Photos: Festival of Resistance Against the DSEI Arms Fair in London’s Docklands, Sept. 9, 2017

Stop the arms fair: a placard emerges from a sea of police at the Festival of Resistance against the DSEI arms fair in London's Docklands on September 9, 2017 (Photo: Andy Worthington).

See all my photos from the Festival of Resistance against the DSEI arms fair  on Flickr here!

Yesterday (September 9, 2017), the Campaign Against Arms Trade and Stop the Arms Fair organised a Festival of Resistance against the bi-annual international arms fair that takes place in London’s Docklands at the ExCeL exhibition centre, which I visited, played at, and took photos of. See my photos here. This UK government-backed orgy of trade in weapons of war and weapons of mass destruction tries to disguise itself by calling itself DSEI (Defence and Security Equipment International), but anyone perceptive can see through the PR-speak.

As the festival’s Facebook page explains, “As one of the world’s largest arms fairs, DSEI brings together over 1,500 arms companies and military delegations from over 100 countries. On display will be everything from crowd control equipment to machine guns, tanks, drones and even battleships.” Countries invited to take part, all with dire human rights records, include Bahrain, Egypt, Israel, Saudi Arabia and the United Arab Emirates.

The resistance to the DSEI has involved protests all week in advance of the arms fair itself, which runs from September 12-15. Throughout the week, dozens of protestors were arrested stopping arms-laden vehicles arriving at ExCeL, and this pattern continued during the festival, as protestors locked on to each other in the road or locked on to vehicles. Protests are also continuing throughout the coming week — see here for further details. Read the rest of this entry »

The First 100 Days of My Photo Project, ‘The State of London’

The State of London: images from Andy Worthington's ongoing photo project, featuring photos taken over the last five years.Please support my work as a reader-funded investigative journalist and commentator — and photographer.

 

Back in May, I launched the first manifestation of a photo project I’ve been undertaking for the last five years — ‘The State of London’, which involves me photographing London on bike rides that I undertake every day, from small local circuits from my home in south east London to long journeys to the other side of town and back.

In the years since I began this project, in May 2012, I’ve visited all 120 London postcodes (the EC, WC, N, E, SE, SW, W and NW postcodes), and have also made additional visits to some of Greater London’s outer boroughs. A few years ago, I had a website made, with an interactive map allowing me to post photos by postcode. I hope to start using the website soon, which will also feature original essays about the capital, its history and its current state, and I’ll also soon be setting up a Twitter page, but for now the Facebook page is the place to visit to see glimpses of what I’ve been up to, and I hope that you’ll “like” it and start following what I do, if you haven’t already.

I’ve lived in London for all of my adult life, since I finished university in 1985, but it wasn’t until 2012 that I realized that huge swathes of the city were unknown to me, and that I wanted to visit all the places I’d never visited, as well as revisiting other places I’d got to know over the years. The trigger was me getting ill in 2011, giving up smoking, and realizing that I needed to get fit, and the photo project was the perfect solution. When I began, I soon realized that even the parts of London closest to me, in south east London were in many ways unknown territory, and, with a blanket ban on bicycles on trains in place in the run-up to the 2012 Olympic Games, I had to cycle through south east London to get anywhere else in London, and, as a result of these journeys and of my shorter bike rides close to home, I eventually got to know almost every street in south east London — and have also photograph many of them at some time or other. Read the rest of this entry »

Video: Andy Worthington’s Band The Four Fathers Play Anti-Austerity Song ‘Riot’, Released on Sixth Anniversary of UK Riots

Listen to ‘Riot’ hereA photo of the London riots in August 2011., and watch the live video here.

Exactly six years ago, on August 6, 2011, riots erupted across the UK. The trigger had been the killing, by police, of Mark Duggan in Tottenham in north London the day before, and for the next three days there were riots across the country — the largest riots in modern British history, as 14,000 people took to the streets.

As I wrote back in May, when my band The Four Fathers released our song, ‘Riot’, which was partly inspired by the 2011 riots, “Buildings and vehicles were set on fire, there was widespread looting, and, afterwards, the police systematically hunted down everyone they could find that was involved — particularly through an analysis of CCTV records — and the courts duly delivered punitive sentences as a heavy-handed deterrent.”

I wrote about the riots at the time, in an article entitled, The UK “Riots” and Why the Vile and Disproportionate Response to It Made Me Ashamed to be British, and my song ‘Riot’ followed up on my inability to accept that the British establishment’s response to the riots had been either proportionate or appropriate. Read the rest of this entry »

Haringey and the Wholesale Social Cleansing of London: Thousands of Social Tenants to Be Removed Via Estate Regeneration

A Haringey housing protestor in December 2016 (Photo: Polly Hancock).

Please support my work as a reader-funded investigative journalist and commentator.

 

I was so busy last week with Guantánamo-related business (on and around US Independence Day) and activities involving my band The Four Fathers that I didn’t have time to devote to a truly scandalous development that took place last Monday — the decision, by councillors in the London borough of Haringey, to go into a 50:50 partnership with a private developer in connection with the future of its properties, including all its social housing, on the explicit understanding that it will demolish huge swathes of that housing and that those kicked out of their homes — their homes, not “units” or properties that don’t count as homes because those living in them don’t own them — will very probably not be able to return to the area, or even to carry on living in London at all.

In a powerful article in the Guardian last Monday, Aditya Chakrabortty captured the full disgrace of this social cleansing, focusing on how those in power treat those whose housing is in their control — with contempt, “[t]he condition of being held worthless,” as he pointed out.

Explaining that “[c]ontempt is the thread that runs through much of the worst barbarism in today’s Britain,” Chakrabortty began, inevitably and appropriately, by discussing the Grenfell Tower inferno on June 14, when a still untold number of people were killed in an entirely preventable disaster, noting that one Grenfell campaigner told the Financial Times, “It was not that we stayed silent, but that they never responded. It was not just that they ignored us, but that they viewed us with contempt.” Read the rest of this entry »

Four London Gigs for Andy Worthington’s Band The Four Fathers, Promoting Songs from Forthcoming Album, How Much Is A Life Worth?

A poster for The Four Fathers' gigs in London in July 2017.Over the month of July, my band The Four Fathers have four gigs in south east London, and we hope that, if you’re around, you’ll come and see us — and even if you’re not around, we hope that you’ll check out our music, and even buy a download or two!

In the last few months, we’ve been releasing songs from our forthcoming second album, How Much Is A Life Worth? — Close Guantánamo, which I wrote for the Close Guantánamo campaign, and with a new verse dealing with the menace posed by Donald Trump, Dreamers, a song about friendship and parenthood, which I wrote for a friend’s 50th birthday, and, most recently, two of our hardest-hitting political songs, Riot, which warns politicians about what to expect if the poorer members of society are relentlessly exploited and treated with contempt, and London, a love song to the city that has been my home for the last 32 years, in which I reflect with sorrow and anger on how the UK capital’s wildness and its relentless and persistent state of dissent in the 80s and 90s has been tamed — or bludgeoned — by greed over the last 20 years, and how, sadly, the recent disaster at Grenfell Tower in west London is the most distressing outcome of this institutional disdain for the poor.

Other key songs we play live include our anthemic anti-austerity song, Fighting Injustice, our cover of Bob Dylan’s Masters of War (from our debut album, Love and War), the folk song Rebel Soldier that I put to a reggae tune in Brixton in the 1980s, and other songs not yet released — How Much Is A Life Worth?, about how white people perceive the value of their lives against those of (i) the victims of our wars, (ii) refugees and (iii) in the US, black people killed by the police, and Equal Rights and Justice For All, about the importance of habeas corpus. A recent addition is Stand Down Theresa, our updated version of the Beat’s classic protest song, Stand Down Margaret. A rough but energetic version of Stand Down Theresa is on video here. Read the rest of this entry »

After Grenfell, Andy Worthington’s Band The Four Fathers Release New Single, ‘London’, A Savage Portrait of the UK Capital Hollowed Out By Greed

The cover of The Four Fathers' new single 'London', released on June 23, 2017.In the wake of last week’s entirely preventable inferno at Grenfell Tower in west London, in which, officially, 79 people died (although the real total may well be over 300), the horrendous loss of life — and the fact that it was entirely preventable — has forced London’s housing crisis to the top of the political agenda, although to be honest, that is where it should have been for the whole of the 21st century.

The latest online single released by my band The Four Fathers (also on Facebook, Twitter and YouTube), ‘London’ deals largely with the housing crisis, as part of a love song to the city going back to the 1980s. I moved to Brixton in 1985, and in the song I provide my personal take on how the wild and chaotic capital of the 1980s and 1990s has been overtaken by a focus on greed and the dull, soul-sapping, materialistic values of “gentrification,” and how, in this dysfunctional new world, the vibrant dissent of the 80s and 90s has largely been silenced, and those in charge of housing — endlessly putting profit before the needs of people — have razed neighbourhoods to the ground and given the capital city a lobotomy.

Listen to the single below — and buy it as a download if you wish: Read the rest of this entry »

Summer Solstice 2017: Reflections on Free Festivals and the Pagan Year 33 Years After the Last Stonehenge Festival

An aerial view of the Stonehenge Free Festival in 1984, liberated from the police during the subsequent trial.Please support my work as a reader-funded investigative journalist and commentator.

 

My books Stonehenge: Celebration & Subversion and The Battle of the Beanfield are still in print, and please also feel free to check out the music of my band The Four Fathers.

Back in 1983, as a 20-year old student, I had a life-changing experience when a friend of mine initiated a visit to the Stonehenge Free Festival, an anarchic experiment in leaderless living that occupied the fields opposite Stonehenge for the whole of June every year. The festival had grown from a small occupation in 1974, and by 1984 (when I visited again) became a monster — one with a darkness that reflected the darkness that gripped the whole of the UK that year, as Margaret Thatcher crushed the miners and, metaphorically, razed the country to the ground like a medieval conqueror.

I remember the 1983 festival with a great fondness — the elven people selling magic mushrooms from a barrel for next to nothing, the wailing of acid rock bands, the festivals’ thoroughfares, like ancient tracks of baked earth, where the cries of “acid, speed, hot knives” rang though the sultry air. Off the beaten track, travellers set up impromptu cafes beside their colourfully-painted trucks and coaches, unaware that, just two years later, on June 1, 1985, some of those same vehicles would be violently decommissioned at the Battle of the Beanfield, when Thatcher, following her destruction of Britain’s mining industry, set about destroying Britain’s traveller community, which, during her tenure as Prime Minister, had grown as unemployment mushroomed, and life on the road seemed to provide an appealing alternative.

A festival circuit, running from May to October, had grown up with this new movement, with Stonehenge at its centre. Michael Eavis’s Glastonbury Festival was also connected to it, as were numerous smaller festivals, as well as other events focused on environmental protest, especially against nuclear weapons and nuclear power. The travellers’ most prominent manifestation, the Peace Convoy, had visited Greenham Common, site of the famous women’s peace camp opposed to the establishment of US-owned and -controlled cruise missiles, in 1982, and in the summer of 1984 established a second peace camp at Molesworth in Cambridgeshire, the intended second cruise missile base after Greenham Common. Read the rest of this entry »

Photos: The Protest Against Theresa May Outside Downing Street, June 17, 2017

'Safe housing is a right not a privilege': a placard at the 'Protest Against Theresa May' outside Downing Street on June 17, 2017 (Photo: Andy Worthington).

See my photos on Flickr here!

Please also, if you can, consider supporting my work as a reader-funded investigative journalist and commentator.

 

The text below is adapted from the accompanying text for my photos on Flickr.

Yesterday, I cycled into central London to join a ‘Protest Against Theresa May’ that had been called by the journalist Owen Jones and the writer Sara Hanna-Black, and that was attended by thousands of people.

I hope you have time to check out my photos, as there was no shortage of witty and angry placards aimed at Theresa May, especially after her disastrously poor response to the terrible fire that engulfed Grenfell Tower in west London on Wednesday. For my response to the Grenfell disaster, see Deaths Foretold at Grenfell Tower: Let This Be The Moment We The People Say “No More” to the Greed That Killed Residents.

What a difference two months can make in politics. When Theresa May called a snap election at the start of April, she was 20 points ahead of Labour in the polls, and presumed that she would win a landslide victory. Then, on the campaign trail, she was wooden, aloof and unsympathetic, and her manifesto was a disaster, containing a provision for care funding for older people that was instantly dubbed the “dementia tax”, and was vilified by many of her own supporters, and even by the media that generally supported her unconditionally. Read the rest of this entry »

DIY Cultures 2017: The Counter-Culture Is Alive and Well at a Zine Fair in Shoreditch

Zines and posters from DIY Cultures at Rich Mix in Shoreditch, London on May 14, 2017 (Photo: Andy Worthington).Please support my work as a reader-funded investigative journalist and commentator.

 

Last week I paid a visit to DIY Cultures, a wonderful — and wonderfully packed — one-day event celebrating zines and the DIY ethos at Rich Mix in Shoreditch, curated by a core collective of Sofia Niazi, my friend Hamja Ahsan and Helena Wee, and was pleasantly reminded of the presence of the counter-culture, perhaps best summed up as an oppositional force to the prevailing culture, which has long fascinated me, and in search of which I am currently bouncing around ideas for a writing project I’d like to undertake.

Next week it will be exactly ten years since I started publishing articles here — on an almost daily basis — relating, for the most part, to Guantánamo and related issues. Roll back another year, to March 2006, and my Guantánamo project began in earnest, with 14 months of research and writing for my book The Guantánamo Files.

Before that, however, I had been interested more in notions of the counter-culture than championing and trying to reinforce the notion that there are absolute lines that societies that claim to respect the law must not cross — involving torture and imprisoning people indefinitely without charge or trial. Read the rest of this entry »

Andy Worthington’s Band The Four Fathers Release ‘Riot’, New Online Single Tackling Austerity and Inequality

Listen to ‘Riot’ here!The photo is by Eric Hossinger (hozinja) on Flickr, and is reproduced via a Creative Commons agreement. It was taken on December 4, 2010 during a UK Uncut protest outside Topshop in Oxford Street about tax avoidance by the company's boss, Sir Philip Green.

Today my band The Four Fathers are releasing ‘Riot’, our third online single from our forthcoming album, ‘How Much Is A Life Worth?’ following the release of ‘Close Guantánamo’ (2017 mix)’ in February, and ‘Dreamers’ last month.

I initially wrote ‘Riot’ in 1986, while living in Brixton, as a punky reggae song that dealt with how parents and society mess up kids’ minds and emotions — themes of youthful alienation that didn’t survive when I revived the song for The Four Fathers at the end of 2015. We’ve been playing it live since then, and we recorded it last summer in the first session for our new album, ‘How Much Is A Life Worth?’ which we hope to release on CD in September.

Musically, our version of my old tune is the closest we’ve come to date to echoing the minor key tunes and armagideon themes of classic late 70s roots reggae, which remains my favourite music, nearly 35 years after it first blew my mind at university in Oxford. Read the rest of this entry »

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo, co-director, We Stand With Shaker. Also, singer and songwriter (The Four Fathers) and photographer.
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CD: Love and War

Love and War by The Four Fathers

The Guantánamo Files book cover

The Guantánamo Files

The Battle of the Beanfield book cover

The Battle of the Beanfield

Stonehenge: Celebration & Subversion book cover

Stonehenge: Celebration & Subversion

Outside The Law DVD cover

Outside the Law: Stories from Guantánamo

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