Dear friends and supporters of ’The State of London’,
Every three months I ask you, if you can, to make a donation to support my unique, reader-funded photo-journalism project ‘The State of London’, which has just reached 6,200 followers on Facebook, and has over 1,550 followers on Twitter. As I have no institutional backing whatsoever, I’m entirely dependent on your generosity to enable me to continue this project, which takes up a considerable amount of otherwise entirely unpaid time.
If you can help out at all, please click on the “Donate” button above to make a payment via PayPal. Any amount will be gratefully received — whether it’s £10, £20, £50 or more!
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I’m delighted to report that today marks 2,000 days since I first began posting a photo a day taken on bike rides through the 241 square miles the capital’s 120 geographical postcodes — plus an accompanying essay — on my Facebook page ‘The State of London.’ I launched the Facebook page on the 5th anniversary of when I first set out consciously on my bike to capture my perceptions of London with a small point-and-shoot camera, on May 11, 2012 — and for anyone interested in that longer timescale, today actually marks 3,826 days since the project began, which has involved me getting through two bikes and four cameras (ending up with the wonderful Canon PowerShot G7 X Mk. II, which I’ve had for nearly the last four years, and going from looking at my 50th birthday approaching to reflecting on my imminent 60th.
I’m grateful to my 5,800 followers — and 1,350 followers on Twitter — plus the many more people who take an interest in the project without officially ‘following’ it.
There are, of course, many pages and websites out there that feature photos of London, but to the best of my knowledge there’s nothing like ‘The State of London’, which is very specifically a photo-journalism project. I endeavour to make the photos memorable in their own right, but they are rarely the kind of images you’d find wooing tourists, or emblazoned on a canvas print in a populist art shop — and, moreover, the photos are always accompanied by detailed essays providing a wealth of context, historical background and commentary.
Ten years ago today, on May 11, 2012, I set out on my bike, with a little Canon camera that my wife had bought me for Christmas, to record the ever-changing landscape of London in photographs, intending to visit and take photos in all 120 postcodes of the London Postal District (those beginning with WC, EC, E N, NW, SE, SW and W), which covers 241 square miles. It took me two and a half years to visit every postcode at least once, and rather longer to find the camera that particularly suited the requirements of the project. In February 2019, after a number of upgrades, I ended up with the camera I still have, a Canon PowerShot G7X Mk. II, and if I have one regret about this project, it’s that I didn’t buy it sooner.
Back in May 2012, I had no idea where this journey would take me, but ten years later it has become a running commentary on the best and the worst of this sprawling, infuriating and sometimes inspiring city that has been my home for the last 37 years.
Exactly five years after I first embarked on this photographic project, on May 11, 2017, I set up the Facebook page ‘The State of London’ to post a photo a day, with an accompanying essay, from these journeys, where I have now posted nearly 1,800 photos and essays, and where, I’m delighted to report, the project now has over 5,000 likes and over 5,400 followers. I also post the daily photos on Twitter, where the page has over 1,250 followers.
Sunday marked 1,300 days — over three and a half years — since I first began posting a photo a day (plus an accompanying essay) on my Facebook page ‘The State of London.’
The Facebook project began on May 11, 2017, the fifth anniversary of the day I first consciously began cycling around the 120 postcodes of the London Postal District (the postcodes beginning E, EC, N, NW, SE, SW, W and WC), intending to capture, in photos, the changing face of the city, and its different manifestations based on the weather and the seasons.
My thanks to everyone taking an interest in the project, which has just reached 3,800 followers — plus many more who follow the photos on my own Facebook page, and also those who follow ‘The State of London’ on Twitter.
Yesterday marked 900 days since I began posting a photo a day on Facebook — with accompanying essays — taken from the daily photographic journeys by bike around London’s 120 postcodes that I started five years before — on May 11, 2012, an ongoing photo-journalistic project that I call ‘The State of London.’ For anyone obsessed with stats, I think this means that I’ve been out in all weathers photographing the capital for 2,726 days; or seven years, five months and 16 days.
Before I create the inadvertent illusion that I’m the Bear Grylls of urban cycling, I should point out that, nine days out of ten, I haven’t strayed far beyond the radius of postcodes emanating from my home, in Brockley, London SE4; that is to say, Deptford (SE8), Greenwich (SE10), Lewisham (SE13), New Cross (SE14), Peckham and Nunhead (SE15), Rotherhithe and South Bermondsey (SE16), and the whole of the sprawling SE1 postcode.
However, I have been to each of the 120 postcodes that make up the ‘London postal area’ at least once (a milestone I reached in September 2014), and I have also got to know, extremely well, almost the whole of south east London, most of east London (which I generally access via the Greenwich Foot Tunnel, the Regent’s Canal and the Limehouse Cut), much of south west London, the whole of the City and the West End, and the central components of the N, NW and W postcodes, and I feel that I now “know” the city — and, intellectually, “own” it — in a way that was unimaginable to me seven years ago, and that its streets and its shape and much of its history is now embedded in me like an organic GPS system.
Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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