Thoughts on the Summer Solstice – and Video of The Four Fathers’ Set for the Virtual Stonehenge Free Festival

A lonely Stonehenge on the summer solstice 2020, and The Four Fathers playing a solstice set for the Virtual Stonehenge Free Festival.

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Normally, for the summer solstice, the longest day of the year, I write an article about Stonehenge, the ancient temple aligned on the solstices, discussing its long and contested history, and the crowds who have gathered there to celebrate the solstice sunrise. If this is of interest, then please feel free to check out my articles from 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2017, 2018 and 2019.

My fascination with Stonehenge dates back 37 years, to when I was a student and visited the Stonehenge Free Festival, in 1983, and subsequently in 1984 — visits that not only awakened in me an interest in ancient sacred sites, but also showed me the reality of an alternative lifestyle outside of the prevailing model of nuclear families in Margaret Thatcher’s Britain.

The festival, which had started in 1974, had grown to become a huge autonomous gathering that occupied the fields opposite Stonehenge for the whole of the month of June — and which has been accurately described as “a working exercise in collective anarchy” — until its violent suppression in 1985, when a convoy of travellers making their way to Stonehenge to set up what would have been the 12th festival were ambushed by 1,400 police from six counties and the MoD, and were then violently “decommissioned”, in one of the most shocking episodes of state brutality against unarmed men, women and children in modern British history, which has become known as the Battle of the Beanfield.

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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