From July 27 to 30, WOMAD, the world’s biggest world music festival, once more occupied part of the 4,500 acres of land belonging to Charlton Park in Wiltshire, the ancestral home of the Earls of Suffolk since the late 16th Century, whose Grade I listed mansion stands a safe distance away from the annual invasion of around 40,000 people in search of extraordinary music from around the world.
This year, 41 years since the festival began, there were two elephants in the room. The first, designed by my wife Dot, was a delightful cartoon elephant, Khushee (meaning happiness in Hindi), a representation of a young female Indian elephant who sat in the backstage catering area, charming the artists, when she wasn’t being promenaded around the children’s area, delighting children and adults alike.
Khushee was accompanied by Oke, a cute little puppet mouse, also designed by Dot, who made his first appearance last year, when, after years of doing children’s workshops, Dot came up with the idea to, instead, create a large animal figure to draw the attention of WOMAD’s children by processing through the children’s field on a daily basis. Last year, marking WOMAD’s 40th anniversary, that creature was a lion, Zaki, based on the lion in the festival’s logo, and it was so successful that this year it was Khushee’s turn.
Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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