The Powerful Artwork Still Being Created by Prisoners at Guantánamo, and the Outrageous Ban on its Dissemination That is Still in Place
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I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
Many thanks to BBC World reporter Joel Gunter for his recent detailed article, “The sudden silencing of Guantánamo’s artists,” about the wonderful artwork produced by some of the men held in the prison at Guantánamo Bay, a lifeline for them since they were first allowed to express themselves during the Obama presidency, but one that has become considerably compromised in recent years, after the Pentagon took exception to an exhibition of some of the prisoners’ artwork at John Jay College of Criminal Justice in New York City from October 2017 to January 2018.
“Ode to the Sea: Art from Guantánamo Bay” featured art by eight current and former prisoners, mostly innocuous scenes drawn from nature, all of which had been approved for release by the Pentagon after screening to assure officials that they didn’t contain hidden terrorist messages. Some of the artists showed noticeable talent, although the most striking works were ships and boats made by a Yemeni prisoner, Moath al-Alwi, using recycled materials.
I wrote at the time about the importance of prisoners being allowed to express themselves artistically after their long years of what was, fundamentally, profound isolation under President Bush, and of the importance of their art being allowed to be seen in the US, to show the men as human beings rather than the “super-terrorist” bogeymen that is the default position towards them that has been taken by the US government and the mainstream media, even though the overwhelming majority of the 779 men held at Guantánamo since it first opened in January 2002 have never been charged with a crime, and were almost certainly nothing more than foot soldiers or even civilians seized by mistake.
Photos and Report: The Launch of “Guantánamo [Un]Censored: Art from Inside the Prison” at CUNY School of Law in New York
Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months of the Trump administration. If you can help, please click on the button below to donate via PayPal.
Last week was the launch of “Guantánamo [Un]Censored: Art from Inside the Prison,” a powerful new art exhibition featuring work by eleven current and former Guantánamo prisoners at CUNY School of Law’s Sorensen Center for International Peace and Justice, in Long Island City in Queens, New York, which I wrote about in an article entitled, Humanizing the Silenced and Maligned: Guantánamo Prisoner Art at CUNY Law School in New York.
This is only the second time that Guantánamo prisoners’ artwork has been displayed publicly, following a 2017 exhibition at John Jay College of Criminal Justice, also in New York, which became something of a cause célèbre after the Pentagon complained about it. That institutional hissy fit secured considerable sympathy for the prisoners — and criticism for the DoD — but in the end the prisoners lost out, as the authorities at Guantánamo clamped down on their ability to produce artwork, and prohibited any artwork that was made — and which the prisoners had been giving to their lawyers, and, via their lawyers, to their families — from leaving the prison under any circumstances.
Since the launch, a wealth of new information has come my way, via Shelby Sullivan-Bennis, who represents around ten of the 40 men still held at Guantánamo, and who was one of the main organizers of the exhibition, which is running until mid-March, with further manifestations continuing, I hope, throughout the rest of the year.
Humanizing the Silenced and Maligned: Guantánamo Prisoner Art at CUNY Law School in New York
Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months of the Trump administration. If you can help, please click on the button below to donate via PayPal.
I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
For the men held in the US government’s disgraceful prison at Guantánamo Bay, where men have now been held for up to 18 years, mostly without charge or trial, the US authorities’ persistent efforts to dehumanize them — and to hide them from any kind of scrutiny that might challenge their captors’ assertions that they are “the worst of the worst” and should have no rights whatsoever as human beings — have involved persistent efforts to silence them, to prevent them from speaking about their treatment, and to prevent them from sharing with the world anything that might reveal them as human beings, with the ability to love, and the need to be loved, and with hopes and fears just like US citizens.
Cutting through this fog of secrecy and censorship, “Guantánamo [Un]Censored: Art from Inside the Prison” is an exhibition of prisoners’ art that is currently showing in the Sorensen Center for International Peace and Justice at CUNY (City University of New York) School of Law, based in Long Island City in Queens. The exhibition opened on February 19, and is running through to the middle of March. Entry is free, and anyone is welcome to attend.
As the organizers explain on the CUNY website, “The exhibit showcases artworks — the majority of which have never before been displayed — of eleven current and former Guantánamo prisoners, and includes a range of artistic styles and mediums. From acrylic landscapes on canvas to model ships made from scavenged materials such as plastic bottle caps and threads from prayer rugs, ‘Guantánamo [Un]Censored’ celebrates the creativity of the artists and their resilience.”
Who's still at Guantánamo?
