where you can listen to it for free — or, if you’d like to support us, buy it as a download for just £1 ($1.25) — or more if you’d like. Read the rest of this entry »