On Wednesday (April 3), the latest monthly coordinated vigils for the closure of the prison at Guantánamo Bay took place at five locations across the US, in London, in Mexico City, and, as a special one-off event, in the European Parliament in Brussels.
Sunday (March 10) marked 600 days since Khaled Qassim (aka Khalid Qasim), a 47-year old Yemeni, was unanimously approved for release from Guantánamo by a Periodic Review Board, a high-level US government review process.
That decision took place on July 19, 2022, but nearly 20 months later Khaled is still awaiting his freedom, a victim, like the 15 other men unanimously approved for release by high-level US government review processes, of an inertia at the very top of the US government — in the White House, and in the offices of Antony Blinken, the Secretary of State.
For the last year and a half, an official in the State Department — former ambassador Tina Kaidanow — has been working on resettling the men approved for release, most of whom, like Khaled, are Yemenis, and cannot be sent home because of a ban on their repatriation, inserted by Republicans into the annual National Defense Authorization Act in the early days of Barack Obama’s presidency, and renewed every year since.
This is the fifth in a new series of ten articles, alternately posted here and on the Close Guantánamo website, telling the stories of the 16 men still held at Guantánamo (out of 30 men in total), who have long been approved for release from the prison by high-level US government review processes, but have no idea of when, if ever, they will actually be freed. The first four articles are here, here, here and here.
Shamefully, these men are still held because the reviews were purely administrative, meaning that no legal mechanism exists to compel the US government to free them, if, as is apparent, senior officials are unwilling to prioritize their release.
To be fair, most of these men cannot be repatriated, because of US laws preventing the return of men from Guantánamo to countries including Yemen, where most of the men are from, but if senior officials — especially President Biden and Antony Blinken — cared enough, these men would already have been freed, and the suspicion, sadly, must be that they are failing to do anything because the they don’t want to upset the handful of Republican lawmakers who are fanatical in their support for Guantánamo’s continued existence, while they seek the GOP’s cooperation in funding military support for Israel and Ukraine.
I’m delighted to be flagging up an important exhibition of Guantánamo prisoners’ artwork that is currently on display at the Atrium-Gallery of the Institute of Cultural History and Theory at Humboldt University of Berlin (Georgenstr. 47, 10117 Berlin).
The exhibition — of original artwork by one current prisoner, Moath al-Alwi, and three former prisoners, Sabri al-Qurashi, Mohammed al-Ansi and Ghalib al-Bihani, all Yemenis — is the first to take place outside the US, where several exhibitions have taken place since the ground-breaking “Ode to the Sea: Art from Guantánamo” was presented at John Jay College of Criminal Justice in New York from October 2017 to January 2018. See here for my report about that exhibition, and see here and here for my reports from a subsequent exhibition held at CUNY School of Law in New York in 2020. Please also check out my articles here and here (and follow the internal links) for the full story of how, from November 2017 to February 2023, the US government imposed a ban on prisoners leaving with their artwork (and threatened to destroy it) in a fit of pique triggered by the John Jay College exhibition.
Moath al-Alwi, best known for his impressive sailing ships made out of recycled materials, was approved for release from Guantánamo over two years ago, on December 27, 2021, but, shamefully, is still held. Sabri al-Qurashi, meanwhile, was resettled in Kazakhstan in 2014, but promises that he would helped to rebuild his life have turned to ashes, as he explained to Elise Swain for an article for the Intercept a year ago.
Finally, over 21 years after the prison at Guantánamo Bay opened, a UN Rapporteur has visited the prison, to meet with prisoners as part of what a UN press release described as “a technical visit to the United States” by Fionnuala Ní Aoláin, the UN Special Rapporteur on the promotion and protection of human rights and fundamental freedoms while countering terrorism.
“Between 6 and 14 February,” as the UN explained, Ní Aoláin “will visit Washington D.C. and subsequently the detention facility at the U.S. Naval Station Guantánamo Bay, Cuba,” and, over the next three months, “will also carry out a series of interviews with individuals in the United States and abroad … including victims and families of victims of the 11 September 2001 terrorist attacks and former detainees in countries of resettlement/repatriation.”
Ever since Guantánamo opened, successive UN Rapporteurs for Torture tried to visit the prison, but were rebuffed, either by the hostility of the US government, or through a failure on the part of officials to guarantee that any meetings that took place with prisoners would not be monitored.
I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
I’m delighted to be posting below a letter to President Biden written by eight former Guantánamo prisoners, urging him to drop a ban on prisoners leaving the prison with artwork they have made — and also giving artwork they have made to their lawyers (and, via them, to their families) — which has been in place since November 2017.
I’ve been writing about this outrageous ban since it was first implemented, when the Pentagon took exception to “Ode to the Sea: Art from Guantánamo Bay,” an exhibition of artwork by eight current and former prisoners at John Jay College of Criminal Justice in New York, which ran from October 2017 to January 2018.
As I explained in an article six weeks ago, The Powerful Artwork Still Being Created by Prisoners at Guantánamo, and the Outrageous Ban on its Dissemination That is Still in Place, following up on a BBC World article by Joel Gunter, The sudden silencing of Guantánamo’s artists, the artwork featured in the show was “mostly innocuous scenes drawn from nature, all of which had been approved for release by the Pentagon after screening to assure officials that they didn’t contain hidden terrorist messages.”
I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
Many thanks to BBC World reporter Joel Gunter for his recent detailed article, “The sudden silencing of Guantánamo’s artists,” about the wonderful artwork produced by some of the men held in the prison at Guantánamo Bay, a lifeline for them since they were first allowed to express themselves during the Obama presidency, but one that has become considerably compromised in recent years, after the Pentagon took exception to an exhibition of some of the prisoners’ artwork at John Jay College of Criminal Justice in New York City from October 2017 to January 2018.
“Ode to the Sea: Art from Guantánamo Bay” featured art by eight current and former prisoners, mostly innocuous scenes drawn from nature, all of which had been approved for release by the Pentagon after screening to assure officials that they didn’t contain hidden terrorist messages. Some of the artists showed noticeable talent, although the most striking works were ships and boats made by a Yemeni prisoner, Moath al-Alwi, using recycled materials.
I wrote at the time about the importance of prisoners being allowed to express themselves artistically after their long years of what was, fundamentally, profound isolation under President Bush, and of the importance of their art being allowed to be seen in the US, to show the men as human beings rather than the “super-terrorist” bogeymen that is the default position towards them that has been taken by the US government and the mainstream media, even though the overwhelming majority of the 779 men held at Guantánamo since it first opened in January 2002 have never been charged with a crime, and were almost certainly nothing more than foot soldiers or even civilians seized by mistake.
20 years and two months since the Yemeni prisoner Khaled Qassim (aka Khalid Qasim) arrived at Guantánamo, where he has been held ever since without charge or trial, he has finally been approved for release. 25 years old at the time his capture, and frozen in time in the only known photo of him, taken at Guantánamo in the early years of his imprisonment, he is now 45 years old, and has, as a result, spent almost half his life at the prison.
The announcement that Khaled has been approved for release is wonderful news, as those of us who have been studying Guantánamo closely know that he is a talented artist (I posted an article about his art when it was shown in New York two years ago), and, in addition, we learned via his close friend, the released prisoner and author Mansoor Adayfi, that he is also a natural leader, a beautiful singer, a writer, a teacher and a talented football player.
Mansoor told us that Khaled’s natural leadership abilities meant that, in 2010, a Navy Commander said of him, “We like Khalid to represent all the detainees. He talks like a poet when he speaks on behalf of the detainees, and he’s an easy man to deal with,” although he was also, in the prison’s early years, a persistent hunger striker, one of around dozen young, mainly Yemeni prisoners who, as Adayfi explained in his powerful memoir, “Don’t Forget Us Here,” published last year, countered the US’s brutality and injustice with perpetual resistance, as did Adayfi himself.
On the 20th anniversary of the opening of the prison at Guantánamo Bay — a disgraceful anniversary that should never have come to pass — President Biden sought to divert attention from his general inaction on Guantánamo in his first year in office by announcing that five men had been approved for release from the prison by Periodic Review Boards, a parole-type process established under President Obama.
What was less widely reported was that another prisoner, Khaled Qassim (aka Khalid Qasim), held for nearly 20 years, had his ongoing imprisonment without charge or trial approved by a Periodic Review Board, not because of any crime he has committed — the board members recognised his “low level of training and lack of leadership in al Qaida or the Taliban” — but because of his “inability to manage his emotions and actions”, his “high level of significant non-compliance in the last year”, and his “lack of plans for the future if released.”
The decision reveals a fundamental weakness in the PRB system, a purely administrative process, which is not legally binding, and has, essentially, replaced reviews of prisoners’ cases in the courts via habeas corpus petitions — a process that led to dozens of prisoners having their release ordered by the courts between 2008 and 2010, when cynical, politically motivated appeals court judges passed rulings that shut the process down.
I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.
In the run-up to the shameful 20th anniversary of the opening of the prison at Guantánamo Bay on January 11, I had the sneaking suspicion that President Biden would seek to divert attention from his general inaction on Guantánamo in his first year in office by announcing that more of the facility’s “forever prisoners” had been approved for release.
In his first year in office, President Biden released just one prisoner, even though he inherited six men approved for release from the previous administrations, but crucially, via the Periodic Review Boards, the review process established by President Obama, he has also now approved an additional 13 men for release — one-third of the remaining 39 prisoners — bringing to 18 the total number of men still held who the US government has conceded that it no longer wants to hold.
This is definitely progress — although it means nothing until the men in question are actually released — but it does show a willingness to move towards the prison’s closure, and also indicates that the administration has taken on board the criticism of numerous former officials, and, in particular, 24 Senators and 75 members of the House of Representatives, who wrote to President Biden last year to point out how unacceptable it is that the government continues to hold men indefinitely without charge or trial.
Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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