Last week, the bad news from the Supreme Court was not just manifested in the court’s decision to abdicate its responsibilities towards the prisoners held at Guantánamo Bay, Cuba, by turning down appeals submitted by seven of the 169 men still held, although that was a dreadful decision, establishing, as it did, that the D.C. Circuit Court could continue in its mission to extinguish the habeas corpus rights that had been granted to the prisoners by the Supreme Court in June 2008.

However, it was also accompanied by a refusal to consider an appeal by Jose Padilla, the US citizen held as an “enemy combatant” in a military brig on the US mainland for three and half years from June 2002 to November 2005, and tortured, particularly through the use of prolonged isolation, sleep deprivation and sensory deprivation.

On May 2, the Ninth Circuit Court of Appeals, in California, reversed a lower court decision (PDF) allowing Padilla to pursue a lawsuit against John Yoo, the Justice Department lawyer who wrote the notorious “torture memos,” in which he cynically attempted to redefine torture so that it could be used by the CIA. Padilla — and his mother, Estela Lebron — sought to hold Yoo “liable for damages they allege they suffered” during his “unlawful” detention, which was “in violation of his constitutional and statutory rights,” but the court disagreed. As Scott Horton explained for Harper’s Magazine: Read the rest of this entry »

In a new film for Al-Jazeera, “Songs of War: Music as a Weapon,” the filmmaker Tristan Chytroschek follows “Sesame Street” composer Christopher Cerf on a journey to discover how his music came to be used as a weapon in the Bush administration’s “war on terror” — and also to investigate the history of music as torture.

As the production company, Java Films, explained:

[Christopher Cerf] always wanted his music to be fun and entertaining. But then he learned that his songs had been used to torture prisoners in Guantánamo and Abu Ghraib. He is stunned by this abuse of his work and wants to find out how this could happen. Cerf embarks on a journey to learn what makes music such a powerful stimulant. In the process, he speaks to soldiers, psychologists and prisoners tortured with his music at Guantánamo and find out how the military has been employing music as a potent weapon for hundreds of years.

The film is available on Al-Jazeera’s website here. Read the rest of this entry »