Exactly one year ago, I began posting a photo a day on a Facebook page I had just established — ‘The State of London’ — from my archive of tens of thousands of photos taken of London, in all 120 of the capital’s postcodes, as well as some of the outlying boroughs, that I had built up over the previous five years.
I haven’t advertised ‘The State of London’ via Facebook, which some people suggest is a good way of getting supporters, but I’ve steadily built up a following over the last year of people who like my photo-journalistic take on the capital — photos, often accompanied by short essays, of the good, the bad and the ugly of London in the second decade of this tumultuous century. Someone more objective than me can probably analyse my taste, but I know that I’m bewitched by the light and the changing seasons, that I love catching photos on those outings when I get caught in storms or showers or torrential rain, that I love the river and its tributaries, and London’s canals, that I love the capital’s hills, its park, its trees, and that I also see almost everything with a political eye.
On my endless, restless journeys, I see everything that is happening with the built environment, but when I started in 2012, in the year of the Olympic hype, in which big money was savagely reshaping the Lea valley, I was appalled by the jingoism and empty patriotism, but I didn’t fully comprehend how, in the years that followed, the broken capitalist model that had almost killed itself through 2008’s self-inflicted global economic crash would end up working out that the only way left to guarantee huge and unjustifiable profits for the lazy rich was for the UK establishment, and those who aspire to it, to cannibalistically feed off its own people, through housing. Read the rest of this entry »
Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker, singer/songwriter (The Four Fathers).
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