Party in the Park, New Cross and Deptford 2018: Sun, Solidarity and the Struggle Against Social Cleansing

The arrival of a carnival procession of campaigners from the Old Tidemill Garden in Deptford to Party in the Park, a community festival in New Cross on September 1, 2018 (Photo: Andy Worthington).Please support my work as a reader-funded investigative journalist, commentator and activist.

 

Welcome to Party in the Park 2018, in Fordham Park, New Cross. No fences, no huge metal walls, no entrance fee, no security checks — and no trouble. This was the community in solidarity, proving triumphantly that an open festival is infinitely preferable to the securitised fortresses that play such a divisive role in so many of London’s parks these days (see the big money festivals that, behind their soaring metal walls, take over much of London’s parkland every summer, and the debacle of the recent Lambeth Country Show, for example).

This was the fourth Party in the Park, after events in 2013, 2014 and 2016, but it wasn’t just the brilliant sunshine that made it such a great day, or the music from dozens of great performers (and with my band The Four Fathers honoured to take part). It was that thing I mentioned above. Solidarity.

The theme of the festival was housing, and housing is at the heart of the problems we face on all fronts in the never-ending “age of austerity” imposed by the Tories since 2010, with ongoing cuts to all the services that are essential for a civil society to flourish, and with a relentless onslaught of greed on a key essential of life — housing. Read the rest of this entry »

Photos: The WOMAD World Music Festival 2018 – Global Joy and Creativity, Threatened by Brexit

Photos by Andy Worthington from the WOMAD world music festival 2018.See my photos on Flickr here!

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Since 2002, the end of July every year has been defined for me by my participation in WOMAD (World of Music, Art and Dance), the world music festival founded in 1982, which I attend with family and friends, working at the children’s workshops. These involve hundreds of children making all manner of wonderful creations, and they culminate in a childrens’ procession on Sunday evening through the whole of the festival site.

I’ve taken photos of the festival every year, and have made them available on Flickr since 2012 — see the photos from 2012 here and here, from 2014 here, from 2015 here, from 2016 here and from 2017 here.

This year everyone expected that the heatwave that began at the end of May would continue throughout the festival, but although Friday, the first day of the festival (and the two days before when we were setting up) were deliriously hot, the weather turned on the Saturday, although the festival-goers’ spirits were generally undimmed.

I had a wonderful time this year, thanks to the great company, in particular, as well as — of course — great music as always from around the world. I also particularly enjoyed helping to facilitate the children’s creativity during the workshops, and also enjoyed playing with Richard from The Four Fathers at the Open Mic at Molly’s Bar (where my son Tyler joined us beatboxing) and also watching Tyler perform with his friends Caleb and Haroun, and, on Sunday evening, taking part in a wonderfully successful workshop with two other members of the BAC Beatbox Academy, Conrad and Nate, who came from London to give a WOMAD audience an exhilarating masterclass in the art of beatboxing. Read the rest of this entry »

It’s Holiday Time: Off to WOMAD and the West Country, Back in August

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Dear friends,

Every year, at this time, I attend the WOMAD world music festival in Wiltshire with my family and friends. I’m slightly astonished to work out that this will be our 17th WOMAD, as we’ve been going since 2002, when we spent a boozy, hard-working time there between our wedding in Edinburgh, and a post-wedding party in London. The drinking has tailed off or come to an end since that time, but we still do children’s workshops, and WOMAD continues to be the perfect festival, with amazing music from around the world, and a very peaceful vibe. Every year, I discover music that I love, but that I had no knowledge of beforehand, like last year’s Thursday night entertainment (before the festival proper began) —Bixiga 70, enthusiastic and talented Afrobeat players from Brazil, whose music has moved me all year.

On Monday, we’re heading down to Cornwall, to stay for a few days with friends near Mevagissey, and then we’re heading back east, but only as far as Dorset where we’re staying for a few days in a very special place on Chesil Beach that we’ve visited before. We leave there on August 8, and travel to Bristol, where I have a radio interview that day, and a screening of ‘Concrete Soldiers UK’, the film abut resistance to the destruction of council estates, which I narrate, and which I posted an article about yesterday. Read the rest of this entry »

Protest Music: Forthcoming Gigs by Andy Worthington’s Band The Four Fathers, April to June 2018

The Four Fathers playing at a protest in Walthamstow against the proposed redevelopment of the town square (Photo: Emilie Makin).It’s been some time since I last posted about the activities of my band The Four Fathers, so here’s an update following our most recent appearances — at a protest against the proposed redevelopment of Walthamstow’s main square, on February 24, and as part of the Telegraph Hill Festival, with our friends the Commie Faggots, on March 16, a wonderful and very well attended protest music double bill.

Since I last wrote about the band, people have, we’re glad to note, continued to listen to us on Bandcamp (and we’ve even sold a few CDs!), and our video of ‘Grenfell’, the song I wrote after last June’s entirely preventable fire in west London, in which over 70 people died, has now had nearly 1,650 views on YouTube and Facebook.

We’re planning to record it soon, along with our anti-Brexit anthem, ‘I Want My Country Back (From the People Who Wanted Their Country Back)’, and we’ve also been working on new material — new songs about the history of the counter-culture, and about so-called “affordable” housing, and a positive anthem about solidarity and resistance — and some covers, with Aswad’s ‘Not Satisfied’ inching closer to a public outing. I was also recently interviewed for an article about protest music in Artefact Magazine, produced by students at London College of Communications, following up on another protest music interview, for the Icelandic website, Shouts! Read the rest of this entry »

My Photos: The Wet But Still Wonderful WOMAD Festival 2017

A photo of WOMAD 2017 by Andy Worthington.

See my photo set on Flickr here!

The WOMAD festival (World of Music, Art and Dance) takes place on the last weekend of July, and since 2002 I have attended the festival every year — first at Reading, and, since 2007, at Charlton Park in Wiltshire — with my family and friends, as my wife runs children’s workshops, culminating in the children’s procession on Sunday evening that snakes through the entire festival site.

I’ve taken photos of the festival every year, and have made them available on Flickr since 2012 — see the photos from 2012 here and here, from 2014 here, from 2015 here, and from 2016 here.

This year the weather was quite challenging, but we all had a great time anyway. The camaraderie was great in our camp, and there was wonderful music everyday — starting on the Thursday night before most people were there with my favourite band of the festival, who I had never heard of before — Bixiga 70, a Brazilian Afrobeat band — and an old favourite, Orchestra Baobab, from Senegal, and continuing with Junun (from Israel and Rajasthan) and Oumou Sangare (from Mali) on Friday, young rapper Loyle Carner (from Croydon), kora legend Toumani Diabate (from Mali) and Toots and the Maytals (from Jamaica) on Saturday, and whirling dervishes from Syria, Benjamin Zephaniah from the UK, Seun Kuti and Egypt 80 from Nigeria, and US vibes legend Roy Ayers on Sunday. Read the rest of this entry »

My Photos: Wonderful WOMAD 2016

Children on the iconic WOMAD sign at Charlton Park, Wiltshire, in July 2016 (Photo: Andy Worthington).See my photo set on Flickr here!

14 years ago, in July 2002, just after my wedding, I visited — and took part in — for the first time the WOMAD festival (World of Music, Arts and Dance), a world music festival that was established by Peter Gabriel and a number of colleagues in 1982, and which, at the time, was at a site by the River Thames in Reading. I went with my wife Dot, and our two-year old son, to take part in children’s workshops run by an Australian friend, who then returned to Australia, handing on the workshops to Dot, who has run them ever since, with myself and a number of our friends and their families.

From those first days, when we drank merrily while our kids slept in their buggies, we have seen our children grow at WOMAD, and we now tend to go to sleep while they are still out clubbing. Our group of workers also shares a special camaraderie, and, of course, we have also watched a wealth of world music talent over the years. We have also worked every year with children to prepare headdresses and other creations to accompany a giant figure, designed by Dot, that, with others made by the many other groups involved in the workshops, is, every year, carried through the whole site on the last day of the festival, as part of the children’s procession that reminds all of us of the central importance of children in all our lives.

In 2007, WOMAD moved to Charlton Park, a stately home in Wiltshire, near Malmesbury, and we went with it, of course. I’ve taken photos of it every year, and have made them available on Flickr since 2012 — see the photos from 2012 here and here, from 2014 here, and from 2015 here. Read the rest of this entry »

Off to WOMAD for A Long Weekend of World Music, Back on Monday

A comparatively rare sunny interlude at the often rather wet WOMAD 2015 (Photo: Andy Worthington).My friends,

I’m off to WOMAD, the wonderful world music festival in Wiltshire, for the 15th year running, with a posse of good friends and their families. I’ll be back on Monday. My wife has been running children’s workshops since our kids were tiny toddlers, when WOMAD was still by the river in Reading, and now our kids are young men and the festival is happily settled into Charlton Park near Malmesbury, a wonderful site.

I never quite know who’s going to be on. One of the great joys of WOMAD is being surprised by wonderful musicians from all round the world — and, for me, especially, Africa — so I’ll report back later on my discoveries. I do know that Asian Dub Foundation are the welcoming band on the Friday night, and that George Clinton and Parliament Funkadelic will be wowing us at some point.

I also hope that my band The Four Fathers (on Twitter here!) will be playing the Open Mic at Molly’s Bar at some point over the weekend, and I already know that my son Tyler (The Wiz-RD) will be beatboxing and providing some spoken word pieces at the Hip Yak Poetry Shack. Read the rest of this entry »

Photos: Mud and Magic at WOMAD 2015

Flags at WOMAD, at Charlton Park in Wiltshire, in July 2015 (Photo: Andy Worthington).See my photo set on Flickr here!

I have been visiting WOMAD — World of Music, Arts and Dance, the world music festival established by Peter Gabriel and a number of colleagues in 1982 — as an artist since 2002, helping my wife run children’s workshops with a number of other friends, and this year our posse — eight adults, five teenagers and two children — survived the rainiest WOMAD in our collective experience, although it couldn’t dampen our spirits, or that of WOMAD as a whole. (See here and here for my photos from 2012, and here for 2014).

WOMAD has been based at Charlton Park in Wiltshire, in the grounds of a stately home, since 2007, notorious in WOMAD’s history as the year when the new site was churned up before the festival even began and turned into an unparalleled mudfest as soon as the festival-goers arrived. This year wasn’t quite as arduous as 2007, but it wasn’t far off. Friday began and ended with rain (often torrential), and although Saturday was sunny, it began raining again on the Sunday and didn’t let up much for the rest of the day — although there was a wonderful interlude when the sun shone for the children’s procession, an annual highlight of the festival.

So while we were inconvenienced and tested by the weather, we continued to take in the great music that is always on offer, and this year my discoveries included Pascuala Ilabaca, a Chilean singer and accordion player, with the voice of an angel, the powerful African reggae singer Tiken Jah Fakoly, and the Atomic Bomb! Band playing the music of the reclusive Nigerian funk star William Onyeabor, while old faves included the Tuareg desert blues of Tinariwen. Read the rest of this entry »

I’m Away at WOMAD for Six Days: Why Not Check Out My CD, ‘Love and War’ by The Four Fathers?

Children on the WOMAD sign at the 2012 festival in Wiltshire (Photo: Andy Worthington).My friends,

Every year, on the last weekend in July, I travel to Charlton Park in Wiltshire with my family and friends for the WOMAD world music festival, where my wife runs children’s workshops, where the sun nearly always shines, and there is great music from all around the world — and there is always some great band from west Africa, especially Mali, that I love. I know a few of the bands playing this year — Tinariwen, for example, and the Mahotella Queens — but not many. One of WOMAD’s great pleasures is discovering musicians that I didn’t know previously.

WOMAD also provides an opportunity for me to sing and play guitar at our camp, in one of the crew camping areas — with two other members of my band The Four Fathers, Richard and Louis. Traditionally, we’ve played a lot of covers — a lot of Bob Dylan and the Pogues, for example, but since last year I’ve written a number of songs that are featured on The Four Fathers’ debut album, ‘Love and War’, available here on CD for just £7/$11 plus P&P — and we’ll no doubt be playing unplugged versions of them this year. They include ‘Song for Shaker Aamer’, which is featured in the campaign video for We Stand With Shaker, the campaign calling for the release from Guantánamo of Shaker Aamer, the last British resident in the prison, which I established with the activist Joanne MacInnes last November.

The video is below: Read the rest of this entry »

Stonehenge and the Summer Solstice, 30 Years After the Battle of the Beanfield

The Stonehenge Free Festival in 1975, a photo from the Flickr page of Basil and Tracy Brooks. Basil played with Zorch, who played the first two festivals in 1974 and 1975.Happy summer solstice, everyone! I thought I might visit megalithic Wiltshire this year, for my first solstice visit in 10 years, but the anti-austerity march in London — and my desire to attend it — rather put paid to that plan. My hoped-for destination was Avebury, the village built in the remains of a colossal stone circle, roughly 20 miles north of Stonehenge, which awakened — or rather reawakened — my interest in all things megalithic from 1996, when a chance visit with my new girlfriend (and now wife) Dot led to such enthusiasm on my part that I devoted much of the next ten years to visiting ancient sacred sites all over England, and in Scotland, Malta and Brittany.

I also wrote two books in this period, after my original plan failed to find a publisher. That project was, “Stonehenge and Avebury: Pilgrimages to the Heart of Ancient England,” and it was based on three long-distance walks I made with Dot and other friends in 1997 and 1998, along the Ridgeway from the Thames to Avebury, and then an eight-day trek through Wiltshire to Stonehenge, from Dorchester in Dorset, which I christened “The Stonehenge Way,” and another walk of my devising from Stonehenge to Avebury.

I hope one day to revive that particular project, but what happened in 2002 was that I was encouraged to focus on one particular aspect of the book — the Stonehenge Free Festival, my first inspiration when it came to ancient sacred sites. As a student, I had visited the festival in 1983 and 1984, and had found my view of the world transformed by this gigantic anarchic jamboree that filled the fields opposite Stonehenge every June. The photo above is from 1975, the second festival, and is from the Flickr site of Basil and Tracy Brooks. Basil played with Zorch, who played at both of the first two festivals, in 1974 and 1975. See the albums here and here. Read the rest of this entry »

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo, co-director, We Stand With Shaker. Also, singer and songwriter (The Four Fathers) and photographer.
Email Andy Worthington

CD: Love and War

Love and War by The Four Fathers

The Guantánamo Files book cover

The Guantánamo Files

The Battle of the Beanfield book cover

The Battle of the Beanfield

Stonehenge: Celebration & Subversion book cover

Stonehenge: Celebration & Subversion

Outside The Law DVD cover

Outside the Law: Stories from Guantánamo

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