Britain’s 9/11 and Cannibalistic Capitalism: The Grenfell Tower Fire, Seven Years On

Remembering the 72 children, women and men who died in the Grenfell Tower fire on June 14, 2017: a graphic produced by Grenfell United and posted on X.

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You might be thinking that’s an outrageous analogy. Apart from the visual similarities between burning towers, how can I compare an attack by a foreign entity on the tallest buildings in New York’s banking centre with an unfortunate accident that befell the inhabitants of a tower block of social housing in a historically deprived area of west London?

The reason I make the analogy is because the Grenfell Tower fire, on June 14, 2017, wasn’t an accident, as such; it was the inevitable result of a system of deliberate neglect, and the deliberate erosion of safety standards, for those living in high-rise housing, which came about because of the deliberate creation of what I believe we’re entitled to call cannibalistic capitalism; or, if you prefer, economic terrorism, knowingly inflicted on civilians by politicians and almost the entire building industry.

Terrorism is the deliberate targeting of civilians for political or ideological aims, and at Grenfell, seven years ago, 72 people died because, over the previous four decades, a system of providing safe and secure rented housing was eroded and largely erased, replaced with a new ideology that, under Margaret Thatcher, sought to eliminate the state provision of housing, selling it off via the notorious ‘Right to Buy’ policy, demonising those who still lived in social housing, portraying them as shirkers and scroungers and reclassifying them as inferior, or second-class citizens, cutting funding for maintenance and repairs, and transferring as much of the remaining social housing as possible to less accountable, or, seemingly, completely unaccountable public-private entities.

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Grenfell Six Years On: Still Crying Out for Justice

Posters on Bramley Road in North Kensington, close to Grenfell Tower, June 14, 2023 (Photo: Andy Worthington).

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Six years ago today, on June 14, 2017, I watched in horror on the news as an inferno engulfed Grenfell Tower, a 24-storey block of council flats in North Kensington, in west London.

London — and the UK as a whole — would never be the same again.

Compelled to visit, as a photo-journalist covering London for my project ‘The State of London’, I cycled from my home in south east London on what was, objectively, a radiant sunny day, through a city that was going about its everyday business as though nothing had happened. It was only as I got closer and the charred, still smouldering skeleton of the tower finally rose up, make me feel slightly queasy and, disturbingly, rather ghoulish, that the enormity of what had occurred struck home.

On the ground, the local community had gone into overdrive to help the survivors, donating vast amounts of food and clothing, and seeking to do all they could to help, but, throughout this heartfelt humanitarian effort, it was clear that they were alone; no one in a position of authority was anywhere to be seen.

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Marking 11 Years of ‘The State of London’, An Appeal for £1000 to Support My Unique Photo-Journalism Project For the Next Three Months

The most recent photos from Andy Worthington’s ongoing photo-journalism project, ‘The State of London.’

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Dear friends and supporters of ’The State of London’,

Every three months I ask you, if you can, to make a donation to support my unique, reader-funded photo-journalism project ‘The State of London’, which has just reached 6,200 followers on Facebook, and has over 1,550 followers on Twitter. As I have no institutional backing whatsoever, I’m entirely dependent on your generosity to enable me to continue this project, which takes up a considerable amount of otherwise entirely unpaid time.

If you can help out at all, please click on the “Donate” button above to make a payment via PayPal. Any amount will be gratefully received — whether it’s £10, £20, £50 or more!

You can also make a recurring payment on a monthly basis by ticking the box marked, “Make this a monthly donation,” and filling in the amount you wish to donate every month. If you are able to do so, a regular, monthly donation would be very much appreciated.

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Save Reginald House: Demolition Plans For Flats Next to Former Tidemill Garden Reveal the Broken State of Social Housing Provision in London

2-30a Reginald Road (aka Reginald House), in Deptford, south east London, photographed on June 27, 2022. Despite being structurally sound, the block is being demolished as part of a housing development on the former school grounds next door, and residents are unhappy with how they are being treated by Lewisham Council regarding being moved out and being rehoused (Photo: Andy Worthington).

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In Deptford, in south east London, residents of 2-30a Reginald Road (also known as Reginald House), a block of council flats built in the 1960s by Lewisham Council, have lived with the threat of demolition hanging over them for the last 14 years.

Now, the council is trying to evict them all, in preparation for the block’s intended demolition in January 2023, but those living there — a mixture of long-term tenants, leaseholders and temporary tenants relocated there over the last five years — accuse the council of poor communication, intimidation and a failure to provide them with suitable new homes or alternative accommodation.

The block, consisting of 16 maisonettes, is structurally sound, but has been earmarked for demolition since 2008 as part of a ‘regeneration’ project, with the housing association Peabody, that also involves the old Tidemill primary school and its former grounds, including the much-loved, but now destroyed Old Tidemill Wildlife Garden, which was occupied for two months in 2018 to try to prevent its destruction, as well as the destruction of Reginald House. See the Facebook page of the Save Reginald Save Tidemill campaign for more information, as well as my archive of articles, and please also watch Hat Vickers’ recently released documentary film ’The Battle for Deptford’ if you haven’t seen it.

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Celebrating 1700 Days of my Photo-Journalism Project ‘The State of London’

The latest photos from Andy Worthington’s ongoing photo-journalism project ‘The State of London.’

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Today marks 1,700 days since I first began posting a photo a day — plus accompanying essays — on ‘The State of London’ Facebook page; photos that were either taken on the day, or were drawn from the photos I’d started taking on bike rides throughout London’s 120 postcodes five years earlier. For anyone keeping count, that means that it’s now 3,526 days since I first set out on my bike to capture the changing face of London.

In the last 1,700 days, my ability to take photos has, I think, improved in general (largely because of the upgrade to my current camera, a Canon PowerShot G7 X Mk. II, in February 2019), and I have also, increasingly, devoted much more time to the essays that accompany each photo. I’m gratified to see that the project has steadily been gaining support, so that I recently welcomed my 5,000th follower.

As I have delved deeper into London’s history on my journeys, and in the research for the photos, I have come to recognize how resilient London is as a city, despite having lost so much in the Great Fire of London in 1666, and in the German bombing raids in World War II. Nevertheless, as I realized as soon as I began the project in May 2012, it has also recently been invaded, not by fire, or by a wartime enemy, but by predatory transnational capital, building huge new towers of offices in the City of London, and high-rise residential towers in Canary Wharf and in numerous former industrial sites across the capital (the Vauxhall Nine Elms Battersea Opportunity Area, for example), all eagerly facilitated by conniving politicians and generally supine architects.

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Four Years After the Grenfell Tower Fire, It’s All About Profit and No Accountability As Millions Still Live in Buildings With Similarly Flammable Cladding

Grenfell Tower illuminated on the morning of June 14, 2021, the fourth anniversary of the fire that engulfed it, leading to the loss of 72 lives (Photo: Jeremy Selwyn/Evening Standard).

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Four years ago, when Grenfell Tower, a 24-storey tower block in west London was engulfed in an inferno, leading to the deaths of 72 people, it became apparent that everyone with responsibility for the safety of the block’s residents had failed to fulfil their obligations.

Those with blood on their hands included the Tory government, obsessed with cutting “red tape”, and failing to implement the lessons learned from previous tower block fires, and the local council, Kensington and Chelsea, which, in common with councils across the capital and the country as a whole, have largely neglected the maintenance of their social housing, content to subject it to “managed decline”, despite receiving millions of pounds in rent, in a manner that resembles nothing less than the behaviour of slum landlords.

The process of “managed decline” eventually enables councils to claim that estates need to be demolished, even though they are responsible for their dilapidation in the first place, at which point developers magically appear with proposals to ”regenerate” the estates with a mix of private properties for sale (generally at least half of the new housing), along with other forms of housing described as “social housing” or “affordable housing”, even though, in reality, they tend to be dubious “shared ownership” deals, or rented properties that are much more expensive than those that have been demolished.

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Radio: I Discuss London’s Housing Crisis and Covid’s Impact on Business Rents with Andy Bungay, Plus Three Four Fathers Songs

A deserted Piccadilly Circus on Christmas Day, 2020, an unpublished photo from Andy Worthington’s photo-journalism project ‘The State of London.’

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Recently I spoke to Andy Bungay of Riverside Radio, a community radio station in Wandsworth, for his show ‘The Chiminea’, which was broadcast on Boxing Day, and is available here on Mixcloud.

Andy and I have been speaking for several years, and it’s always great to talk to him.  Our 50-minute segment of the two and a half hour show began just under 21 minutes in, when Andy played ‘Fighting Injustice’, the first of three songs by my band The Four Fathers, which has long been a live favourite, and whose chorus is something of a mantra of mine — “If you ain’t fighting injustice / You’re living on the dark side.”

We then began our discussion by taking about my photo-journalism project ‘The State of London’, which I began in 2012, and which involves me cycling and taking photos on a daily basis throughout London’s 120 postcodes, and, since 2017, posting a photo a day, with an accompanying story, on Facebook.

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No Justice, No Peace on the Third Anniversary of the Grenfell Tower Fire

The Grenfell Silent Walk on December 14, 2017, commemorating those who died in the fire that engulfed Grenfell Tower in west London six months earlier, on June 14, 2017. The Silent Walks took place every month until the coronavirus lockdown hit.

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Since the very public murder of George Floyd by police in Minneapolis three weeks ago, there has been a welcome and understandable resurgence of the ‘Black Lives Matter’ movement that first surfaced back in 2014, after a spate of police murders of unarmed black men and boys in the US.

Today, as we remember the terrible fire at Grenfell Tower in west London, which occurred exactly three years ago, the resurgence of the ‘Black Lives Matter’ movement seems entirely appropriate. 

72 people died in an inferno that engulfed the 1970s tower block they lived in in North Kensington, an inferno that was caused, primarily, because the structural integrity of the building had been lethally compromised by a re-cladding operation designed to make the tower look more “attractive” — not only had existing windows not been repaired or replaced to make sure that they were fireproof, but the re-cladding involved holes being drilled all over the tower that, on the night that the fire broke out, allowed it to consume the entire tower is an alarmingly short amount of time.  

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The Four Fathers Release New Song ‘Affordable’, Marking the Anniversary of the Destruction of the Old Tidemill Wildlife Garden’s Trees

The cover of the Four Fathers’ new online single, ‘Affordable’, released on March 3, 2020.

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Last Thursday, February 27, marked a sad anniversary for environmental activists and housing campaigners, as it was the first anniversary of the destruction of the 74 mature and semi-mature trees that made up the magical tree cover of the Old Tidemill Wildlife Garden in Deptford, in south east London, which provided an autonomous green space in a built-up urban area, and also mitigated the worst effects of pollution generated by traffic on nearby Deptford Church Street, where particulate levels have been measured at six times the safety levels recommended by the World Health Organisation.

Unfortunately, the struggle to save the trees, which had been ongoing since 2012, largely took place before environmental activism went mainstream, via the actions of Greta Thunberg and Extinction Rebellion, although this was not just an environmental issue. The destruction of the garden was also part of a proposal by Lewisham Council and housing developers to build a new housing development on the site, one that desperate, dissembling councillors sought to sell to the public as providing much-needed new social homes, when the reality, as with almost all current housing developments, is that a significant number of the new homes are for private sale, existing council housing is to be destroyed, and its replacement will be homes that are described as “affordable”, when they are no such thing.

Instead, the allegedly “affordable” component of the development is a mixture of properties at ‘London Affordable Rent’, which, in Lewisham, is 63% higher for a two-bedroom flat than traditional social rents, and ‘shared ownership’, a notorious scam, whereby, in exchange for a hefty upfront payment, occupants are made to believe that they own a share of the property (typically 25%), whereas, in reality, they are only assured tenants unless they find a way to own the property outright, and, along the way, have to pay rent on the share of the property that they don’t, even nominally, own, and are also often subjected to massive — and unregulated — service charges.

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Photos of the Two-Month Occupation of the Old Tidemill Wildlife Garden Prior to its Violent Eviction

The Old Tidemill Wildlife Garden in Deptford on the eve of its occupation, August 28, 2018 (Photo: Andy Worthington).

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One year ago yesterday, the two-month occupation of the Old Tidemill Wildlife Garden, a community garden in Deptford, in south east London, came to a violent end when bailiffs hired by Lewisham Council evicted the occupiers in a dawn raid.

It was a disturbing end to a long-running effort on the part of the local community to save the garden — and Reginald House, a block of structurally sound council flats next door — from destruction as part of a plan to re-develop the site of the old Tidemill primary school. The garden — a magical design of concentric circles — had been created by pupils, teachers and parents 20 years before, and the community had been given use of it after the school moved to a new site in 2012, while efforts to finalise the plans proceeded, with the housing association Family Mosaic (which later merged with Peabody) and the private developer Sherrygreen Homes.

The garden was not only a magical green space; it also helped to mitigate the worst effects of pollution on nearby Deptford Church Street, but the council weren’t interested in considering alternative plans that would have spared the garden and Reginald House, and terminated the lease on the garden on August 28 last year. However, instead of giving the keys back, the community occupied the garden instead, embarking on a two-month experiment in community resistance that resonated around the world.

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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