Radio: I Discuss The Future of Guantánamo Under Joe Biden with Andy Bungay and Colin Crilly in South London

A screenshot from Mixcloud of Andy Bungay’s show ‘The Chiminea’ on Riverside Radio in Battersea on November 22, 2020, also featuring Colin Crilly.

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On Saturday, I was delighted to take part in a remotely recorded radio show for Riverside Radio, a community station in Battersea, with Andy Bungay, who hosts ‘The Chiminea’, the 11pm to 2am slot on Friday, Saturday and Sunday, and his colleague Colin Crilly.

Our interview starts about 27 minutes into the two-hour show, which is available on Mixcloud here, and Andy began by playing ‘This Time We Win’, a recently released eco-anthem by my band The Four Fathers, recorded with and featuring the great Charlie Hart on keyboards.

I then introduced myself, particularly mentioning my Guantánamo work, which I’ve been undertaking for the last 15 years, and my photo-journalism project ‘The State of London.’ We talked about the successful campaign to secure the release from Guantánamo of Shaker Aamer, the last British resident in the prison, who was held for 14 years without charge or trial, but was eventually released five years ago, on October 30, 2015, as I noted on Facebook, following up with a photo from a Parliamentary reception for Shaker, hosted by Jeremy Corbyn, which took place on November 17, 2015.

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Keeping Live Music and Performance Alive in a Covid Lockdown Culture

The Four Fathers’ gig on October 31, 2020, successfully completed before the second Covid lockdown starts on November 5.

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I was preparing to play a gig — yes, an actual gig! — on Saturday evening, with my band The Four Fathers, when news of a second lockdown in England was finally confirmed by the government. It wasn’t surprising, because infection rates had been steadily rising, but the government — as indecisive as ever — had missed the opportunity to impose a two-week “circuit breaker” lockdown to coincide with half-term, as recommended by medical experts, and was now, belatedly, announcing a four-week lockdown instead, starting on Thursday, November 5, and lasting until December 2.

Unlike the first time around, though, the government announced that schools and universities were to stay open, even though what are regarded as “non-essential” shops and businesses will be required to shut, imperilling the future of countless small businesses, who had just begun to find their feet, and who must now be facing, in numerous cases, a fatal loss of business in the run-up to Christmas. Even if they are allowed to reopen on December 3, it seems pretty certain that Amazon and a host of other online retailers — many in the “fast fashion” business, and many with dodgy employment practices — will be making a fortune while nailing shut the coffins of high streets across the land.

To impose this kind of sweeping lockdown for an entire month while leaving schools and universities open is exactly the kind of muddled thinking on the government’s part that — even putting aside for a moment their cronyism, corruption, and obsession with incompetent, overpaid corporate service providers to do jobs that should be provided by health professionals — will enrage and alienate people, whilst also failing to actually tackle the problems of rising infection rates.

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Covid Lockdown: Video of My Band The Four Fathers Playing at a Small Party in a London Park That Would Now Be Illegal

A screenshot of The Four Fathers playing in a park in south London on August 29, 2020.

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On the August Bank Holiday weekend, my band The Four Fathers played a largely acoustic set — and then joined other musicians in a jam session — as part of a little party in our local park in south London, parts of which were filmed by our bassist’s daughter, and which now constitute a record of what London looked like five months after the government first declared a lockdown to prevent the spread of the Covid-19 virus.

The party normally takes place in a friend’s house, but this year, because of Covid-19, everyone concerned recognised that even a well-behaved house party wasn’t acceptable at the time, and so the proposal to move it to our local park was suggested instead.

In the earliest days of lockdown, London’s parks were patrolled by the police and local officials to make sure that no one stopped or mingled during their allotted one hour of exercise a day, but, as the peak of the panic passed, parks then became the focal point of human interaction, and while there were some obvious examples of slightly reckless behaviour — parties of young people drinking late into the night, provoking the wrath of the curtain-twitching brigade — for the most part people were aware of social distancing, and were simply trying to balance the need to avoid spreading the virus with an equally important need to socialise.

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Check Out The Four Fathers’ Video Trilogy from Our Pre-Covid Charlie Hart Sessions

A screenshot from The Four Fathers’ YouTube channel.

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Since the coronavirus hit, my band The Four Fathers have, like most musicians, been unable to do much at all. Initially isolated from each other — and with our bassist Paul having moved to San Francisco — we didn’t get together until June, when we played a few songs for my friend Neil Goodwin’s Virtual Stonehenge Free Festival, available on YouTube here.

Paul then returned from San Francisco, which was good news for us, and we’ve rehearsed a few times since, but, unsurprisingly, we haven’t played any gigs, although we did manage to release three new studio recordings, which we recorded in December with the great Charlie Hart, who, in a 50-year career, has played in Kilburn and the High Roads with Ian Dury, and in Ronnie Lane’s Slim Chance, has produced music for the legendary Congolese singer Samba Mapangala, and currently plays in a revived Slim Chance and in his own band The Equators, an extraordinary world-jazz-blues group of extremely talented musicians.

The recordings were of three new songs that I wrote in 2018/19, all available on Bandcamp, where they can be purchased as downloads: The Wheel of Life, a meditation on mortality and living in the moment, This Time We Win, an eco-anthem inspired by Greta Thunberg and Extinction Rebellion, on which Charlie plays Wurlitzer piano, and Affordable, a punky blast of rock and roll about lying politicians and the housing crisis.

We also followed up the release of the new recordings with experimental videos using found footage that were made by our drummer Bren Horstead.

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The Four Fathers Release New Existential Song ‘The Wheel of Life’, As Bandcamp Waives Its Revenue Share to Help Musicians

The cover of ‘The Wheel of Life’ by The Four Fathers, designed by drummer Bren Horstead.

My band The Four Fathers have just released the last of three songs we recorded before the coronavirus hit, with the multi-talented musician and producer Charlie Hart, whose illustrious career involves playing with Ian Dury in Kilburn and the High Roads, many years with Ronnie Lane, after he left the Faces, in Slim Chance, and several occasions spent working with the wonderful Congolese singer Samba Mapangala.

The release is ‘The Wheel of Life’, a meditation on aging, and on the importance of living in the moment, which I hope has some resonance right now, as we all try to cope with the impact of the novel coronavirus, COVID-19, which brought our thoughtlessly excessive lifestyles to an abrupt halt three months ago, but which has also precipitated a forthcoming recession of possibly terrifying proportions, as well as silencing all forms of culture that involves live interaction at close quarters.

Live music is just one the casualties of this strange new world, and while we try to work out how to resume entertaining one another in a live context, creative people are suffering. In an attempt to help, Bandcamp, the US online music service, which we use in preference to streaming companies, has been waiving its fees on specific days throughout the coronavirus lockdowns, starting on March 20, when music fans spent “$4.3 million on music and merch — 15x the amount of a normal Friday — helping artists cover rents, mortgages, groceries, medications, and so much more”, and followed by May 1, when fans paid artists $7.1 million, and June 5, when fans paid artists $4.8 million.

Today (until midnight PMT) is the fourth occasion in which Bandcamp is stepping in to help artists, and if you’d like to help The Four Fathers at all, we’d be delighted.

Below is ‘The Wheel of Life’, which we recorded with Charlie Hart in a session in December, and mixed in February:

You may also be interested in the other songs we recorded in that session. Here’s ‘This Time We Win’, an eco-anthem on which Charlie plays Wurlitzer piano:

And here’s ‘Affordable’, our punky rock’n’roll assault on the iniquities of the housing development industry, whose most misused word is “affordable”, for properties that aren’t actually “affordable” at all: 

And please also be aware that our first two albums, ‘Love And War’ and ‘How Much Is A Life Worth?’ are also available (on CD as well as to download), and that the first two songs were recorded with Charlie and released in 2018 and 2019 are also available: ‘Grenfell’, and our anti-Brexit anthem ‘I Want My Country Back (From The People Who Wanted Their Country Back).’

We’re hoping that, before the end of the year, we’ll be able to record more new songs with Charlie for our third album.

Thanks for taking an interest!

* * * * *

Andy Worthington is a freelance investigative journalist, activist, author, photographer, film-maker and singer-songwriter (the lead singer and main songwriter for the London-based band The Four Fathers, whose music is available via Bandcamp). He is the co-founder of the Close Guantánamo campaign (and see the latest photo campaign here) and the successful We Stand With Shaker campaign of 2014-15, and the author of The Guantánamo Files: The Stories of the 774 Detainees in America’s Illegal Prison and of two other books: Stonehenge: Celebration and Subversion and The Battle of the Beanfield. He is also the co-director (with Polly Nash) of the documentary film, “Outside the Law: Stories from Guantánamo” (available on DVD here, or here for the US, or you can watch it online here, via the production company Spectacle, for £2.55), and for his photo project ‘The State of London’ he publishes a photo a day from eight years of bike rides around the 120 postcodes of the capital.

In 2017, Andy became very involved in housing issues. He is the narrator of the documentary film, ‘Concrete Soldiers UK’, about the destruction of council estates, and the inspiring resistance of residents, he wrote a song ‘Grenfell’, in the aftermath of the entirely preventable fire in June 2017 that killed over 70 people, and he also set up ‘No Social Cleansing in Lewisham’ as a focal point for resistance to estate destruction and the loss of community space in his home borough in south east London. For two months, from August to October 2018, he was part of the occupation of the Old Tidemill Wildlife Garden in Deptford, to prevent its destruction — and that of 16 structurally sound council flats next door — by Lewisham Council and Peabody. Although the garden was violently evicted by bailiffs on October 29, 2018, and the trees were cut down on February 27, 2019, the resistance continues.

To receive new articles in your inbox, please subscribe to Andy’s RSS feed — and he can also be found on Facebook (and here), Twitter, Flickr and YouTube. Also see the six-part definitive Guantánamo prisoner list, The Complete Guantánamo Files, the definitive Guantánamo habeas list, the full military commissions list, and the chronological list of all Andy’s articles.

Please also consider joining the Close Guantánamo campaign, and, if you appreciate Andy’s work, feel free to make a donation.

Thoughts on the Summer Solstice – and Video of The Four Fathers’ Set for the Virtual Stonehenge Free Festival

A lonely Stonehenge on the summer solstice 2020, and The Four Fathers playing a solstice set for the Virtual Stonehenge Free Festival.

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Normally, for the summer solstice, the longest day of the year, I write an article about Stonehenge, the ancient temple aligned on the solstices, discussing its long and contested history, and the crowds who have gathered there to celebrate the solstice sunrise. If this is of interest, then please feel free to check out my articles from 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2017, 2018 and 2019.

My fascination with Stonehenge dates back 37 years, to when I was a student and visited the Stonehenge Free Festival, in 1983, and subsequently in 1984 — visits that not only awakened in me an interest in ancient sacred sites, but also showed me the reality of an alternative lifestyle outside of the prevailing model of nuclear families in Margaret Thatcher’s Britain.

The festival, which had started in 1974, had grown to become a huge autonomous gathering that occupied the fields opposite Stonehenge for the whole of the month of June — and which has been accurately described as “a working exercise in collective anarchy” — until its violent suppression in 1985, when a convoy of travellers making their way to Stonehenge to set up what would have been the 12th festival were ambushed by 1,400 police from six counties and the MoD, and were then violently “decommissioned”, in one of the most shocking episodes of state brutality against unarmed men, women and children in modern British history, which has become known as the Battle of the Beanfield.

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No Justice, No Peace on the Third Anniversary of the Grenfell Tower Fire

The Grenfell Silent Walk on December 14, 2017, commemorating those who died in the fire that engulfed Grenfell Tower in west London six months earlier, on June 14, 2017. The Silent Walks took place every month until the coronavirus lockdown hit.

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Since the very public murder of George Floyd by police in Minneapolis three weeks ago, there has been a welcome and understandable resurgence of the ‘Black Lives Matter’ movement that first surfaced back in 2014, after a spate of police murders of unarmed black men and boys in the US.

Today, as we remember the terrible fire at Grenfell Tower in west London, which occurred exactly three years ago, the resurgence of the ‘Black Lives Matter’ movement seems entirely appropriate. 

72 people died in an inferno that engulfed the 1970s tower block they lived in in North Kensington, an inferno that was caused, primarily, because the structural integrity of the building had been lethally compromised by a re-cladding operation designed to make the tower look more “attractive” — not only had existing windows not been repaired or replaced to make sure that they were fireproof, but the re-cladding involved holes being drilled all over the tower that, on the night that the fire broke out, allowed it to consume the entire tower is an alarmingly short amount of time.  

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Radio: I Discuss the Coronavirus Changing the World Irrevocably, Plus Guantánamo and WikiLeaks, with Chris Cook on Gorilla Radio

Andy Worthington calling for the closure of Guantánamo outside the White House on January 11, 2020, the 18th anniversary of the prison’s opening (Photo: Witness Against Torture).

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Last Tuesday, I was delighted to speak to Chris Cook, for his radio show Gorilla Radio, beaming out to the world from Vancouver Island, in western Canada. Our full interview — an hour in total — can be found on Chris’s website. It’s also available here as an MP3, and I hope you have time to listen to it. A shorter version — about 25 minutes in total — will be broadcast in a few weeks’ time. [UPDATE May 30: the shorter version is here. US peace activist David Swanson is in the first half; I’m in the second half].

Chris began by playing an excerpt from the new release by my band The Four Fathers, ‘This Time We Win’, an eco-anthem inspired by the campaigning work of Greta Thunberg and Extinction Rebellion. [Note: In the edited version of the show, he plays the whole song, beginning at 31:25].

We then discussed my most recent articles about Guantánamo, A Coronavirus Lament by Guantánamo Prisoner Asadullah Haroon Gul and Asadullah Haroon Gul, a “No-Value Detainee,” and One of the Last Two Afghans in Guantánamo, Asks to Be Freed, both dealing with one of the many insignificant prisoners still held at Guantánamo, out of the 40 men still held — Asadullah Haroon Gul, whose lawyers are trying to secure his repatriation as part of the Afghan peace process.

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Change the World! A Life in Activism: I Discuss Stonehenge, the Beanfield, Guantánamo and Environmental Protest with Alan Dearling

Andy Worthington calling for the closure of the prison at Guantánamo Bay outside the White House, singing and playing guitar, and challenging the police and bailiffs on the day of the eviction of the Old Tidemill Wildlife Garden in Deptford.

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At the start of the year, I was delighted to be asked by an old friend and colleague, Alan Dearling, the publisher of my second book, The Battle of the Beanfield, if I’d like to be interviewed about my history of activism for two publications he’s involved with — the music and counter-culture magazine Gonzo Weekly and International Times, the online revival of the famous counter-cultural magazine of the ‘60s and ‘70s.

In February, after my time- and attention-consuming annual visit to the US to call for the closure of the prison at Guantánamo Bay on the anniversary of its opening, I found the time to give Alan’s questions the attention they deserved, and the interview was finally published on the International Times website on March 21, just two days before the coronavirus lockdown began, changing all our lives, possibly forever. Last week, it was also published in Gonzo Weekly (#387/8, pp. 73-84), and I’m pleased to now be making it available to readers here on my website.

In a wide-ranging interview, Alan asked me about my involvement with the British counter-culture in the ’80s and ‘90s, which eventually led to me writing my first two books, Stonehenge: Celebration & Subversion, and, as noted above, The Battle of the Beanfield. my work on behalf of the prisoners in Guantánamo Bay, which has dominated much of my life for the last 14 years, and my more recent work as a housing activist — with a brief mention also of my photo-journalism project, ‘The State of London’, and my music with The Four Fathers.

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The Four Fathers Release New Eco-Anthem, ‘This Time We Win’, Recorded with Charlie Hart

The cover for ‘This Time We Win‘, the new single by The Four Fathers. Designed by Brendan Horstead.

On Earth Day (April 22), The Four Fathers released ‘This Time We Win’, a new online single on Bandcamp, produced by Charlie Hart, who also plays Wurlitzer piano on it.

This Time We Win’ is an eco-anthem that I wrote last year in response to the unfolding, man-made, global environmental catastrophe that we all face, and the powerful efforts to highlight it that have been made by the Swedish teenager Greta Thunberg and her Fridays For Future movement of striking schoolchildren, and the campaigning group Extinction Rebellion, who occupied central London a year ago.

We were planning to release it this spring, to coincide with what we anticipated would be renewed environmental activism, but what we couldn’t have foreseen was the arrival of the highly infectious novel coronavirus, COVID-19, and the complete shutdown of all significant gatherings of people, including political protests, to try and stop its spread.

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
Email Andy Worthington

CD: Love and War

The Four Fathers on Bandcamp

The Guantánamo Files book cover

The Guantánamo Files

The Battle of the Beanfield book cover

The Battle of the Beanfield

Stonehenge: Celebration & Subversion book cover

Stonehenge: Celebration & Subversion

Outside The Law DVD cover

Outside the Law: Stories from Guantánamo

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