Dear friends and supporters,
Every three months, I ask you, if you can, to make a donation to support my ongoing work on Guantánamo — researching and writing about the shameful lawlessness of the prison and the plight of the men still held, and campaigning to get it closed down. I’ve been doing this work for nearly 16 years now, and, as a reader-funded journalist and activist, I rely on your support to enable me to keep running three websites (Andy Worthington, Close Guantánamo and the Gitmo Clock), maintaining the associated social media, and engaging in public speaking and events.
Shamefully, we’re just a month away from an anniversary that all of us opposed to Guantánamo’s existence hoped would never arrive — the 20th anniversary of the prison’s opening, on January 11, 2022. And sadly, despite huge efforts this year to push Joe Biden to take decisive action (including by Senators and Representatives in his own party), very little has actually happened. Just one man has been freed, and while eight of the 39 men still held have been approved for release by Periodic Review Boards (a high-level US government review process) since he took office, none of them have been freed, and five others approved for release before he took office are also still held.
As the anniversary approaches, I’m working on a number of online events to highlight the need for Guantánamo to be closed (and I’d also like to ask you to take photos with the Close Guantánamo campaign’s posters marking 7,300 days of the prison’s existence on Jan. 5, and 7,306 days on Jan. 11, and to send them to us), and I’ll let you know more about these plans as they develop.
Dear friends and supporters,
It’s now over four and a half years since I first began to post photos — and accompanying essays — on Facebook, as ‘The State of London’, from the archive of photos that I’d been building up since I first began cycling with a camera and a curious eye throughout London’s 120 postcodes five years before, in May 2012.
This has, from the beginning, been a labour of love. No one asked me to do it, and no one was paying me to do it either, but as time has gone on and the project has become more popular (with nearly 5,000 followers now on Facebook), I have also devoted more and more time to it — particularly through the research I undertake into the subjects of my photos, and the essays I write to accompany my daily posts, which I know many of you appreciate.
As a result, earlier this year I began posting quarterly fundraisers asking you to make a donation, if you can, to support ‘The State of London.’ If you can help out, please click on the “Donate” button above to make a payment via PayPal. Any amount will be gratefully received — whether it’s £5, £10, £20 or more!
Sunday marked 1,600 days since I first began posting a daily photo of London — with an accompanying essay — on my Facebook page ‘The State of London’, drawn from the daily bike rides I’d been making for the previous five years through the 120 postcodes of the London Postal District (those beginning with WC, EC, E N, NW, SE, SW and W), which covers 241 square miles.
I’m immensely grateful to the nearly 4,800 followers ‘The State of London’ has gathered on Facebook over the last four years, and the nearly 1,100 on Twitter, and if you can make a donation to support the project, it will be very gratefully received, as I have no institutional backing, and am reliant on you, my readers, to enable me to carry on cycling and taking photos, and researching and writing the essays that accompany every photo.
Please click on the ‘Donate’ button above if you can make a donation via PayPal. The page is set to dollars, because I also use it to support my work on ongoing work campaigning to get the prison at Guantánamo Bay closed, which I began 15 years ago, but for donations in pounds, all you really need to know is the conversion rate, which is currently about 3:4, so a donation of £15, for example, would be $20.
Dear friends and supporters,
Every three months I ask you, if you can, to support my ongoing work researching and writing about the prison at Guantánamo Bay, and campaigning to get it closed down once and for all. I’ve now been doing this for 15 and a half years, and, as a reader-funded journalist, commentator and activist, I rely on your support to keep going.
If you can make a donation to support my ongoing efforts to close Guantánamo, and/or my photo-journalism, please click on the “Donate” button above to make a payment via PayPal. Any amount will be gratefully received — whether it’s $500, $100, $25 or even $10 — or the equivalent in any other currency.
You can also make a recurring payment on a monthly basis by ticking the box marked, “Make this a monthly donation,” and filling in the amount you wish to donate every month. If you are able to do so, a regular, monthly donation would be very much appreciated.
Nine years ago, in the spring of 2012, I set out on my bike, with a small point-and-shoot Canon camera, on a mission to take photos in all 120 postcodes of the London postal district, an area of 241 square miles featuring the City and the West End (EC and WC), and the compass points that radiate out from them (E, SE, SW, W, NW and N).
I embarked on the project after five largely sedentary years spent researching and writing about the prison at Guantánamo Bay, and an illness in 2011, in part because I wanted to get fit, but, in particular, because I wanted to get to know better the city that has been my home since I left university in 1985, and to record its multi-layered history and the significant changes that it was undergoing as it played host to the 2012 Olympic Games, and, more generally, as development money poured in to remake huge swathes of the capital for the 21st century, via an array of “regeneration” projects that largely seem to involve sidelining the genuine needs of Londoners in pursuit of profits for investors, both foreign and domestic.
Five years in, I began posting a daily photo on Facebook from the archive I’d built up since 2012, accompanying the photos with essays intended to establish it as a photo-journalistic appraisal of the capital in all of its complexity, and I hope that, as the project has gone on, it has also improved, as I embraced better technology (upgrading to a Canon PowerShot G7X Mk. II in February 2019), became a better photographer, and increasingly devoted more time to the essays that give the photos what I regard as a necessary context.
For the last two months, my physical world has shrunk immensely. For nine years I cycled almost every day, capturing the changing face of London on bike rides that have taken me to the furthest postcodes of Europe’s largest city, and that, since the first Covid lockdown in March 2020, involved me cycling most days into central London — the City and the West End — to capture what began as apocalyptic emptiness, to which, by degrees, human activity eventually returned, but on nothing like the scale that it was before Covid hit. I post a photo a day from those bike rides — with accompanying essays — on my Facebook page ‘The State of London’, and also on Twitter.
Two months ago, however, I sprained my leg quite badly — crossing an unexpected line when what I thought was healthy activity turned out to be something that, instead, signified that my body’s resilience was finite, and that I was wearing it out.
Since then, I’ve barely left my immediate neighbourhood. For most of the last two months, I felt fortunate if I was able to hobble to the bottom of the street I live in in Brockley, in south east London. The worst of it is now over, as the muscle I sprained has finally healed, but in the process of compensating my knee itself is now bruised and painful, and although I can walk further — up to and and around my local park, Hilly Fields, and around the streets nearest to me, I haven’t been able to venture further afield, except on a few occasions when my wife has driven me somewhere.
Dear friends and supporters of ‘The State of London’,
Today marks the ninth anniversary of when I first set out consciously on my bike, armed with a small Canon compact camera, to take photos on a daily basis of the changing face of London throughout the 241 square miles of the capital’s 120 postcodes, and the fourth anniversary of when I began posting a photo a day on ‘The State of London’ Facebook page, where I also post an essay to accompany each photo. I also post the daily photos on Twitter.
I’ve now posted 1,431 photos on Facebook, where I now have nearly 4,500 followers, as well as the many other people who keep up with the project on my personal Facebook page, and, as the project has evolved, so too have my abilities as a photographer, especially over the last two years and three months since I upgraded to my current camera, the wonderful Canon PowerShot G7X Mk. II.
Sadly, I’m currently unable to celebrate this particular milestone on my bike, as I have strained a muscle in my right leg and am encouraging myself to remain largely immobile until it has healed, but in general I’ve been out and about most days over the last nine years, and since I began posting daily photos on Facebook, the demands of the project mean that, in addition to the time spent cycling, I also spend one or two hours researching the photo of the day and writing the text to accompany it, posting the photos and responding to comments.
Today marks 1,400 days since I first began posting a photo a day — and accompanying essays — on my Facebook page ‘The State of London’, and I’m delighted that it has continued to grow in popularity, so that I now have over 4,300 followers, plus many more who follow the daily posts on my own Facebook page.
It now seems like another age since I first set out on my bike to chronicle the changing face of London in photos, in May 2012, exactly five years before I started posting a photo a day on Facebook. As I drew on the archive I’d built up for my daily posts — choosing a photo from each successive day, but from any of the years since the project started — the London of the second decade of the 21st century was a recognisable beast; sometimes charming, sometimes infuriating, a place where the gulf between the rich and the poor continued to grow at an alarming pace, and a place that has been invaded and occupied by predatory developers, building skyscraper office blocks that were not needed, and dense forests of residential tower blocks that were unaffordable for most hard-working Londoners, while selling off existing estates of social housing to be knocked down for further profits.
In terms of my photography and my research, the project has seen huge developments. After using simple point-and-shoot cameras at the beginning, I invested in a superior example, the Canon PowerShot G7X Mk II, two years ago, which transformed my photography, and I also began devoting more and more time to the text accompanying the photos, which, in the early days, had often been quite cursory.
Dear friends and supporters of ‘The State of London’,
It’s nearly nine years since I first set off on my bike to record London in photos on daily trips through the 241 square miles of the capital’s 120 postcodes — and nearly four years since I began posting a photo a day on Facebook, where I also post an accompanying essay to accompany each photo, and on Twitter.
At the time of writing, I’ve posted 1,350 photos on Facebook, and I’m delighted to note that the Facebook page currently has 4,250 followers, as well as the many other people who keep up with the project on my personal Facebook page.
I’m grateful for all the interest — and the wonderful supportive comments that I receive on a gratifyingly regular basis — but today I’d like to ask you, if you are able, to make a donation to support ‘The State of London’, as I have no financial backing whatsoever, and I’m relying on you to keep me going.
Recently I spoke to Andy Bungay of Riverside Radio, a community radio station in Wandsworth, for his show ‘The Chiminea’, which was broadcast on Boxing Day, and is available here on Mixcloud.
Andy and I have been speaking for several years, and it’s always great to talk to him. Our 50-minute segment of the two and a half hour show began just under 21 minutes in, when Andy played ‘Fighting Injustice’, the first of three songs by my band The Four Fathers, which has long been a live favourite, and whose chorus is something of a mantra of mine — “If you ain’t fighting injustice / You’re living on the dark side.”
We then began our discussion by taking about my photo-journalism project ‘The State of London’, which I began in 2012, and which involves me cycling and taking photos on a daily basis throughout London’s 120 postcodes, and, since 2017, posting a photo a day, with an accompanying story, on Facebook.
Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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