2,000 Views of The Four Fathers’ Video ‘Grenfell’, Remembering Those Who Died and Calling for Those Responsible to be Held Accountable

The Silent Walk for Grenfell, December 14, 2017 (Photo: Andy Worthington).Please support my work as a reader-funded investigative journalist, commentator and activist.

 

Today is 350 days since the defining UK-based horror story of 2017 — the fire that engulfed Grenfell Tower in north Kensington, in west London, on June 14, 2017, killing 71 people, and leading to the death of a 72nd person this January. You can find profiles of all 72 victims here.

Last summer, I wrote a song about the fire for my band The Four Fathers, lamenting those whose lives were so “needlessly lost”, and calling for those responsible — “those who only count the profit not the human cost” — to be held accountable. We first played it live, at a benefit gig for a housing campaign in Tottenham, in September, recorded it with a German TV crew at the end of October, and released the video in December, and we have continued to play it live across the capital and elsewhere, making a small contribution to the effort to refuse to allow those responsible for the disaster to move on without a serious change in the culture that allowed it to happen. 

That culture — cost-cutting in the search for profits, rather than ensuring the safety of tenants and leaseholders — came from central government, from Kensington and Chelsea Council, from the Kensington and Chelsea Tenant Management Organisation, which had taken over the management of all the borough’s social housing, and from the various contractors involved in the lethal refurbishment of the tower, when its structural integrity was fatally undermined. Read the rest of this entry »

Protest Music Now: My Interview with London Student Magazine Artefact as Lead Singer of The Four Fathers

Mark Quiney, Andy Worthington and Richard Clare of The Four Fathers playing at a protest against the DSEI arms fair in London's Docklands in September 2017.Please support my work as a reader-funded investigative journalist, commentator and activist.

 

A few months ago, I was delighted to be approached by Pavel Troughton, a student at London College of Communication (LCC), part of the University of the Arts London (UAL), who was writing an article about protest music for the student magazine Artefact. I promoted it at the time via social media, but I never got round to commenting on it here, so I thought now would be a good time, as my band The Four Fathers continue to play protest music, and to try to gauge what interest there is, or isn’t, in music that challenges the political realities of modern life, via the ‘No Social Cleansing in Lewisham’ gigs I’ve been organising, our appearances with bands like the Commie Faggots, who play theatrical singalong protest music, and our recordings, available via Bandcamp.

I met Pavel Troughton at a cafe near my home in Brockley, south east London, and we had a wide-ranging discussion about the role of protest music today, which is of great interest to me, as I grew up at a significant time for protest music, as a teenager in the late 70s and early 80s, not only following punk bands, post-punk bands and the Two-Tone movement, but also drawing on protest music from the 60s and early 70s as well. 

In Margaret Thatcher’s Britain, and with the counter-culture of the 60s and 70s so comparatively recent, it was difficult not to be politicised at that time. Some of the punks pretended to be apolitical, but really that was an affectation. Of course, many musicians only pretended to be political to get laid or get rich (or both), as had also been true in the 60s and early 70s (does anyone really think the colossally materialistic hornbag Mick Jagger genuinely had any interest in being a ‘Street Fighting Man’, for example?), but political engagement and counter-cultural impulses were genuine in this period, and elements of that effortlessly survived into the 90s, when, after Margaret Thatcher’s eventual fall from grace, John Major struggled to maintain control of a country in which dissent was widespread, via the iconoclastic hedonism of the rave scene and the extraordinary pagan and anarchic energy of the road protest movement. For more on the above, feel free to check out my books Stonehenge: Celebration & Subversion and The Battle of the Beanfield, which have chapters on this period in modern British history. Read the rest of this entry »

A New Media Milestone: 3,000 Articles Published (Including 2,200 on Guantánamo) Since I Began Writing Online as an Independent Journalist and Activist in 2007

Andy Worthington singing 'Song for Shaker Aamer' in Washington, D.C. in January 2016 (Photo: Justin Norman).Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months of the Trump administration.

 

Dear friends, supporters, and any stray passers-by,

My most recent article, WORLD EXCLUSIVE: Ex-Guantánamo Prisoner Salem Gherebi’s Letter Explaining Why He Voluntarily Returned to Libya from Senegal Despite the Danger in Doing So, was something of a milestone for me — my 3,000th article published here on my website since I first began publishing articles here, on an almost daily basis, nearly eleven years ago. 

Almost 2,200 of those articles have been about the prison at Guantánamo Bay and the men held there, the main focus of my work as a writer and a campaigner since the spring of 2006, when I began working on the manuscript for my book The Guantánamo Files, which I completed in May 2007, and which was published that September.

If you’ve been with me all that time — as some of you, perhaps, have been — you’ll know that I started publishing articles here after the fourth prisoner at Guantánamo died, a man named Abdul Rahman al-Amri, allegedly by committing suicide. After spending 14 months researching and writing about the prisoners, based on a forensic analysis of the many thousands of pages of information about them that the Pentagon had been obliged to release after they lost a Freedom of Information lawsuit, I think it’s fair to say that I knew more than anyone in the world about the prisoners at that point, but although I pitched a proposal to the Guardian, I was told that they’d pick up on the Associated Press’s wire, and so I published it myself, as I already had a website up and running (technically, a WordPress blog), and hoped people would notice. Read the rest of this entry »

Protest Music: Forthcoming Gigs by Andy Worthington’s Band The Four Fathers, April to June 2018

The Four Fathers playing at a protest in Walthamstow against the proposed redevelopment of the town square (Photo: Emilie Makin).It’s been some time since I last posted about the activities of my band The Four Fathers, so here’s an update following our most recent appearances — at a protest against the proposed redevelopment of Walthamstow’s main square, on February 24, and as part of the Telegraph Hill Festival, with our friends the Commie Faggots, on March 16, a wonderful and very well attended protest music double bill.

Since I last wrote about the band, people have, we’re glad to note, continued to listen to us on Bandcamp (and we’ve even sold a few CDs!), and our video of ‘Grenfell’, the song I wrote after last June’s entirely preventable fire in west London, in which over 70 people died, has now had nearly 1,650 views on YouTube and Facebook.

We’re planning to record it soon, along with our anti-Brexit anthem, ‘I Want My Country Back (From the People Who Wanted Their Country Back)’, and we’ve also been working on new material — new songs about the history of the counter-culture, and about so-called “affordable” housing, and a positive anthem about solidarity and resistance — and some covers, with Aswad’s ‘Not Satisfied’ inching closer to a public outing. I was also recently interviewed for an article about protest music in Artefact Magazine, produced by students at London College of Communications, following up on another protest music interview, for the Icelandic website, Shouts! Read the rest of this entry »

You’ve Never Heard Anything Like This Before: BAC Beatbox Academy’s Exhilarating ‘Frankenstein’ Show at Battersea Arts Centre

BAC Beatbox Academy performing their song 'Hideous' as part of their show 'Frankenstein' at Battersea Arts Centre on March 22, 2018 (Photo: Andy Worthington).

⭐⭐⭐⭐⭐– Andy’s review

At Battersea Arts Centre in south west London, an extraordinary performance is taking place over the next two weeks, which I urge you to go and see if you’re in London. The show is ‘Frankenstein’ (aka ‘Frankenstein: How to Make a Monster’), and it’s performed by the BAC Beatbox Academy, a collective of beatboxers, singers and rappers who have produced a genuinely unique and completely exhilarating show. As I suggest in the headline of this article, I can guarantee that you have never heard anything like it before.

Perhaps you think beatboxing is a little one-dimensional — men with big lungs making massive, meaty dance beats through a microphone. Impressive, but essentially a novelty, and not something you could spend much time listening to.

If that’s what you think, then ‘Frankenstein’ will blow away those preconceptions, as the BAC Beatbox Academy, which is marking its 10th anniversary this year, is expert at confounding expectations. The group first came to my attention back in 2015, when a friend suggested that my son Tyler, then 15, should audition to take part in it. Tyler had always been a sonically interested child, and had been impressed by seeing the beatboxer Shlomo at WOMAD, which eventually led to him coming up with his own beats and compositions, but it wasn’t until he went to the Beatbox Academy audition that, as he put it, he realised that he had found his people, that there were other people like him. Read the rest of this entry »

Nine Months After the Entirely Preventable Grenfell Tower Fire, UN Housing Rapporteur Says UK Government May Have Breached Residents’ Human Rights

The Silent Walk for Grenfell, December 14, 2017 (Photo: Andy Worthington).Please support my work as a reader-funded investigative journalist, commentator and activist.

 

Today, survivors of the Grenfell Tower Fire last June — and supporters from across London —  are taking part in a Silent Walk that begins outside the offices of Kensington and Chelsea Council and ends by the blackened skeleton of the tower, where over 70 people died. The fire should never have happened, but did so because safety standards have been fatally eroded over many years by those responsible for the safety of tenants and leaseholders — central government, local government, management companies that have taken over the management of swathes of social housing, and contractors.

For me, the fire was the defining moment of 2017, and in summer I wrote a song about it, remembering those whose lives were “so needlessly lost”, and calling for ”those who only count the profit not the human cost” to be held accountable. Three members of my band The Four Fathers — myself, Richard Clare and Mark Quiney, accompanied by my son Tyler beatboxing — were recorded playing the song by a German film crew in autumn. We released it as a video in December, and I’m pleased to note that it currently has nearly 1,500 views on YouTube (posted below) and on Facebook. Please watch it, and share it if you like it. We hope to make a studio recording soon, and would be delighted to hear from anyone in the Grenfell community who would like to be involved, as we would love it to be used to help the survivors.

Read the rest of this entry »

My Band The Four Fathers Launch A Year of Political Gigs in Walthamstow This Saturday, In A Protest Against Another Divisive Private Development

The poster for the occupation of Walthamstow Town Square on February 24, 2018 at which The Four Fathers are playing.Check out all The Four Fathers’ studio recordings here, and the video of our song ‘Grenfell’ here.

Kicking off a year of varied gigs — involving a healthy dose of political events and community festivals — Lewisham-based band The Four Fathers are heading to Walthamstow this Saturday, February 24, to play a few songs (including ‘London’ and ‘Fighting Injustice’) at an occupation of Walthamstow Town Square by campaigners resisting plans to redevelop the square, primarily because of their opposition to the lack of genuinely affordable housing in the planned new development, but also because of concerns about the size of the towers that are proposed for the site, and the loss of public land in the centre of the town.

Please note that I’m also attending a screening of ‘Concrete Soldiers UK‘, the new documentary film about the housing crisis, directed by Nikita Woolfe, and for which I’m the narrator, at Harmony Hall in Walthamstow at 6pm, and also staying on afterwards what I hope will be a lively post-screening Q&A session. Further details here.

The Observer picked up on the story this weekend, in large part because of Walthamstow’s proximity to Haringey, where, last month, council leader Claire Kober announced her resignation, after an extraordinary grass-roots campaign to stop the council from entering into a unprecedented £2bn deal with the international property developer Lendlease, which would have seen much of Haringey’s social housing, and other assets, put into a 50:50 development project with Lendlease, known as the Haringey Development Vehicle (HDV). Read the rest of this entry »

Over 1,200 Views for The Four Fathers’ ‘Grenfell’ Video, Remembering Those Whose Lives Were Lost, and Calling for Those Responsible to be Held Accountable

The Silent Walk for Grenfell, December 14, 2017 (Photo: Andy Worthington).Last month, at a party of activists in Brooklyn, towards the end of my annual US visit to call for the closure of the prison at Guantánamo Bay on the anniversary of its opening (the 16th anniversary of its opening, on January 11), I played ‘Grenfell’, the song I wrote after an entirely preventable inferno consumed Grenfell Tower, a residential tower block in west London last June, killing 71 people.

I wasn’t sure how much the small audience of human rights activists knew about it — how much news of distant disasters spreads around the globe, despite the notion that technology has made us all inter-connected — but I realised when introducing it that it was, for me, the defining moment of 2017, and I’m sure my passionate rendition of it helped one small corner of Brooklyn to understand.

I wrote ‘Grenfell’ last summer, as my response to the disaster, and played it with my band The Four Fathers for the first time in September at a benefit gig for campaigners in Tottenham, as part of their opposition to the Haringey Development Vehicle (HDV), a deeply unpleasant proposal by Haringey Council to enter into a £2bn deal with the rapacious international property developers Lendlease (the destroyers of Southwark’s Heygate Estate), which would involve the council transferring all its social housing to the HDV, with the ensuing destruction of entire estates, and their replacement with new private housing, from which most of the existing tenants would almost certainly be excluded. Read the rest of this entry »

Shouts Interview: Andy Worthington of The Four Fathers Discusses the Importance of Protest Music with Halldór Bjarnason

The Four Fathers at Lewisham People's Day, July 2017 (Collaged photo by Dot Young).Check out The Four Fathers’ new album, ‘How Much Is A Life Worth?’ here.

Last month, I was delighted to be approached by Halldór Bjarnason, an Icelandic journalist and musician, asking if he could interview me for his website, Shouts: Music from the Rooftops!, which features interviews with musicians who make political music, including Andy White, from Belfast, Yuca Brava, “a political rapcore band from Puerto Rico”, War On Women, a feminist punk band from Baltimore, and Keyz, a 20-year old rapper from Sudan. The interview is here, and is cross-posted below.

As I noted when I posted the link to the interview on Facebook last night, the “questions, about my band The Four Fathers, and my songwriting, were very interesting — about how we got together, why we perform protest music, and whether I think there’s an audience for protest music these days.”

Introducing the interview, Halldór, noting that I am both a journalist and am musician, wrote that journalists have a responsibility to be voices for the voiceless, to hold power to account, and to be “courageous in seeking the truth.” He also noted that “[m]usicians do not bear the same responsibility exactly, although it can be argued they have a powerful voice” that often has an international reach. He also noted that, although some musicians do not manifest a “socially conscious message,” because they believe in creating music based on their emotions, “Others are more explicit in their lyrics or performance and send a strong message of protest out into the ethos in every single song,” adding, “The Four Fathers are of the latter type.”

My thanks to Halldór for taking the time to interview me, and I hope you have time to read the interview, and will check out our music if you haven’t already heard it. Read the rest of this entry »

Andy Worthington’s Top Five Enthusiasms for 2018

Happy New Year 2018!Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months of the Trump administration.

 

Happy New Year to my friends and supporters, and to anyone passing by! If you don’t know me, I’m a reader-funded journalist, activist, photographer and musician, working through these media to inform, educate and entertain, and to address important issues involving human rights and social justice. Below are my main passions, and what I hope to achieve in 2018, and you’re more than welcome to get on board and get involved with any or all of them! Donations to support my work, however large or small, are always welcome, as I very genuinely cannot do what I do without your support.

1. Closing Guantánamo

Regular readers will know that the last twelve years of my life have largely been given over to telling the story of Guantánamo and the men held there, and working to get the prison closed — first via my book The Guantánamo Files, and, since May 2007, via my website, where I have, to date, published 2,154 articles about Guantánamo, and, since January 2012, via the Close Guantánamo campaign and website that I established (with the US attorney Tom Wilner, who represented the prisoners in their Supreme Court cases in 2004 and 2008) on the 10th anniversary of the opening of the prison on January 11, 2012.

Every January, since 2011, I’ve visited the US to call for the closure of Guantánamo on an around the anniversary of the prison’s opening, and I’ll be doing the same this month, flying out to the US next Monday to take part in events in Washington, D.C. on January 10 and 11, including a protest outside the White House, and I look forward to more dates being added soon. If you want an interview, or want to stage an event, do let me know — and if you want a spur to donate to support my work, then it will help with my visit! Read the rest of this entry »

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo, co-director, We Stand With Shaker. Also, singer and songwriter (The Four Fathers) and photographer.
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The Guantánamo Files

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The Battle of the Beanfield

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Stonehenge: Celebration & Subversion

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Outside the Law: Stories from Guantánamo

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