Please support my work as a reader-funded investigative journalist, commentator and activist. If you can help, please click on the button below to donate via PayPal.

Check out my photos from this year’s WOMAD on Flickr here.

It’s hard to believe now, when hundreds of festivals take place every summer in the UK, but back in 1982, when Peter Gabriel set up the first WOMAD (World of Music, Arts and Dance) in Shepton Mallet, only a handful of festivals took place on a regular basis; primarily, Reading Festival, which had evolved from a jazz festival first established in the 1960s, and which was, by the early ‘80s, dominated by heavy rock, Glastonbury Festival, revived in 1979 after its hippie origins in 1970 and ’71, and the Stonehenge Free Festival, which had been taking place since 1974, and which was growing larger every year — eventually prompting the Thatcher government to suppress it with unprecedented violence in 1985 at The Battle of the Beanfield.

Promoting music from around the world was a bold move back in 1982. Although Bob Marley had firmly put reggae and Jamaica on the map through his extraordinary global success in the 1970s, few other performers from Jamaica or elsewhere had crossed over prominently into the western mainstream.

Gabriel, however, as he explained ten years ago, on WOMAD’s 30th anniversary, became fascinated by world music after the murder of the black activist Steve Biko in apartheid South Africa in 1977. As he explained to the Guardian, he “was thinking of writing a song about Steve Biko, the anti-apartheid activist who died in police custody in 1977, when he came across a Dutch radio station playing African music”, and “was sufficiently entranced to explore further and work these influences” into his subsequent record, ’Biko’, released in 1980, a ”graceful, haunting” song that “became one of the first songs about apartheid by a major western artist.”

Read the rest of this entry »