Last month, at a party of activists in Brooklyn, towards the end of my annual US visit to call for the closure of the prison at Guantánamo Bay on the anniversary of its opening (the 16th anniversary of its opening, on January 11), I played ‘Grenfell’, the song I wrote after an entirely preventable inferno consumed Grenfell Tower, a residential tower block in west London last June, killing 71 people.

I wasn’t sure how much the small audience of human rights activists knew about it — how much news of distant disasters spreads around the globe, despite the notion that technology has made us all inter-connected — but I realised when introducing it that it was, for me, the defining moment of 2017, and I’m sure my passionate rendition of it helped one small corner of Brooklyn to understand.

I wrote ‘Grenfell’ last summer, as my response to the disaster, and played it with my band The Four Fathers for the first time in September at a benefit gig for campaigners in Tottenham, as part of their opposition to the Haringey Development Vehicle (HDV), a deeply unpleasant proposal by Haringey Council to enter into a £2bn deal with the rapacious international property developers Lendlease (the destroyers of Southwark’s Heygate Estate), which would involve the council transferring all its social housing to the HDV, with the ensuing destruction of entire estates, and their replacement with new private housing, from which most of the existing tenants would almost certainly be excluded. Read the rest of this entry »

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There was great news on Tuesday, as Claire Kober, the Labour leader of Haringey Council, announced her resignation, explaining that she will not be standing in May’s elections. Kober — and her close associates, like Alan Strickland, Cabinet Member for Regeneration and Housing — had imperiously decided to hand over all of Haringey’s social housing to the predatory international developer Lendlease, in what was laughingly described as a 50:50 partnership. Lendlease, however, has all the money, and what was intended to happen, via the £2bn deal for Haringey, was a large-scale version of what Southwark Council arranged for Lendlease at the Heygate Estate in Walworth: the destruction of council estates and their replacement with private developments for sale, or for rent at unaffordable prices.

At the Heygate, as I explained in an article last September, 1,034 homes, housing around 3,000 people, were demolished, most of which were socially rented, costing around 30% of market rents. 2,704 new homes are being built on the Heygate’s replacement, Elephant Park, but only 82 of those will be for social rent, with the rest laughably described as “affordable” in the biggest scam in the developers’ current lexicon. “Affordable” rents were set at 80% of market rents by Boris Johnson, in his miserable tenure as London’s Mayor, but that is actually unaffordable for the majority of hard-working Londoners.

As Aditya Chakrabortty of the Guardian explained when describing the Haringey proposal, known as the Haringey Development Vehicle (HDV), in July, “Haringey plans to stuff family homes, school buildings, its biggest library and much more into a giant private fund worth £2bn. It’s the largest scheme of its kind — ‘unprecedented’, in the words of backbench councillors. Together with a property developer, it will tear down whole streets of publicly owned buildings and replace them with a shiny town centre and 6,400 homes.” Read the rest of this entry »

Last Friday a new and timely documentary film that I narrated, ‘Concrete Soldiers UK’, had its world premiere at the Cinema Museum in Kennington, London SE11, showing to a full house of over 150 people, with pre-screening performances from beatboxer Bellatrix and spoke word artist Potent Whisper. The film was directed by Nikita Woolfe, and is the result of three years’ work. As she says, “Three years ago I was looking at all the new developments in London and was surprised to see how much of the construction happened on old council estate land. I started wondering why the councils wanted to sell off their valuable assets and whether there were alternatives. That’s how ‘Concrete Soldiers UK’ began. Three years later and ‘Concrete Soldiers UK’ is not only answering my questions but it has also become a film about the fighting spirit that I encountered on the way.”

The next screening is at Deptford Cinema on Monday December 18, at 7.30pm, followed by a Q&A with me and with representatives of estates and community spaces threatened with destruction in the borough of Lewisham — Old Tidemill Garden and Reginald Road in Deptford, and Achilles Street in New Cross — under the ‘No Social Cleansing in Lewisham’ umbrella term that I came up with in October, and which has so far spawned a benefit gig and a Facebook page.

Niki and I are planning to take the film on the road next year — primarily around estates threatened with destruction in London, but also beyond, if we can secure funding for our time and our travel. We also hope it will be shown in cinemas, and if you can help at all with any of these proposals, do get in touch. You can email me here, or you can email Niki here or call her on 07413 138909. We’re currently setting up a fundraising page, so if you want to help with that, do let Niki know. Read the rest of this entry »

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The struggle against social cleansing in the UK is a huge struggle, as councils enter into disgraceful deals with private developers, housing estates are destroyed, and tenants and leaseholders dispossessed, and victories often appear elusive.

As a result, what is happening in Haringey, in north London, is inspirational, as local activists have been working to successfully ensure that councillors who support the council’s social cleansing proposals — involving the creation of the Haringey Development Vehicle (HDV), a £2bn deal with a private developer — are de-selected prior to the council elections next May, and are being replaced with candidates who oppose the plans. See this page on the Stop HDV website for the extraordinary story of how, at the time of writing, there are now 36 Labour candidates who oppose the HDV, and only seven who support it.

The threat in Haringey is more severe than anywhere else in London, as the Labour council’s deal, with Lendlease, the Australian-based international housing developer, would involve all of Haringey’s council housing being transferred to the HDV. Even before an agreement is in place, plans have been announced for estates to be destroyed, and it is not scaremongering to suggest that the destruction and social cleansing, if it is not stopped, will be on a scale that has never been seen before in the UK. Read the rest of this entry »

I’m delighted to announce that today my band The Four Fathers are releasing our second album, How Much Is A Life Worth? via Bandcamp, where you can buy it on CD (which can be sent anywhere in the world), or as a download (either the whole album, or individual tracks). The CD costs £8 (about $10.67), plus postage and packing, while the download of the album costs £5 (about $6.67), with individual tracks available for $1 (about $1.33). These are the minimum prices, but you can always pay more if you want to provide us with extra financial support, to help us recoup the costs of recording and production.

The album features ten original rock and roots reggae songs — eight written by me, as lead singer and rhythm guitarist, and two written by lead guitarist Richard Clare. It follows the release in 2015 of the band’s first album, ‘Love and War,’ and continues to demonstrate a commitment to political issues, with six of the album’s ten songs being protest songs. The band also features Brendan Horstead on drums and percussion, Andrew Fifield on flute and harmonica, and Louis Sills-Clare on bass (replaced after the album was recorded by current bassist Mark Quiney).

Followers of the band on Bandcamp — or those who have seen us live — will already know some of these songs, as six of them have previously been released online, although all of them have now been slightly remastered. Those songs are, in order of release, ‘Close Guantánamo’ (used for the ‘Close Guantánamo’ campaign that I run), ‘Dreamers’ (a song about friendship, written for a friend’s 50th birthday), live favourites ’Riot’ (about austerity and the need for social and economic justice) and ‘London’ (a lament for how the capital’s vibrancy in the 80s and 90s has been destroyed by housing greed), ‘She’s Back’ (Richard’s song about Pussy Riot) and ‘Equal Rights And Justice For All’ (my celebration of habeas corpus, which always gets a laugh when I say live that no set is really complete without a song about habeas corpus). Read the rest of this entry »

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Today is the 200th day of ‘the State of London’, a photo project that I launched on Facebook on May 11 this year, the fifth anniversary of when I first began travelling around the capital by bike, taking photos on a daily basis. I also set up a Twitter page recently, and, in the new year I hope to get the website (currently just a skeleton) up and running. My article introducing the project is here, and also see here for my reflections after 100 days.

The photos cover every one of London’s 120 postcodes, and also include some of the outlying boroughs, and, since launching the daily photos on Facebook, I’ve posted photos from over half of London’s 120 postcodes.

They feature what I hope is a fascinating cross-section of the capital’s many faces beyond those seen by tourists — its abandoned and run-down places, its buildings old and new (the latter rising up like a plague of greed), night and day, the light, the rain, the seasons and the weather, political protests, and, increasingly, those parts of the city that are threatened with destruction — primarily, council estates that are being knocked down and replaced with new private developments from which the existing residents (both tenants and leaseholders) are generally excluded, a disgraceful form of social cleansing involving councils from across the entire political spectrum. Read the rest of this entry »

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On Friday, I was delighted to attend a screening of ‘Outside the Law: Stories from Guantánamo’, the 2009 documentary film I co-directed with Polly Nash, at the University of Westminster, followed by a lively Q&A session with a packed room full of very engaged students.

My thanks to Sam Raphael, Senior Lecturer in Politics and International Relations, for arranging the event. Sam, with Ruth Blakeley, set up The Rendition Project, described on his university page as “an ESRC-funded project which works with NGOs and human rights investigators to uncover and understand human rights violations in the ‘War on Terror.’” Sam’s page also explains that the project “provides an unparalleled picture of the CIA’s torture programme, and has been described by the Guardian as ‘a groundbreaking research project which sheds unprecedented light on one of the most controversial secret operations of recent years.’”

Sam and I have worked together before, most recently last November at ‘Enshrined Injustice: Guantánamo, Torture and the Military Commissions’, a panel discussion at the University of Westminster, which I spoke at, and which Sam moderated, and which also featured Alka Pradhan, Human Rights Counsel at the Guantánamo Bay Military Commissions, and Carla Ferstmann, the director of REDRESS. My report about that and other Guantánamo-related events in London at that time was entitled Parliament and the People: Two Days of London Events About Guantánamo, Torture and the Military Commissions. Read the rest of this entry »

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It was hard to move in the legendary music pub The Birds Nest in Deptford on Sunday night. I’d arranged a benefit gig there — also intended as a consciousness-raising event, and an opportunity for all kinds of different campaigners to meet — under the umbrella heading, ‘No Social Cleansing in Lewisham’, and it had proved to be so popular that the place was rammed, with sets from the acclaimed spoken word artist Potent Whisper, my band The Four Fathers, playing punky political rock and roots reggae, the theatrical singalong politics of the Commie Faggots, the talented Southwark-based rapper Asher Baker, Deptford spoken word artist Agman Gora passionately tackling current crises, the massed voices of the Strawberry Thieves Socialist Choir, and the ukulele-wielding women of Ukadelix, with their wonderful vocal harmonies. Check out all my photos here.

I organised the event because I’d become aware that the plague of modern London — social cleansing by, predominantly, Labour boroughs — was starting to make its baleful presence felt in the borough of Lewisham, where I live, in south east London. This is not to say that Lewisham had previously been impervious to this greedy, class-based curse. The monstrous Lewisham Gateway development in the heart of the borough had begun with the destruction of a council estate, the Sundermead Estate, and the council is also currently involved in the long-running destruction of two estates on the border with Greenwich, Heathside and the wonderfully Brutalist Lethbridge Estate (which I’ll need to write about soon, as I can find absolutely no criticism of the estate’s destruction online, and very few photos), as well as demolishing the extraordinary Excalibur Estate of post-war prefabs high in the back streets of Catford.

However, compared to its rapacious neighbour, Southwark, Lewisham is not yet a fully paid-up member of the Premier League of social cleansers. Lewisham’s biggest imminent project is the redevelopment of Convoys Wharf, a historically significant wharf on Deptford’s shoreline. This insulting effort to recreate Dubai at the end of Deptford High Street on the site of Henry VIII’s great dockyard is profoundly disappointing, but it doesn’t involve the destruction of people’s homes, whereas Southwark Council, at the Heygate Estate, working with the Australian-based international property developer Lendlease, has destroyed an estate of 1,034 socially rented homes, replacing them with 2,704 new homes, but with only 82 for social rent, and is currently undertaking similar destruction on the Aylesbury Estate, one of Europe’s biggest council estates, with Notting Hill Homes, a former social housing provider that has eagerly responded to government cuts by becoming an enthusiastic private developer. Read the rest of this entry »

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Yesterday, an important court case began in the High Court in London — an application, by 73-year old Tottenham resident Gordon Peters, for a judicial review of the legality of Haringey Council’s intention to enter into a £2bn partnership with the Australian-based international housing developer Lendlease that is deeply troubling on its own terms, as well as — if it goes ahead — having disturbing ramifications for the future of social housing throughout the entire country.

As Aditya Chakrabortty described Gordon Peters’ claim in a powerful article for the Guardian yesterday, ‘A Labour council attacking its own people? This is regeneration gone bad,’ “Aspects of his claim for a judicial review sound local and technical – but the fight itself is national and totemic. His case is being watched by the construction industry, by councils across the country and by Jeremy Corbyn’s team. Anyone who cares about the future of social housing, or what happens to London, or to local democracy, should root for Peters – not least for his bravery in placing himself squarely before a juggernaut.”

Chakrabortty added, “That juggernaut is the Haringey Development Vehicle, a scheme by the zombie Blairites running the north London borough to shove family homes, school buildings and libraries into a giant private fund worth £2bn. Its partner is the multinational Lendlease, which will now exercise joint control over a large part of Haringey’s housing and regeneration strategy. This is the plan Peters and many others want stopped. The 25-year deal is unprecedented in size and scale. It is breathtaking in its risks. And for many its consequences will be dreadful, including for their relatives and friends.” Read the rest of this entry »

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A great crime is taking place in London — the destruction of social housing estates by councils, who, squeezed of cash by central government, and, for decades, prevented from spending money on social housing, have entered into deals with private developers, in which housing — primarily estates — that the councils claim they have no money to refurbish are demolished, and replaced by new developments that offer huge profits for the developers, but that provide no social housing, or a risibly small amount.

In recent years, the purely private developers have been joined by housing associations, the preferred choice of governments, since the time of Margaret Thatcher, for managing social housing. However, with their central funding completely cut by the Tories since 2010, they have also been obliged to embark upon more and more developments featuring a large component of private housing to subsidise their properties for rent.

A further complication is that, in one of the most cynically breathtaking acts of spin in modern British history, the social housing provided is generally what is officially termed “affordable,” but which, in reality, is not affordable at all for most Londoners. Boris Johnson, during his eight destructive years as London’s Mayor, set “affordable” rents at 80% of market rents, and in most of London — if not all — market rents are so out of control that those on the median income in London (the level at which 50% of workers earn more, and 50% earn less) are paying up to 70% of their wages on rent, when the acceptable model — in pre-Thatcher days — used to be that no one should pay more than a third of their income, just as, before the insane bubble that has more or less existed since New Labour took office in 1997, the acceptable cost of a house was no more than three and a half times a worker’s income. Read the rest of this entry »