Finally, over 21 years after the prison at Guantánamo Bay opened, a UN Rapporteur has visited the prison, to meet with prisoners as part of what a UN press release described as “a technical visit to the United States” by Fionnuala Ní Aoláin, the UN Special Rapporteur on the promotion and protection of human rights and fundamental freedoms while countering terrorism.
“Between 6 and 14 February,” as the UN explained, Ní Aoláin “will visit Washington D.C. and subsequently the detention facility at the U.S. Naval Station Guantánamo Bay, Cuba,” and, over the next three months, “will also carry out a series of interviews with individuals in the United States and abroad … including victims and families of victims of the 11 September 2001 terrorist attacks and former detainees in countries of resettlement/repatriation.”
Ever since Guantánamo opened, successive UN Rapporteurs for Torture tried to visit the prison, but were rebuffed, either by the hostility of the US government, or through a failure on the part of officials to guarantee that any meetings that took place with prisoners would not be monitored.
I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
I’m delighted to be posting below a letter to President Biden written by eight former Guantánamo prisoners, urging him to drop a ban on prisoners leaving the prison with artwork they have made — and also giving artwork they have made to their lawyers (and, via them, to their families) — which has been in place since November 2017.
I’ve been writing about this outrageous ban since it was first implemented, when the Pentagon took exception to “Ode to the Sea: Art from Guantánamo Bay,” an exhibition of artwork by eight current and former prisoners at John Jay College of Criminal Justice in New York, which ran from October 2017 to January 2018.
As I explained in an article six weeks ago, The Powerful Artwork Still Being Created by Prisoners at Guantánamo, and the Outrageous Ban on its Dissemination That is Still in Place, following up on a BBC World article by Joel Gunter, The sudden silencing of Guantánamo’s artists, the artwork featured in the show was “mostly innocuous scenes drawn from nature, all of which had been approved for release by the Pentagon after screening to assure officials that they didn’t contain hidden terrorist messages.”
I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
Many thanks to BBC World reporter Joel Gunter for his recent detailed article, “The sudden silencing of Guantánamo’s artists,” about the wonderful artwork produced by some of the men held in the prison at Guantánamo Bay, a lifeline for them since they were first allowed to express themselves during the Obama presidency, but one that has become considerably compromised in recent years, after the Pentagon took exception to an exhibition of some of the prisoners’ artwork at John Jay College of Criminal Justice in New York City from October 2017 to January 2018.
“Ode to the Sea: Art from Guantánamo Bay” featured art by eight current and former prisoners, mostly innocuous scenes drawn from nature, all of which had been approved for release by the Pentagon after screening to assure officials that they didn’t contain hidden terrorist messages. Some of the artists showed noticeable talent, although the most striking works were ships and boats made by a Yemeni prisoner, Moath al-Alwi, using recycled materials.
I wrote at the time about the importance of prisoners being allowed to express themselves artistically after their long years of what was, fundamentally, profound isolation under President Bush, and of the importance of their art being allowed to be seen in the US, to show the men as human beings rather than the “super-terrorist” bogeymen that is the default position towards them that has been taken by the US government and the mainstream media, even though the overwhelming majority of the 779 men held at Guantánamo since it first opened in January 2002 have never been charged with a crime, and were almost certainly nothing more than foot soldiers or even civilians seized by mistake.
I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
In the run-up to the shameful 20th anniversary of the opening of the prison at Guantánamo Bay on January 11, I had the sneaking suspicion that President Biden would seek to divert attention from his general inaction on Guantánamo in his first year in office by announcing that more of the facility’s “forever prisoners” had been approved for release.
In his first year in office, President Biden released just one prisoner, even though he inherited six men approved for release from the previous administrations, but crucially, via the Periodic Review Boards, the review process established by President Obama, he has also now approved an additional 13 men for release — one-third of the remaining 39 prisoners — bringing to 18 the total number of men still held who the US government has conceded that it no longer wants to hold.
This is definitely progress — although it means nothing until the men in question are actually released — but it does show a willingness to move towards the prison’s closure, and also indicates that the administration has taken on board the criticism of numerous former officials, and, in particular, 24 Senators and 75 members of the House of Representatives, who wrote to President Biden last year to point out how unacceptable it is that the government continues to hold men indefinitely without charge or trial.
Last week, I was delighted to take part in “Life After Guantánamo,” an online discussion with former prisoner Mansoor Adayfi, hosted by the Justice for Muslims Collective, which was also intended to raise funds for Mansoor, who, like the majority of former prisoners, remains haunted by the unjustifiable “taint” of Guantánamo, preventing them from getting paid work and supporting themselves.
The fundraising page is here, on Facebook, if you’re able to make a donation, although it closes in two days’ time. To date, around $5,700 has been raised towards the target of $20,000 — to cover Mansoor’s medical care, tuition fees and his work as a writer and advocate for Guantánamo’s closure.
The event, introduced by Maha Hilal, lasted for just over an hour, and the video of it is here.
Mansoor is the author, with Antonio Aiello, of the justifiably acclaimed memoir, Don’t Forget Us Here: Lost and Found at Guantánamo, which was published in August, and I was pleased to finally have the opportunity to talk with him about aspects of his narrative, covering the 14 years he spent in Guantánamo before his resettlement in Serbia in 2016, as well as discussing the plight of prisoners following their release.
I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
On the 20th anniversary of the terrorist attacks of September 11, 2001, the United States’ response to those attacks, both militarily and in terms of the law, couldn’t, in all honesty, have ended up more broken, unjust and embarrassing.
Having invaded Afghanistan a month after the attacks, the last US troops withdrew last month, effectively conceding defeat to the Taliban, whose overthrow had been one of the two justifications for the invasion, the other being the destruction of Al-Qaeda, the organization allegedly responsible for the attacks.
In fact, the Taliban were quite swiftly defeated after the US-led invasion, but, instead of withdrawing, US forces stayed on, blundering around the country, largely unable to identify allies from enemies, and definitively losing “heart and minds” through repeated bombing raids, often based on poor intelligence, that killed an enormous number of Afghan civilians, and through imprisoning many thousands of Afghans in lawless and often brutal conditions at Bagram and Guantánamo.
I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
In the three years and eleven months since Donald Trump’s inauguration, there has been — until now — no good news from Guantánamo. That first piece of good news, reported by NPR on December 11, is that Said Salih Said Nashir, a 46-year old Yemeni held at Guantánamo without charge or trial for 18 years, has been unanimously approved for release from the prison by a Periodic Review Board.
Consisting of a panel of military and intelligence officials, the Periodic Review Boards were established by President Obama, to review the cases of men held at Guantánamo who had not been recommended for release by Obama’s first high-level review process, the Guantánamo Review Task Force.
The task force’s report — recommending 156 prisoners for release, 36 for prosecution, and 48 for ongoing imprisonment without charge or trial — was issued in January 2010, but by the time the PRBs took place, beginning in November 2013, just 41 of the 48 men recommended for ongoing imprisonment without charge or trial remained: two had died, and five others — high-ranking Taliban officials — were freed in a prisoner swap.
I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
Congratulations to President Elect Joe Biden and Vice President Elect Kamala Harris for persuading enough people to vote Democrat to end the dangerous presidency of Donald Trump.
Trump was a nightmare on so many fronts, and had been particularly dangerous on race, with his vile Muslim travel ban at the start of his presidency, nearly four long years ago, his prisons for children on the Mexican border, and, this last year, in his efforts to inflame a race war, after the murder of George Floyd by a policeman sparked huge protests across the country.
At Guantánamo, Trump’s racism manifested itself via indifference to the fate of the 40 Muslim men, mostly imprisoned without charge or trial and held for up to 15 years when he took office. To him they were terrorists, and he had no interest in knowing that very few of the men held at Guantánamo have ever been accused of involvement with terrorism, and that, of the 40 men still held, only nine of them have been charged with crimes, and five of them were unanimously approved for release by high-level government review processes under President Obama.
Last week was the launch of “Guantánamo [Un]Censored: Art from Inside the Prison,” a powerful new art exhibition featuring work by eleven current and former Guantánamo prisoners at CUNY School of Law’s Sorensen Center for International Peace and Justice, in Long Island City in Queens, New York, which I wrote about in an article entitled, Humanizing the Silenced and Maligned: Guantánamo Prisoner Art at CUNY Law School in New York.
This is only the second time that Guantánamo prisoners’ artwork has been displayed publicly, following a 2017 exhibition at John Jay College of Criminal Justice, also in New York, which became something of a cause célèbre after the Pentagon complained about it. That institutional hissy fit secured considerable sympathy for the prisoners — and criticism for the DoD — but in the end the prisoners lost out, as the authorities at Guantánamo clamped down on their ability to produce artwork, and prohibited any artwork that was made — and which the prisoners had been giving to their lawyers, and, via their lawyers, to their families — from leaving the prison under any circumstances.
Since the launch, a wealth of new information has come my way, via Shelby Sullivan-Bennis, who represents around ten of the 40 men still held at Guantánamo, and who was one of the main organizers of the exhibition, which is running until mid-March, with further manifestations continuing, I hope, throughout the rest of the year.
I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
For the men held in the US government’s disgraceful prison at Guantánamo Bay, where men have now been held for up to 18 years, mostly without charge or trial, the US authorities’ persistent efforts to dehumanize them — and to hide them from any kind of scrutiny that might challenge their captors’ assertions that they are “the worst of the worst” and should have no rights whatsoever as human beings — have involved persistent efforts to silence them, to prevent them from speaking about their treatment, and to prevent them from sharing with the world anything that might reveal them as human beings, with the ability to love, and the need to be loved, and with hopes and fears just like US citizens.
Cutting through this fog of secrecy and censorship, “Guantánamo [Un]Censored: Art from Inside the Prison” is an exhibition of prisoners’ art that is currently showing in the Sorensen Center for International Peace and Justice at CUNY (City University of New York) School of Law, based in Long Island City in Queens. The exhibition opened on February 19, and is running through to the middle of March. Entry is free, and anyone is welcome to attend.
As the organizers explain on the CUNY website, “The exhibit showcases artworks — the majority of which have never before been displayed — of eleven current and former Guantánamo prisoners, and includes a range of artistic styles and mediums. From acrylic landscapes on canvas to model ships made from scavenged materials such as plastic bottle caps and threads from prayer rugs, ‘Guantánamo [Un]Censored’ celebrates the creativity of the artists and their resilience.”
Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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