Grenfell, Six Months On: The Four Fathers’ New Song Remembering Those Who Lost Their Lives and Calling for Those Responsible to be Held Accountable

A screenshot from the video of The Four Fathers performing 'Grenfell' - with added titles.Before June 14 this year, anyone reflecting on the skyline of London would think about the Shard, the Gherkin, One Canada Square, the ostentatious towers of the face of modern capitalism; on the morning of June 14, however, a new vision of a tower was seared into the nation’s memory — the charred, still-smoking remains of Grenfell Tower, a 24-storey residential tower block in North Kensington, in west London, consumed in an overnight inferno with the loss of 71 lives.

The Grenfell Tower fire was entirely preventable. Designed so that each flat would be able to withstand fire until the emergency services arrived, the tower’s structural integrity was destroyed when it was given new cladding — through holes made in the body of the tower, through the use of flammable cladding to save money, and through the gaps behind the cladding that facilitated the extraordinarily swift spread of the fire. At every level, it seems clear — central government, local government, the devolved management responsible for Kensington & Chelsea’s social housing, and the various contractors involved in maintenance and refurbishment — safety standards were eroded or done away with completely,

When I wrote about the fire just two days later, I was deeply shocked to discover that the disaster had been foretold by residents in the Grenfell Action Group, who had stated in a post in November 2016, “It is a truly terrifying thought but the Grenfell Action Group firmly believe that only a catastrophic event will expose the ineptitude and incompetence of our landlord, the  KCTMO [Kensington & Chelsea Tenant Management Organisation], and bring an end to the dangerous living conditions and neglect of health and safety legislation that they inflict upon their tenants and leaseholders. We believe that the KCTMO are an evil, unprincipled, mini-mafia who have no business to be charged with the responsibility of  looking after the every day management of large scale social housing estates and that their sordid collusion with the RBKC Council is a recipe for a future major disaster.” Read the rest of this entry »

No Social Cleansing in Lewisham: Please Join the New Campaign!

No Social Cleansing in Lewisham! The logo for the new campaign, designed by Lilah Francis of the Achilles Street Stop and Listen Campaign.Please visit and like the No Social Cleansing in Lewisham Facebook page!

And, if you can, please support my work as a reader-funded investigative journalist, commentator and activist.





 

Back in October, after being hit by a number of pieces of bad news regarding the state of social housing in Lewisham, I rather impetuously came up with a name for a campaign and a rallying cry — No Social Cleansing in Lewisham — and emailed Deptford’s legendary live venue, the Birds Nest, to ask if they would host a night of music, consciousness-raising and and solidarity, to which they said yes.

I had been encouraged to think that a gig in defence of social housing — essentially, not-for-profit rented housing, typically available for no more than a third of what unregulated private rents cost — was possible because, contrary to popular notions that politics has no place in music, which is assiduously promoted by the corporate media, my own band, The Four Fathers, refused the imperative to be bland and non-confrontational, and I had been meeting appropriate performers over the previous year — the acclaimed spoken word artist Potent Whisper, whose work is relentlessly political, the Commie Faggots, who play theatrical singalong political songs, and Asher Baker, a singer-songwriter and rapper from Southwark.

Potent Whisper and I had got to know each other online, and had then both played at a benefit for housing campaigners in Haringey in September, which was a particularly inspirational evening. I’d seen the Commie Faggots play at an open mic event in New Cross, and had then put on an event with them for the Telegraph Hill Festival, and Asher and I had met when we were both on the bill for an evening at the New Cross Inn. I then added people I met recently — the fabulous all-women Ukadelix, and local spoken word artist Agman Gora — and, with the last-minute addition of the Strawberry Thieves Socialist Choir, had a powerful evening of protest music lined up for a great night of conscious partying. Read the rest of this entry »

How Much Is A Life Worth? New Album Released Today by The Four Fathers, London Journalist and Activist Andy Worthington’s Band

The cover of The Four Fathers' new album, 'How Much Is A Life Worth?'I’m delighted to announce that today my band The Four Fathers are releasing our second album, How Much Is A Life Worth? via Bandcamp, where you can buy it on CD (which can be sent anywhere in the world), or as a download (either the whole album, or individual tracks). The CD costs £8 (about $10.67), plus postage and packing, while the download of the album costs £5 (about $6.67), with individual tracks available for $1 (about $1.33). These are the minimum prices, but you can always pay more if you want to provide us with extra financial support, to help us recoup the costs of recording and production.

The album features ten original rock and roots reggae songs — eight written by me, as lead singer and rhythm guitarist, and two written by lead guitarist Richard Clare. It follows the release in 2015 of the band’s first album, ‘Love and War,’ and continues to demonstrate a commitment to political issues, with six of the album’s ten songs being protest songs. The band also features Brendan Horstead on drums and percussion, Andrew Fifield on flute and harmonica, and Louis Sills-Clare on bass (replaced after the album was recorded by current bassist Mark Quiney).

Followers of the band on Bandcamp — or those who have seen us live — will already know some of these songs, as six of them have previously been released online, although all of them have now been slightly remastered. Those songs are, in order of release, ‘Close Guantánamo’ (used for the ‘Close Guantánamo’ campaign that I run), ‘Dreamers’ (a song about friendship, written for a friend’s 50th birthday), live favourites ’Riot’ (about austerity and the need for social and economic justice) and ‘London’ (a lament for how the capital’s vibrancy in the 80s and 90s has been destroyed by housing greed), ‘She’s Back’ (Richard’s song about Pussy Riot) and ‘Equal Rights And Justice For All’ (my celebration of habeas corpus, which always gets a laugh when I say live that no set is really complete without a song about habeas corpus). Read the rest of this entry »

‘No Social Cleansing in Lewisham’: After Success of Gig in Deptford on Nov. 12, Campaigners Plan to Stage Events in Other Boroughs

No Social Cleansing in Lewisham! A logo for the campaign made by Lilah Francis of the Achilles Street Stop and Listen Campaign.Please support my work as a reader-funded investigative journalist, commentator and activist.





 

It was hard to move in the legendary music pub The Birds Nest in Deptford on Sunday night. I’d arranged a benefit gig there — also intended as a consciousness-raising event, and an opportunity for all kinds of different campaigners to meet — under the umbrella heading, ‘No Social Cleansing in Lewisham’, and it had proved to be so popular that the place was rammed, with sets from the acclaimed spoken word artist Potent Whisper, my band The Four Fathers, playing punky political rock and roots reggae, the theatrical singalong politics of the Commie Faggots, the talented Southwark-based rapper Asher Baker, Deptford spoken word artist Agman Gora passionately tackling current crises, the massed voices of the Strawberry Thieves Socialist Choir, and the ukulele-wielding women of Ukadelix, with their wonderful vocal harmonies. Check out all my photos here.

I organised the event because I’d become aware that the plague of modern London — social cleansing by, predominantly, Labour boroughs — was starting to make its baleful presence felt in the borough of Lewisham, where I live, in south east London. This is not to say that Lewisham had previously been impervious to this greedy, class-based curse. The monstrous Lewisham Gateway development in the heart of the borough had begun with the destruction of a council estate, the Sundermead Estate, and the council is also currently involved in the long-running destruction of two estates on the border with Greenwich, Heathside and the wonderfully Brutalist Lethbridge Estate (which I’ll need to write about soon, as I can find absolutely no criticism of the estate’s destruction online, and very few photos), as well as demolishing the extraordinary Excalibur Estate of post-war prefabs high in the back streets of Catford.

The Four Fathers playing at 'No Social Cleansing in Lewisham' at the Birds Nest pub in Deptford on November 12, 2017.However, compared to its rapacious neighbour, Southwark, Lewisham is not yet a fully paid-up member of the Premier League of social cleansers. Lewisham’s biggest imminent project is the redevelopment of Convoys Wharf, a historically significant wharf on Deptford’s shoreline. This insulting effort to recreate Dubai at the end of Deptford High Street on the site of Henry VIII’s great dockyard is profoundly disappointing, but it doesn’t involve the destruction of people’s homes, whereas Southwark Council, at the Heygate Estate, working with the Australian-based international property developer Lendlease, has destroyed an estate of 1,034 socially rented homes, replacing them with 2,704 new homes, but with only 82 for social rent, and is currently undertaking similar destruction on the Aylesbury Estate, one of Europe’s biggest council estates, with Notting Hill Homes, a former social housing provider that has eagerly responded to government cuts by becoming an enthusiastic private developer. Read the rest of this entry »

No Social Cleansing in Lewisham! Fundraiser for Tidemill and Achilles Street Campaigns with Potent Whisper, The Four Fathers, Commie Faggots at the Birds Nest, Nov. 12

The poster for 'No Social Cleansing in Lewisham' at the Birds Nest in Deptford on November 12, 2017.

Check out the Facebook event page here — for ‘No Social Cleansing in Lewisham!’ at the Birds Nest, in Deptford, London SE8, on Sunday November 12 from 6-11pm, with Potent Whisper, the Four Fathers, the Commie Faggots, Asher Baker, The Wiz-RD and Ukadelix.

Followers of London’s housing crisis — and, particularly, the destruction of social housing estates and their replacement with new, private developments — will know, from the experiences of residents and leaseholders on the Heygate Estate in Walworth, in the London Borough of Southwark, that councils and developers talk sweetly about the right to return for tenants, and about adequately compensating leaseholders, but that in the end both groups are socially cleansed out of their homes, and often out of their boroughs, and even out of London completely, as they are excluded from the new properties built to profit the developers, and to appeal to investors (and largely, it seems, to foreign investors).

The biggest culprit to date has been Southwark Council, which is currently engaged in another huge act of social cleansing on the Aylesbury Estate, also in Walworth, but there have been other notorious examples — the West Hendon Estate, for example, Woodberry Down in Hackney and Robin Hood Gardens in Tower Hamlets — and other councils are queuing up to engage in their own social cleansing. Lambeth Council plans to demolish two well-regarded estates, Cressingham Gardens and Central Hill, and Haringey Council is currently trying to enter into a 50/50 partnership with the rapacious international property developer Lendlease (the butchers of the Heygate Estate) in a £2bn deal that will see the council handing over control of all its social housing, with plans for the destruction of several estates.

Until recently, Lewisham has not figured prominently in this story, having largely bypassed social cleansing issues by working with developers on brownfield sites. But at the end of September, Lewisham councillors approved the destruction of Old Tidemill Garden and a block of social housing on Reginald Road, in Deptford, and the council is also intending to demolish blocks of flats and shops on and around Achilles Street in New Cross. See the Tidemill Facebook page, the Achilles Street Facebook page, and also see my article, Social Cleansing and the Destruction of Council Estates Exposed at Screening of ‘Dispossession’ by Endangered New Cross Residents. Read the rest of this entry »

My Band The Four Fathers Release ‘Equal Rights And Justice For All,’ Defending Habeas Corpus, Opposing Arbitrary Detention at Guantánamo and in the UK

The cover for The Four Fathers' new online single, 'Equal Rights And Justice For All.'My band The Four Fathers have just released a brand-new online single, ‘Equal Rights And Justice For All,’ a passionate defence of habeas corpus, which is supposed to protect all of us from arbitrary imprisonment.

The song — an insistent and infectious roots reggae groove — was inspired by my work trying to get the prison at Guantánamo Bay closed down, my work opposing the use of secret evidence in the UK, and also by the 800th anniversary of King John signing Magna Carta in 2015. The key element of this document, which the barons obliged him to sign, was habeas corpus, the right to be bought before a judge to test the validity of one’s imprisonment, which, over the centuries that followed, ended up applying to everyone, and was successfully exported around the world as a hugely significant bulwark against tyranny.

See below for the song, on Bandcamp, where you can listen to it for free — or, if you’d like to support us, buy it as a download for just £1 ($1.25) — or more if you’d like. Read the rest of this entry »

Photos: Festival of Resistance Against the DSEI Arms Fair in London’s Docklands, Sept. 9, 2017

Stop the arms fair: a placard emerges from a sea of police at the Festival of Resistance against the DSEI arms fair in London's Docklands on September 9, 2017 (Photo: Andy Worthington).

See all my photos from the Festival of Resistance against the DSEI arms fair  on Flickr here!

Yesterday (September 9, 2017), the Campaign Against Arms Trade and Stop the Arms Fair organised a Festival of Resistance against the bi-annual international arms fair that takes place in London’s Docklands at the ExCeL exhibition centre, which I visited, played at, and took photos of. See my photos here. This UK government-backed orgy of trade in weapons of war and weapons of mass destruction tries to disguise itself by calling itself DSEI (Defence and Security Equipment International), but anyone perceptive can see through the PR-speak.

As the festival’s Facebook page explains, “As one of the world’s largest arms fairs, DSEI brings together over 1,500 arms companies and military delegations from over 100 countries. On display will be everything from crowd control equipment to machine guns, tanks, drones and even battleships.” Countries invited to take part, all with dire human rights records, include Bahrain, Egypt, Israel, Saudi Arabia and the United Arab Emirates.

The resistance to the DSEI has involved protests all week in advance of the arms fair itself, which runs from September 12-15. Throughout the week, dozens of protestors were arrested stopping arms-laden vehicles arriving at ExCeL, and this pattern continued during the festival, as protestors locked on to each other in the road or locked on to vehicles. Protests are also continuing throughout the coming week — see here for further details. Read the rest of this entry »

My Band The Four Fathers Release New Single, ‘She’s Back’, About Pussy Riot, As Maria Alyokhina Releases Memoir, ‘Riot Days’

The cover of 'She's Back' by The Four Fathers, released on September 5, 2017.Today, my band The Four Fathers are releasing ‘She’s Back’, our new online single from our forthcoming album, ‘How Much Is A Life Worth?’, which we’ll be releasing on CD soon, hopefully within the next month.

She’s Back’ was written by guitarist Richard Clare, first aired in 2015, and recorded in a session last year for the new album. It’s about Pussy Riot, politicized performance artists from Russia, who use punk music to get across their messages, which have involved feminism, LGBT rights and the corruption of Vladimir Putin. We recorded it in July 2016, with Richard on lead vocals and 12-string guitar, me on rhythm guitar and backing vocals, Brendan Horstead on drums, Andrew Fifield on flute and Louis Sills-Clare on bass.

The song is below, on Bandcamp, where you can listen to it, and, if you wish, download it for just £1 ($1.30). We hope you like it!

Formed in 2011, Pussy Riot gained international notoriety in 2012 after five members of the group staged a punk rock performance — a ‘Punk Prayer’ — inside Moscow’s Cathedral of Christ the Savior, which was aimed at the church’s support for Putin during his election campaign. Read the rest of this entry »

Video: Andy Worthington’s Band The Four Fathers Play Anti-Austerity Song ‘Riot’, Released on Sixth Anniversary of UK Riots

Listen to ‘Riot’ hereA photo of the London riots in August 2011., and watch the live video here.

Exactly six years ago, on August 6, 2011, riots erupted across the UK. The trigger had been the killing, by police, of Mark Duggan in Tottenham in north London the day before, and for the next three days there were riots across the country — the largest riots in modern British history, as 14,000 people took to the streets.

As I wrote back in May, when my band The Four Fathers released our song, ‘Riot’, which was partly inspired by the 2011 riots, “Buildings and vehicles were set on fire, there was widespread looting, and, afterwards, the police systematically hunted down everyone they could find that was involved — particularly through an analysis of CCTV records — and the courts duly delivered punitive sentences as a heavy-handed deterrent.”

I wrote about the riots at the time, in an article entitled, The UK “Riots” and Why the Vile and Disproportionate Response to It Made Me Ashamed to be British, and my song ‘Riot’ followed up on my inability to accept that the British establishment’s response to the riots had been either proportionate or appropriate. Read the rest of this entry »

Video: Andy Worthington’s Band The Four Fathers Play Bob Dylan’s ‘Masters of War’ at Vinyl Deptford

A screenshot of the video of The Four Fathers playing 'Masters of War' at Vinyl Deptford on April 28, 2017.Today I’m posting the second of three new Four Fathers videos on our YouTube channel — of us playing our cover of Bob Dylan’s ‘Masters of War’, a live favourite — also featured on the CD of our first studio album, ‘Love and War.’ The video was recorded on April 28 at our most recent gig at Vinyl Deptford, a great record shop in London SE8, which has a wonderful little rock and roll basement, and our thanks to Ellen for making the videos.

We’ve played Vinyl many times before, but this was our first time with our new bassist, Mark Quiney, who joined us at the start of the year, and we hope you enjoy it, and will share it if you do.

I would’ve written an original anti-war song myself, but when The Four Fathers started, three years ago, a version of ‘Masters of War’ just fell into place, and it’s such a powerful song, with such direct and compelling lyrics — from Bob Dylan’s early incarnation as a folk singer and a protest singer — that it made me put aside my own notions of writing an anti-war song until last year, when I wrote ‘How Much Is A Life Worth?’, the title track of our forthcoming second album, which, as well as dealing with war, also focuses on terrorism, the refugee crisis and the significance of the Black Lives Matter movement in the US. Read the rest of this entry »

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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