No Justice at Guantánamo After 250 Days of Trump

Some of the Close Guantanamo supporters who have been photographed in 2017 with posters urging Donald Trump to close the prison.Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months of the Trump administration.

 

I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.

Yesterday we marked a sad milestone — 250 days since the start of Donald Trump’s presidency. Across the spectrum of political life, the disaster that is Donald Trump continues to damage the US at home and to tarnish America’s reputation abroad, and, while there are too many problems to list, certain recent issues stand our for us —the persistence with which Trump continues to try to implement his outrageous Muslim ban, his racist targeting of black sportsmen for what he perceives as their lack of patriotism, and his warmongering against North Korea at the United Nations.

Islamophobia, racism and warmongering are always to be despised when they raise their ugly heads at the highest levels of government, and when it comes to our particular topic of concern — the prison at Guantánamo Bay — these signs from Trump do not bode well for our aim of seeing Guantánamo closed once and for all.

It is true that Trump has not yet managed to do anything stupendously negative regarding Guantánamo, despite threatening to do so. And so, for example, he has not officially rescinded President Obama’s executive order calling for the prison’s closure, and has not sent any new prisoners there, despite very evidently wanting to do so. Read the rest of this entry »

My Band The Four Fathers Release ‘Equal Rights And Justice For All,’ Defending Habeas Corpus, Opposing Arbitrary Detention at Guantánamo and in the UK

The cover for The Four Fathers' new online single, 'Equal Rights And Justice For All.'My band The Four Fathers have just released a brand-new online single, ‘Equal Rights And Justice For All,’ a passionate defence of habeas corpus, which is supposed to protect all of us from arbitrary imprisonment.

The song — an insistent and infectious roots reggae groove — was inspired by my work trying to get the prison at Guantánamo Bay closed down, my work opposing the use of secret evidence in the UK, and also by the 800th anniversary of King John signing Magna Carta in 2015. The key element of this document, which the barons obliged him to sign, was habeas corpus, the right to be bought before a judge to test the validity of one’s imprisonment, which, over the centuries that followed, ended up applying to everyone, and was successfully exported around the world as a hugely significant bulwark against tyranny.

See below for the song, on Bandcamp, where you can listen to it for free — or, if you’d like to support us, buy it as a download for just £1 ($1.25) — or more if you’d like. Read the rest of this entry »

Photos: Festival of Resistance Against the DSEI Arms Fair in London’s Docklands, Sept. 9, 2017

Stop the arms fair: a placard emerges from a sea of police at the Festival of Resistance against the DSEI arms fair in London's Docklands on September 9, 2017 (Photo: Andy Worthington).

See all my photos from the Festival of Resistance against the DSEI arms fair  on Flickr here!

Yesterday (September 9, 2017), the Campaign Against Arms Trade and Stop the Arms Fair organised a Festival of Resistance against the bi-annual international arms fair that takes place in London’s Docklands at the ExCeL exhibition centre, which I visited, played at, and took photos of. See my photos here. This UK government-backed orgy of trade in weapons of war and weapons of mass destruction tries to disguise itself by calling itself DSEI (Defence and Security Equipment International), but anyone perceptive can see through the PR-speak.

As the festival’s Facebook page explains, “As one of the world’s largest arms fairs, DSEI brings together over 1,500 arms companies and military delegations from over 100 countries. On display will be everything from crowd control equipment to machine guns, tanks, drones and even battleships.” Countries invited to take part, all with dire human rights records, include Bahrain, Egypt, Israel, Saudi Arabia and the United Arab Emirates.

The resistance to the DSEI has involved protests all week in advance of the arms fair itself, which runs from September 12-15. Throughout the week, dozens of protestors were arrested stopping arms-laden vehicles arriving at ExCeL, and this pattern continued during the festival, as protestors locked on to each other in the road or locked on to vehicles. Protests are also continuing throughout the coming week — see here for further details. Read the rest of this entry »

My Band The Four Fathers Release New Single, ‘She’s Back’, About Pussy Riot, As Maria Alyokhina Releases Memoir, ‘Riot Days’

The cover of 'She's Back' by The Four Fathers, released on September 5, 2017.Today, my band The Four Fathers are releasing ‘She’s Back’, our new online single from our forthcoming album, ‘How Much Is A Life Worth?’, which we’ll be releasing on CD soon, hopefully within the next month.

She’s Back’ was written by guitarist Richard Clare, first aired in 2015, and recorded in a session last year for the new album. It’s about Pussy Riot, politicized performance artists from Russia, who use punk music to get across their messages, which have involved feminism, LGBT rights and the corruption of Vladimir Putin. We recorded it in July 2016, with Richard on lead vocals and 12-string guitar, me on rhythm guitar and backing vocals, Brendan Horstead on drums, Andrew Fifield on flute and Louis Sills-Clare on bass.

The song is below, on Bandcamp, where you can listen to it, and, if you wish, download it for just £1 ($1.30). We hope you like it!

Formed in 2011, Pussy Riot gained international notoriety in 2012 after five members of the group staged a punk rock performance — a ‘Punk Prayer’ — inside Moscow’s Cathedral of Christ the Savior, which was aimed at the church’s support for Putin during his election campaign. Read the rest of this entry »

Video: Andy Worthington’s Band The Four Fathers Play Anti-Austerity Song ‘Riot’, Released on Sixth Anniversary of UK Riots

Listen to ‘Riot’ hereA photo of the London riots in August 2011., and watch the live video here.

Exactly six years ago, on August 6, 2011, riots erupted across the UK. The trigger had been the killing, by police, of Mark Duggan in Tottenham in north London the day before, and for the next three days there were riots across the country — the largest riots in modern British history, as 14,000 people took to the streets.

As I wrote back in May, when my band The Four Fathers released our song, ‘Riot’, which was partly inspired by the 2011 riots, “Buildings and vehicles were set on fire, there was widespread looting, and, afterwards, the police systematically hunted down everyone they could find that was involved — particularly through an analysis of CCTV records — and the courts duly delivered punitive sentences as a heavy-handed deterrent.”

I wrote about the riots at the time, in an article entitled, The UK “Riots” and Why the Vile and Disproportionate Response to It Made Me Ashamed to be British, and my song ‘Riot’ followed up on my inability to accept that the British establishment’s response to the riots had been either proportionate or appropriate. Read the rest of this entry »

My Photos: The Wet But Still Wonderful WOMAD Festival 2017

A photo of WOMAD 2017 by Andy Worthington.

See my photo set on Flickr here!

The WOMAD festival (World of Music, Art and Dance) takes place on the last weekend of July, and since 2002 I have attended the festival every year — first at Reading, and, since 2007, at Charlton Park in Wiltshire — with my family and friends, as my wife runs children’s workshops, culminating in the children’s procession on Sunday evening that snakes through the entire festival site.

I’ve taken photos of the festival every year, and have made them available on Flickr since 2012 — see the photos from 2012 here and here, from 2014 here, from 2015 here, and from 2016 here.

This year the weather was quite challenging, but we all had a great time anyway. The camaraderie was great in our camp, and there was wonderful music everyday — starting on the Thursday night before most people were there with my favourite band of the festival, who I had never heard of before — Bixiga 70, a Brazilian Afrobeat band — and an old favourite, Orchestra Baobab, from Senegal, and continuing with Junun (from Israel and Rajasthan) and Oumou Sangare (from Mali) on Friday, young rapper Loyle Carner (from Croydon), kora legend Toumani Diabate (from Mali) and Toots and the Maytals (from Jamaica) on Saturday, and whirling dervishes from Syria, Benjamin Zephaniah from the UK, Seun Kuti and Egypt 80 from Nigeria, and US vibes legend Roy Ayers on Sunday. Read the rest of this entry »

Off to WOMAD, Back on Monday! Have A Listen to The Four Fathers While I’m Away

A comparatively rare sunny interlude at the often rather wet WOMAD 2015 (Photo: Andy Worthington).Please support my work as a reader-funded investigative journalist and commentator.

 

Dear friends,

It’s that time of year again, when a whole posse of us from south east London head down to Charlton Park in Wiltshire for the WOMAD world music festival, which this year is celebrating its 35th year!

This will be my 16th annual visit, as part of a group of family and friends running children’s workshops, led by my wife Dot. I first went just after our wedding, and have been every year since — in the festival summers of 2004 and 2005, for example, when I launched my books Stonehenge: Celebration & Subversion and The Battle of the Beanfield at the Glastonbury Festival, and also spoke and sold books at the Big Green Gathering and the Shambala Festival, and in 2007, the first year at Charlton Park, after the move from Reading, when it became a mud bath, and we feared it might not survive.

But this “hardy celebration of music marginalised by the western pop machine”, as the Times describes it, is not so easily destroyed. WOMAD came bouncing back in 2008, having redesigned its place in the landscape of Charlton Park, and it has been thriving ever since. Read the rest of this entry »

Video: Andy Worthington’s Band The Four Fathers Play Bob Dylan’s ‘Masters of War’ at Vinyl Deptford

A screenshot of the video of The Four Fathers playing 'Masters of War' at Vinyl Deptford on April 28, 2017.Today I’m posting the second of three new Four Fathers videos on our YouTube channel — of us playing our cover of Bob Dylan’s ‘Masters of War’, a live favourite — also featured on the CD of our first studio album, ‘Love and War.’ The video was recorded on April 28 at our most recent gig at Vinyl Deptford, a great record shop in London SE8, which has a wonderful little rock and roll basement, and our thanks to Ellen for making the videos.

We’ve played Vinyl many times before, but this was our first time with our new bassist, Mark Quiney, who joined us at the start of the year, and we hope you enjoy it, and will share it if you do.

I would’ve written an original anti-war song myself, but when The Four Fathers started, three years ago, a version of ‘Masters of War’ just fell into place, and it’s such a powerful song, with such direct and compelling lyrics — from Bob Dylan’s early incarnation as a folk singer and a protest singer — that it made me put aside my own notions of writing an anti-war song until last year, when I wrote ‘How Much Is A Life Worth?’, the title track of our forthcoming second album, which, as well as dealing with war, also focuses on terrorism, the refugee crisis and the significance of the Black Lives Matter movement in the US. Read the rest of this entry »

Video: Andy Worthington’s Band The Four Fathers Play ‘Rebel Soldier’ Live at Vinyl Deptford

Andy Worthington, Bren Horstead and Richard Clare of The Four-Fathers playing Vinyl Deptford in December 2016 (Photo: Dot Young).Today I’ve posted the first of three new Four Fathers videos on our YouTube channel — all recorded at our gig at Vinyl Deptford on April 28. Thanks to Ellen for recording the show.

The first of the videos is of our opening number, ‘Rebel Soldier’, an old folk song that I gave a new tune and a reggae rhythm 30 years ago while living in Brixton. At the time I put together band called the Rebel Soldier with my friend Glyn Andrews, who sadly died some years ago, and we sometime used to play with Vivian Weathers, who played bass with Linton Kwesi Johnson — and who, incidentally, taught me some crucially important lessons about the role of the bass in reggae music.

Rebel Soldier’ is one of a handful of songs I wrote — or arranged — in the 1980s that I have been playing with The Four Fathers since we first formed three years ago. Our recording of it is on our first album, ‘Love and War’, released in 2015, as well as another song from that time, ‘City of Dreams’, five new songs, a song written by our guitarist Richard Clare, and two covers. Another song from that time, ‘River Run Dry’, about the end of an affair, will be on our second album , ‘How Much Is A Life Worth?’ which also features another seven new songs by me, and two by Richard Clare, and which we’re planning to release in the autumn.  Read the rest of this entry »

Four London Gigs for Andy Worthington’s Band The Four Fathers, Promoting Songs from Forthcoming Album, How Much Is A Life Worth?

A poster for The Four Fathers' gigs in London in July 2017.Over the month of July, my band The Four Fathers have four gigs in south east London, and we hope that, if you’re around, you’ll come and see us — and even if you’re not around, we hope that you’ll check out our music, and even buy a download or two!

In the last few months, we’ve been releasing songs from our forthcoming second album, How Much Is A Life Worth? — Close Guantánamo, which I wrote for the Close Guantánamo campaign, and with a new verse dealing with the menace posed by Donald Trump, Dreamers, a song about friendship and parenthood, which I wrote for a friend’s 50th birthday, and, most recently, two of our hardest-hitting political songs, Riot, which warns politicians about what to expect if the poorer members of society are relentlessly exploited and treated with contempt, and London, a love song to the city that has been my home for the last 32 years, in which I reflect with sorrow and anger on how the UK capital’s wildness and its relentless and persistent state of dissent in the 80s and 90s has been tamed — or bludgeoned — by greed over the last 20 years, and how, sadly, the recent disaster at Grenfell Tower in west London is the most distressing outcome of this institutional disdain for the poor.

Other key songs we play live include our anthemic anti-austerity song, Fighting Injustice, our cover of Bob Dylan’s Masters of War (from our debut album, Love and War), the folk song Rebel Soldier that I put to a reggae tune in Brixton in the 1980s, and other songs not yet released — How Much Is A Life Worth?, about how white people perceive the value of their lives against those of (i) the victims of our wars, (ii) refugees and (iii) in the US, black people killed by the police, and Equal Rights and Justice For All, about the importance of habeas corpus. A recent addition is Stand Down Theresa, our updated version of the Beat’s classic protest song, Stand Down Margaret. A rough but energetic version of Stand Down Theresa is on video here. Read the rest of this entry »

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo, co-director, We Stand With Shaker. Also, singer and songwriter (The Four Fathers) and photographer.
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CD: Love and War

Love and War by The Four Fathers

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The Guantánamo Files

The Battle of the Beanfield book cover

The Battle of the Beanfield

Stonehenge: Celebration & Subversion book cover

Stonehenge: Celebration & Subversion

Outside The Law DVD cover

Outside the Law: Stories from Guantánamo

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