‘No Social Cleansing in Lewisham’: After Success of Gig in Deptford on Nov. 12, Campaigners Plan to Stage Events in Other Boroughs

No Social Cleansing in Lewisham! A logo for the campaign made by Lilah Francis of the Achilles Street Stop and Listen Campaign.Please support my work as a reader-funded investigative journalist, commentator and activist.

 

It was hard to move in the legendary music pub The Birds Nest in Deptford on Sunday night. I’d arranged a benefit gig there — also intended as a consciousness-raising event, and an opportunity for all kinds of different campaigners to meet — under the umbrella heading, ‘No Social Cleansing in Lewisham’, and it had proved to be so popular that the place was rammed, with sets from the acclaimed spoken word artist Potent Whisper, my band The Four Fathers, playing punky political rock and roots reggae, the theatrical singalong politics of the Commie Faggots, the talented Southwark-based rapper Asher Baker, Deptford spoken word artist Agman Gora passionately tackling current crises, the massed voices of the Strawberry Thieves Socialist Choir, and the ukulele-wielding women of Ukadelix, with their wonderful vocal harmonies. Check out all my photos here.

I organised the event because I’d become aware that the plague of modern London — social cleansing by, predominantly, Labour boroughs — was starting to make its baleful presence felt in the borough of Lewisham, where I live, in south east London. This is not to say that Lewisham had previously been impervious to this greedy, class-based curse. The monstrous Lewisham Gateway development in the heart of the borough had begun with the destruction of a council estate, the Sundermead Estate, and the council is also currently involved in the long-running destruction of two estates on the border with Greenwich, Heathside and the wonderfully Brutalist Lethbridge Estate, (which I’ll need to write about soon, as I can find absolutely no criticism of the estate’s destruction online, and very few photos), as well as demolishing the extraordinary Excalibur Estate of post-war prefabs high in the back streets of Catford.

The Four Fathers playing at 'No Social Cleansing in Lewisham' at the Birds Nest pub in Deptford on November 12, 2017.However, compared to its rapacious neighbour, Southwark, Lewisham is not yet a fully paid-up member of the Premier League of social cleansers. Lewisham’s biggest imminent project is the redevelopment of Convoys Wharf, a historically significant wharf on Deptford’s shoreline. This insulting effort to recreate Dubai at the end of Deptford High Street on the site of Henry VIII’s great dockyard is profoundly disappointing, but it doesn’t involve the destruction of people’s homes, whereas Southwark Council, at the Heygate Estate, working with the Australian-based international property developer Lendlease, has destroyed an estate of 1,034 socially rented homes, replacing them with 2,704 new homes, but with only 82 for social rent, and is currently undertaking similar destruction on the Aylesbury Estate, one of Europe’s biggest council estates, with Notting Hill Homes, a former social housing provider that has eagerly responded to government cuts by becoming an enthusiastic private developer. Read the rest of this entry »

No Social Cleansing in Lewisham! Fundraiser for Tidemill and Achilles Street Campaigns with Potent Whisper, The Four Fathers, Commie Faggots at the Birds Nest, Nov. 12

The poster for 'No Social Cleansing in Lewisham' at the Birds Nest in Deptford on November 12, 2017.

Check out the Facebook event page here — for ‘No Social Cleansing in Lewisham!’ at the Birds Nest, in Deptford, London SE8, on Sunday November 12 from 6-11pm, with Potent Whisper, the Four Fathers, the Commie Faggots, Asher Baker, The Wiz-RD and Ukadelix.

Followers of London’s housing crisis — and, particularly, the destruction of social housing estates and their replacement with new, private developments — will know, from the experiences of residents and leaseholders on the Heygate Estate in Walworth, in the London Borough of Southwark, that councils and developers talk sweetly about the right to return for tenants, and about adequately compensating leaseholders, but that in the end both groups are socially cleansed out of their homes, and often out of their boroughs, and even out of London completely, as they are excluded from the new properties built to profit the developers, and to appeal to investors (and largely, it seems, to foreign investors).

The biggest culprit to date has been Southwark Council, which is currently engaged in another huge act of social cleansing on the Aylesbury Estate, also in Walworth, but there have been other notorious examples — the West Hendon Estate, for example, Woodberry Down in Hackney and Robin Hood Gardens in Tower Hamlets — and other councils are queuing up to engage in their own social cleansing. Lambeth Council plans to demolish two well-regarded estates, Cressingham Gardens and Central Hill, and Haringey Council is currently trying to enter into a 50/50 partnership with the rapacious international property developer Lendlease (the butchers of the Heygate Estate) in a £2bn deal that will see the council handing over control of all its social housing, with plans for the destruction of several estates.

Until recently, Lewisham has not figured prominently in this story, having largely bypassed social cleansing issues by working with developers on brownfield sites. But at the end of September, Lewisham councillors approved the destruction of Old Tidemill Garden and a block of social housing on Reginald Road, in Deptford, and the council is also intending to demolish blocks of flats and shops on and around Achilles Street in New Cross. See the Tidemill Facebook page, the Achilles Street Facebook page, and also see my article, Social Cleansing and the Destruction of Council Estates Exposed at Screening of ‘Dispossession’ by Endangered New Cross Residents. Read the rest of this entry »

My Band The Four Fathers Release ‘Equal Rights And Justice For All,’ Defending Habeas Corpus, Opposing Arbitrary Detention at Guantánamo and in the UK

The cover for The Four Fathers' new online single, 'Equal Rights And Justice For All.'My band The Four Fathers have just released a brand-new online single, ‘Equal Rights And Justice For All,’ a passionate defence of habeas corpus, which is supposed to protect all of us from arbitrary imprisonment.

The song — an insistent and infectious roots reggae groove — was inspired by my work trying to get the prison at Guantánamo Bay closed down, my work opposing the use of secret evidence in the UK, and also by the 800th anniversary of King John signing Magna Carta in 2015. The key element of this document, which the barons obliged him to sign, was habeas corpus, the right to be bought before a judge to test the validity of one’s imprisonment, which, over the centuries that followed, ended up applying to everyone, and was successfully exported around the world as a hugely significant bulwark against tyranny.

See below for the song, on Bandcamp, where you can listen to it for free — or, if you’d like to support us, buy it as a download for just £1 ($1.25) — or more if you’d like. Read the rest of this entry »

Photos: Festival of Resistance Against the DSEI Arms Fair in London’s Docklands, Sept. 9, 2017

Stop the arms fair: a placard emerges from a sea of police at the Festival of Resistance against the DSEI arms fair in London's Docklands on September 9, 2017 (Photo: Andy Worthington).

See all my photos from the Festival of Resistance against the DSEI arms fair  on Flickr here!

Yesterday (September 9, 2017), the Campaign Against Arms Trade and Stop the Arms Fair organised a Festival of Resistance against the bi-annual international arms fair that takes place in London’s Docklands at the ExCeL exhibition centre, which I visited, played at, and took photos of. See my photos here. This UK government-backed orgy of trade in weapons of war and weapons of mass destruction tries to disguise itself by calling itself DSEI (Defence and Security Equipment International), but anyone perceptive can see through the PR-speak.

As the festival’s Facebook page explains, “As one of the world’s largest arms fairs, DSEI brings together over 1,500 arms companies and military delegations from over 100 countries. On display will be everything from crowd control equipment to machine guns, tanks, drones and even battleships.” Countries invited to take part, all with dire human rights records, include Bahrain, Egypt, Israel, Saudi Arabia and the United Arab Emirates.

The resistance to the DSEI has involved protests all week in advance of the arms fair itself, which runs from September 12-15. Throughout the week, dozens of protestors were arrested stopping arms-laden vehicles arriving at ExCeL, and this pattern continued during the festival, as protestors locked on to each other in the road or locked on to vehicles. Protests are also continuing throughout the coming week — see here for further details. Read the rest of this entry »

My Band The Four Fathers Release New Single, ‘She’s Back’, About Pussy Riot, As Maria Alyokhina Releases Memoir, ‘Riot Days’

The cover of 'She's Back' by The Four Fathers, released on September 5, 2017.Today, my band The Four Fathers are releasing ‘She’s Back’, our new online single from our forthcoming album, ‘How Much Is A Life Worth?’, which we’ll be releasing on CD soon, hopefully within the next month.

She’s Back’ was written by guitarist Richard Clare, first aired in 2015, and recorded in a session last year for the new album. It’s about Pussy Riot, politicized performance artists from Russia, who use punk music to get across their messages, which have involved feminism, LGBT rights and the corruption of Vladimir Putin. We recorded it in July 2016, with Richard on lead vocals and 12-string guitar, me on rhythm guitar and backing vocals, Brendan Horstead on drums, Andrew Fifield on flute and Louis Sills-Clare on bass.

The song is below, on Bandcamp, where you can listen to it, and, if you wish, download it for just £1 ($1.30). We hope you like it!

Formed in 2011, Pussy Riot gained international notoriety in 2012 after five members of the group staged a punk rock performance — a ‘Punk Prayer’ — inside Moscow’s Cathedral of Christ the Savior, which was aimed at the church’s support for Putin during his election campaign. Read the rest of this entry »

Video: Andy Worthington’s Band The Four Fathers Play Anti-Austerity Song ‘Riot’, Released on Sixth Anniversary of UK Riots

Listen to ‘Riot’ hereA photo of the London riots in August 2011., and watch the live video here.

Exactly six years ago, on August 6, 2011, riots erupted across the UK. The trigger had been the killing, by police, of Mark Duggan in Tottenham in north London the day before, and for the next three days there were riots across the country — the largest riots in modern British history, as 14,000 people took to the streets.

As I wrote back in May, when my band The Four Fathers released our song, ‘Riot’, which was partly inspired by the 2011 riots, “Buildings and vehicles were set on fire, there was widespread looting, and, afterwards, the police systematically hunted down everyone they could find that was involved — particularly through an analysis of CCTV records — and the courts duly delivered punitive sentences as a heavy-handed deterrent.”

I wrote about the riots at the time, in an article entitled, The UK “Riots” and Why the Vile and Disproportionate Response to It Made Me Ashamed to be British, and my song ‘Riot’ followed up on my inability to accept that the British establishment’s response to the riots had been either proportionate or appropriate. Read the rest of this entry »

Video: Andy Worthington’s Band The Four Fathers Play Bob Dylan’s ‘Masters of War’ at Vinyl Deptford

A screenshot of the video of The Four Fathers playing 'Masters of War' at Vinyl Deptford on April 28, 2017.Today I’m posting the second of three new Four Fathers videos on our YouTube channel — of us playing our cover of Bob Dylan’s ‘Masters of War’, a live favourite — also featured on the CD of our first studio album, ‘Love and War.’ The video was recorded on April 28 at our most recent gig at Vinyl Deptford, a great record shop in London SE8, which has a wonderful little rock and roll basement, and our thanks to Ellen for making the videos.

We’ve played Vinyl many times before, but this was our first time with our new bassist, Mark Quiney, who joined us at the start of the year, and we hope you enjoy it, and will share it if you do.

I would’ve written an original anti-war song myself, but when The Four Fathers started, three years ago, a version of ‘Masters of War’ just fell into place, and it’s such a powerful song, with such direct and compelling lyrics — from Bob Dylan’s early incarnation as a folk singer and a protest singer — that it made me put aside my own notions of writing an anti-war song until last year, when I wrote ‘How Much Is A Life Worth?’, the title track of our forthcoming second album, which, as well as dealing with war, also focuses on terrorism, the refugee crisis and the significance of the Black Lives Matter movement in the US. Read the rest of this entry »

Four London Gigs for Andy Worthington’s Band The Four Fathers, Promoting Songs from Forthcoming Album, How Much Is A Life Worth?

A poster for The Four Fathers' gigs in London in July 2017.Over the month of July, my band The Four Fathers have four gigs in south east London, and we hope that, if you’re around, you’ll come and see us — and even if you’re not around, we hope that you’ll check out our music, and even buy a download or two!

In the last few months, we’ve been releasing songs from our forthcoming second album, How Much Is A Life Worth? — Close Guantánamo, which I wrote for the Close Guantánamo campaign, and with a new verse dealing with the menace posed by Donald Trump, Dreamers, a song about friendship and parenthood, which I wrote for a friend’s 50th birthday, and, most recently, two of our hardest-hitting political songs, Riot, which warns politicians about what to expect if the poorer members of society are relentlessly exploited and treated with contempt, and London, a love song to the city that has been my home for the last 32 years, in which I reflect with sorrow and anger on how the UK capital’s wildness and its relentless and persistent state of dissent in the 80s and 90s has been tamed — or bludgeoned — by greed over the last 20 years, and how, sadly, the recent disaster at Grenfell Tower in west London is the most distressing outcome of this institutional disdain for the poor.

Other key songs we play live include our anthemic anti-austerity song, Fighting Injustice, our cover of Bob Dylan’s Masters of War (from our debut album, Love and War), the folk song Rebel Soldier that I put to a reggae tune in Brixton in the 1980s, and other songs not yet released — How Much Is A Life Worth?, about how white people perceive the value of their lives against those of (i) the victims of our wars, (ii) refugees and (iii) in the US, black people killed by the police, and Equal Rights and Justice For All, about the importance of habeas corpus. A recent addition is Stand Down Theresa, our updated version of the Beat’s classic protest song, Stand Down Margaret. A rough but energetic version of Stand Down Theresa is on video here. Read the rest of this entry »

After Grenfell, Andy Worthington’s Band The Four Fathers Release New Single, ‘London’, A Savage Portrait of the UK Capital Hollowed Out By Greed

The cover of The Four Fathers' new single 'London', released on June 23, 2017.In the wake of last week’s entirely preventable inferno at Grenfell Tower in west London, in which, officially, 79 people died (although the real total may well be over 300), the horrendous loss of life — and the fact that it was entirely preventable — has forced London’s housing crisis to the top of the political agenda, although to be honest, that is where it should have been for the whole of the 21st century.

The latest online single released by my band The Four Fathers (also on Facebook, Twitter and YouTube), ‘London’ deals largely with the housing crisis, as part of a love song to the city going back to the 1980s. I moved to Brixton in 1985, and in the song I provide my personal take on how the wild and chaotic capital of the 1980s and 1990s has been overtaken by a focus on greed and the dull, soul-sapping, materialistic values of “gentrification,” and how, in this dysfunctional new world, the vibrant dissent of the 80s and 90s has largely been silenced, and those in charge of housing — endlessly putting profit before the needs of people — have razed neighbourhoods to the ground and given the capital city a lobotomy.

Listen to the single below — and buy it as a download if you wish: Read the rest of this entry »

Andy Worthington’s Band The Four Fathers Release ‘Riot’, New Online Single Tackling Austerity and Inequality

Listen to ‘Riot’ here!The photo is by Eric Hossinger (hozinja) on Flickr, and is reproduced via a Creative Commons agreement. It was taken on December 4, 2010 during a UK Uncut protest outside Topshop in Oxford Street about tax avoidance by the company's boss, Sir Philip Green.

Today my band The Four Fathers are releasing ‘Riot’, our third online single from our forthcoming album, ‘How Much Is A Life Worth?’ following the release of ‘Close Guantánamo’ (2017 mix)’ in February, and ‘Dreamers’ last month.

I initially wrote ‘Riot’ in 1986, while living in Brixton, as a punky reggae song that dealt with how parents and society mess up kids’ minds and emotions — themes of youthful alienation that didn’t survive when I revived the song for The Four Fathers at the end of 2015. We’ve been playing it live since then, and we recorded it last summer in the first session for our new album, ‘How Much Is A Life Worth?’ which we hope to release on CD in September.

Musically, our version of my old tune is the closest we’ve come to date to echoing the minor key tunes and armagideon themes of classic late 70s roots reggae, which remains my favourite music, nearly 35 years after it first blew my mind at university in Oxford. Read the rest of this entry »

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo, co-director, We Stand With Shaker. Also, singer and songwriter (The Four Fathers) and photographer.
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