Covid Lockdown: Video of My Band The Four Fathers Playing at a Small Party in a London Park That Would Now Be Illegal

A screenshot of The Four Fathers playing in a park in south London on August 29, 2020.

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On the August Bank Holiday weekend, my band The Four Fathers played a largely acoustic set — and then joined other musicians in a jam session — as part of a little party in our local park in south London, parts of which were filmed by our bassist’s daughter, and which now constitute a record of what London looked like five months after the government first declared a lockdown to prevent the spread of the Covid-19 virus.

The party normally takes place in a friend’s house, but this year, because of Covid-19, everyone concerned recognised that even a well-behaved house party wasn’t acceptable at the time, and so the proposal to move it to our local park was suggested instead.

In the earliest days of lockdown, London’s parks were patrolled by the police and local officials to make sure that no one stopped or mingled during their allotted one hour of exercise a day, but, as the peak of the panic passed, parks then became the focal point of human interaction, and while there were some obvious examples of slightly reckless behaviour — parties of young people drinking late into the night, provoking the wrath of the curtain-twitching brigade — for the most part people were aware of social distancing, and were simply trying to balance the need to avoid spreading the virus with an equally important need to socialise.

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Check Out The Four Fathers’ Video Trilogy from Our Pre-Covid Charlie Hart Sessions

A screenshot from The Four Fathers’ YouTube channel.

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Since the coronavirus hit, my band The Four Fathers have, like most musicians, been unable to do much at all. Initially isolated from each other — and with our bassist Paul having moved to San Francisco — we didn’t get together until June, when we played a few songs for my friend Neil Goodwin’s Virtual Stonehenge Free Festival, available on YouTube here.

Paul then returned from San Francisco, which was good news for us, and we’ve rehearsed a few times since, but, unsurprisingly, we haven’t played any gigs, although we did manage to release three new studio recordings, which we recorded in December with the great Charlie Hart, who, in a 50-year career, has played in Kilburn and the High Roads with Ian Dury, and in Ronnie Lane’s Slim Chance, has produced music for the legendary Congolese singer Samba Mapangala, and currently plays in a revived Slim Chance and in his own band The Equators, an extraordinary world-jazz-blues group of extremely talented musicians.

The recordings were of three new songs that I wrote in 2018/19, all available on Bandcamp, where they can be purchased as downloads: The Wheel of Life, a meditation on mortality and living in the moment, This Time We Win, an eco-anthem inspired by Greta Thunberg and Extinction Rebellion, on which Charlie plays Wurlitzer piano, and Affordable, a punky blast of rock and roll about lying politicians and the housing crisis.

We also followed up the release of the new recordings with experimental videos using found footage that were made by our drummer Bren Horstead.

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The Four Fathers Release New Existential Song ‘The Wheel of Life’, As Bandcamp Waives Its Revenue Share to Help Musicians

The cover of ‘The Wheel of Life’ by The Four Fathers, designed by drummer Bren Horstead.

My band The Four Fathers have just released the last of three songs we recorded before the coronavirus hit, with the multi-talented musician and producer Charlie Hart, whose illustrious career involves playing with Ian Dury in Kilburn and the High Roads, many years with Ronnie Lane, after he left the Faces, in Slim Chance, and several occasions spent working with the wonderful Congolese singer Samba Mapangala.

The release is ‘The Wheel of Life’, a meditation on aging, and on the importance of living in the moment, which I hope has some resonance right now, as we all try to cope with the impact of the novel coronavirus, COVID-19, which brought our thoughtlessly excessive lifestyles to an abrupt halt three months ago, but which has also precipitated a forthcoming recession of possibly terrifying proportions, as well as silencing all forms of culture that involves live interaction at close quarters.

Live music is just one the casualties of this strange new world, and while we try to work out how to resume entertaining one another in a live context, creative people are suffering. In an attempt to help, Bandcamp, the US online music service, which we use in preference to streaming companies, has been waiving its fees on specific days throughout the coronavirus lockdowns, starting on March 20, when music fans spent “$4.3 million on music and merch — 15x the amount of a normal Friday — helping artists cover rents, mortgages, groceries, medications, and so much more”, and followed by May 1, when fans paid artists $7.1 million, and June 5, when fans paid artists $4.8 million.

Today (until midnight PMT) is the fourth occasion in which Bandcamp is stepping in to help artists, and if you’d like to help The Four Fathers at all, we’d be delighted.

Below is ‘The Wheel of Life’, which we recorded with Charlie Hart in a session in December, and mixed in February:

You may also be interested in the other songs we recorded in that session. Here’s ‘This Time We Win’, an eco-anthem on which Charlie plays Wurlitzer piano:

And here’s ‘Affordable’, our punky rock’n’roll assault on the iniquities of the housing development industry, whose most misused word is “affordable”, for properties that aren’t actually “affordable” at all: 

And please also be aware that our first two albums, ‘Love And War’ and ‘How Much Is A Life Worth?’ are also available (on CD as well as to download), and that the first two songs were recorded with Charlie and released in 2018 and 2019 are also available: ‘Grenfell’, and our anti-Brexit anthem ‘I Want My Country Back (From The People Who Wanted Their Country Back).’

We’re hoping that, before the end of the year, we’ll be able to record more new songs with Charlie for our third album.

Thanks for taking an interest!

* * * * *

Andy Worthington is a freelance investigative journalist, activist, author, photographer, film-maker and singer-songwriter (the lead singer and main songwriter for the London-based band The Four Fathers, whose music is available via Bandcamp). He is the co-founder of the Close Guantánamo campaign (and see the latest photo campaign here) and the successful We Stand With Shaker campaign of 2014-15, and the author of The Guantánamo Files: The Stories of the 774 Detainees in America’s Illegal Prison and of two other books: Stonehenge: Celebration and Subversion and The Battle of the Beanfield. He is also the co-director (with Polly Nash) of the documentary film, “Outside the Law: Stories from Guantánamo” (available on DVD here, or here for the US, or you can watch it online here, via the production company Spectacle, for £2.55), and for his photo project ‘The State of London’ he publishes a photo a day from eight years of bike rides around the 120 postcodes of the capital.

In 2017, Andy became very involved in housing issues. He is the narrator of the documentary film, ‘Concrete Soldiers UK’, about the destruction of council estates, and the inspiring resistance of residents, he wrote a song ‘Grenfell’, in the aftermath of the entirely preventable fire in June 2017 that killed over 70 people, and he also set up ‘No Social Cleansing in Lewisham’ as a focal point for resistance to estate destruction and the loss of community space in his home borough in south east London. For two months, from August to October 2018, he was part of the occupation of the Old Tidemill Wildlife Garden in Deptford, to prevent its destruction — and that of 16 structurally sound council flats next door — by Lewisham Council and Peabody. Although the garden was violently evicted by bailiffs on October 29, 2018, and the trees were cut down on February 27, 2019, the resistance continues.

To receive new articles in your inbox, please subscribe to Andy’s RSS feed — and he can also be found on Facebook (and here), Twitter, Flickr and YouTube. Also see the six-part definitive Guantánamo prisoner list, The Complete Guantánamo Files, the definitive Guantánamo habeas list, the full military commissions list, and the chronological list of all Andy’s articles.

Please also consider joining the Close Guantánamo campaign, and, if you appreciate Andy’s work, feel free to make a donation.

The Four Fathers Release New Eco-Anthem, ‘This Time We Win’, Recorded with Charlie Hart

The cover for ‘This Time We Win‘, the new single by The Four Fathers. Designed by Brendan Horstead.

On Earth Day (April 22), The Four Fathers released ‘This Time We Win’, a new online single on Bandcamp, produced by Charlie Hart, who also plays Wurlitzer piano on it.

This Time We Win’ is an eco-anthem that I wrote last year in response to the unfolding, man-made, global environmental catastrophe that we all face, and the powerful efforts to highlight it that have been made by the Swedish teenager Greta Thunberg and her Fridays For Future movement of striking schoolchildren, and the campaigning group Extinction Rebellion, who occupied central London a year ago.

We were planning to release it this spring, to coincide with what we anticipated would be renewed environmental activism, but what we couldn’t have foreseen was the arrival of the highly infectious novel coronavirus, COVID-19, and the complete shutdown of all significant gatherings of people, including political protests, to try and stop its spread.

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The Four Fathers Release New Song ‘Affordable’, Marking the Anniversary of the Destruction of the Old Tidemill Wildlife Garden’s Trees

The cover of the Four Fathers’ new online single, ‘Affordable’, released on March 3, 2020.

Please support my work as a reader-funded investigative journalist, commentator and activist. If you can help, please click on the button below to donate via PayPal.





 

Last Thursday, February 27, marked a sad anniversary for environmental activists and housing campaigners, as it was the first anniversary of the destruction of the 74 mature and semi-mature trees that made up the magical tree cover of the Old Tidemill Wildlife Garden in Deptford, in south east London, which provided an autonomous green space in a built-up urban area, and also mitigated the worst effects of pollution generated by traffic on nearby Deptford Church Street, where particulate levels have been measured at six times the safety levels recommended by the World Health Organisation.

Unfortunately, the struggle to save the trees, which had been ongoing since 2012, largely took place before environmental activism went mainstream, via the actions of Greta Thunberg and Extinction Rebellion, although this was not just an environmental issue. The destruction of the garden was also part of a proposal by Lewisham Council and housing developers to build a new housing development on the site, one that desperate, dissembling councillors sought to sell to the public as providing much-needed new social homes, when the reality, as with almost all current housing developments, is that a significant number of the new homes are for private sale, existing council housing is to be destroyed, and its replacement will be homes that are described as “affordable”, when they are no such thing.

Instead, the allegedly “affordable” component of the development is a mixture of properties at ‘London Affordable Rent’, which, in Lewisham, is 63% higher for a two-bedroom flat than traditional social rents, and ‘shared ownership’, a notorious scam, whereby, in exchange for a hefty upfront payment, occupants are made to believe that they own a share of the property (typically 25%), whereas, in reality, they are only assured tenants unless they find a way to own the property outright, and, along the way, have to pay rent on the share of the property that they don’t, even nominally, own, and are also often subjected to massive — and unregulated — service charges.

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Radio: I Discuss Boris Johnson’s Alarming Election Victory – and Guantánamo – with Chris Cook on Gorilla Radio

Boris Johnson promising to ‘Get Brexit Done’ and Donald Trump and Guantánamo.

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On Thursday, I was delighted to be interviewed by Chris Cook, in Victoria, Canada, about the parlous state of British politics, and the ongoing and outrageous injustice of Guantánamo, on his weekly show, Gorilla Radio, which is “dedicated to social justice, the environment, community, and providing a forum for people and issues not covered in the corporate media.”

The show is here (and here as an MP3), and I’m also pleased to be able to embed it below. My interview is in the first half of the one-hour show:

Here’s how Chris introduced the show on his website, accurately capturing the madness of the UK right now:

Last week, Britain followed America’s lead in electing an ultra-conservative, faux populist based on the single premise of, if not making Britain Great again, at least carrying through with the years-old promise to take the country out of the European Union. The great mystery to those looking from outside the country is why?

Why, following the divisive and ill-defined scheme dreamt up by the David Cameron Tories of yore, did the people of that green and pleasant land, rather than punishing the authors, and bungling executors of the disastrous Brexit debacle, decide instead to reward them with massive electoral success? And for Britons, the greater question now is, what’s going to happen next?

I’m honoured that Chris has had me on his show numerous times over the last ten years — almost always to discuss Guantánamo, but occasionally to discuss other topics — and it was a pleasure on Thursday to be able to provide some analysis of the disaster area that is Britain today, following last week’s General Election.

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With 25 Days to Brexit, The Four Fathers Release New Single ‘I Want My Country Back (From The People Who Wanted Their Country Back)’

The cover of 'I Want My Country Back (From The People Who Wanted Their Country Back)' by The Four Fathers (cover image by Brendan Horstead).Today marks 25 days until the UK is supposed to leave the EU, and my band The Four Fathers are taking the opportunity to release — via Bandcamp — our anti-Brexit anthem, ‘I Want My Country Back (From The People Who Wanted Their Country Back)’, which has become something of a live favourite over the last couple of years.

Please have a listen to it, share it if you like it, and, if you want, you can even buy it as a download (for £1/$1.25 — or more if you wish).

I wrote it in the weeks after the referendum, when the chorus came to me out of the blue — as often happens to me — and I then struggled to hammer out some verses, aimed at the stupidity, arrogance and lies of, variously, Boris Johnson, Nigel Farage and David Cameron. However, although the chorus arrived fully-formed and has never changed, I thoroughly revised the lyrics for the verses after discussions with my friend, the musician and producer Charlie Hart, whose suggestions led me in a direction that was — at least partly — more poetic, especially in the song’s opening lines:  Read the rest of this entry »

Quarterly Fundraiser Day 4: Still Seeking $2200 (£1750) to Support My Guantánamo Work, My Housing Activism, Music and Photography

Three photos of Andy Worthington, as an anti-Guantanamo campaigner, singer-songwriter and housing activist.Please click on the ‘Donate’ button below to make a donation towards the $2,200 (£1,750) I’m still trying to raise to support my work on Guantánamo over the next three months of the Trump administration, and/or my housing activism, photography and music.




 

Dear friends and supporters, and any engaged passers-by,

It’s nearly 13 years since I started working full-time as an independent journalist researching and writing about Guantánamo, and working to get the prison closed down. In that time, I’ve been employed by various media and human rights organizations, and have also been fortunate to have the support of a few prominent human rights-supporting individuals, but I have also become — most significantly, I think — a reader-funded journalist, activist and creator.

Over the years, there have been times when Guantánamo has slipped off the radar — for nearly three years under President Obama, between 2010 and 2013, when Congress conspired to make it difficult for him to release prisoners, and he responded by sitting on his hands rathe than spending politics capital overcoming lawmakers’ obstruction, and, of course, in the nearly two years since Donald Trump became president.

Because Trump has effectively sealed the prison shut, refusing to release anyone, it has become increasingly difficult to keep Guantánamo in the public eye, although I have been doing my best to keep focusing on it. I’m currently working on profiles of the remaining 40 prisoners, in the run-up to the 17th anniversary of the opening of the prison, on January 11, when I will, as usual, be visiting the US to campaign for the prison’s closure — a visit for which your support will be very helpful — and I’m also looking into finding a way to focus on the rights of former prisoners, many of whom have ended up in extremely vulnerable positions because Donald Trump closed down the US government office that dealt with re-settlements, and monitored prisoners after their release. Read the rest of this entry »

500 Days Since the Grenfell Tower Fire, The Four Fathers Release New Single ‘Grenfell’, Remembering Those Who Died, and Calling for Those Responsible to be Held Accountable

The cover of 'Grenfell' by The Four Fathers, featuring a photo taken in North Kensington on December 14, 2017 on one of the Silent Walks that take place on the 14th of every month (Photo: Andy Worthington).Listen to the single here on Bandcamp, and please buy it as a download. All takings will be donated to Grenfell charities. The recording was produced by acclaimed musician and producer Charlie Hart, who also plays accordion on it.

Exactly 500 days ago, Britain changed in a way that has haunted me ever since, as 71 people died in an inferno that engulfed Grenfell Tower, a tower block in west London (one other survivor died in January this year, taking the death toll to 72).

This was a disaster that should never have happened, and that only occurred because those responsible for the structural integrity of the tower, and the safety of its residents, had decided that cost-cutting and profiteering was more important than people’s lives.

Those responsible include the Tory government, which failed to enforce recommendations after the Lakanal tower fire in Peckham in 2009, and actively worked to cut “red tape” when it came to housing regulations, Kensington and Chelsea Council, which abdicated responsibility for its tenants, handing their safety over to Kensington and Chelsea Tenant Management Organisation (KCTMO), an organisation that, although responsible for all of the borough’s social housing (consisting of more than 10,000 homes) repeatedly ignored explicit warnings by tenants’ representatives that they were living in a potential deathtrap.

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‘No Social Cleansing in London’: Campaign Launch and Fundraising Gig for the Tidemill Campaign in Deptford at the DIY Space in Peckham, Fri. Oct. 12

An image for the launch of 'No Social Cleansing in London' - and a fundraiser for the Save Reginald Save Tidemill campaign - on Friday October 12 at the DIY Space for London in Peckham.Please support my work as a reader-funded investigative journalist, commentator and activist.




 

If you’re in London and concerned about the unprecedented scale of London’s housing crisis, I hope you’ll come along this Friday to the launch of ‘No Social Cleansing in London’, a new campaign group that I’m setting up to provide a focal point for struggles against the destruction of social housing, via “regeneration” projects, involving the destruction of council estates, that are designed to socially cleanse poorer residents, and to provide largely unscrutinised profits for builders and developers, and an unfettered private rental market that, for the first time in London’s modern history, is pricing all manner of people out of the capital.

The launch is taking place at the DIY Space for London, a volunteer-run social space at 96-108 Ormside Street, Peckham London SE15 1TF, on an industrial estate just off Ildeston Road, and close to the Old Kent Road, where evangelical churches, traditional industries and young creative types cluster in the shadow of the monstrous Old Kent Road re-development plans of Southwark Council, whose mania for unwanted and unnecessary high-rise housing developments betrays a complete lack of understanding about the nature of employment in 21st century London, and the tens of thousands of workers who can only survive in their businesses on an around the Old Kent Road because they are not exposed to the full greed of the corporate market.

Friday’s event is intended to, in the first instance, provide an opportunity for housing campaigners to come together from across London’s 32 boroughs to meet and mingle and to come up with strategies of resistance. In the weeks to come, I’ll be setting up Facebook and Twitter pages for the campaign — and, hopefully, a website — so if anyone wants to be involved, please do get in touch. Read the rest of this entry »

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
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