As Two Former Guantánamo Prisoners Disappear in Libya After Repatriation from Asylum in Senegal, There Are Fears for 150 Others Resettled in Third Countries

Omar Khalifa Mohammed Abu Bakr (aka Omar Mohammed Khalifh) and Salem Gherebi (aka Ghereby), Libyans resettled in Senegal in April 2016, who are now threatened with being sent back to Libya, which is not safe for them. The photos are from the classified military files released by WikiLeaks in 2011.

Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months of the Trump administration.

 

Congratulations to the New York Times for not giving up on the story of the two former Guantánamo prisoners who were recently repatriated to Libya despite having been given humanitarian asylum in Senegal two years ago, on the understanding that they would not be sent back to Libya, as it was unsafe for them. The story is particularly significant from a US perspective, because of the role played — or not played — by the State Department, which, under President Obama, facilitated the resettlement of the men, and many others, and, in general, also kept an eye on them after their release.

The story first emerged three weeks ago, when I was told about it by former prisoner Omar Deghayes, and the Intercept published an article. My article is here. A week later, the New York Times picked up on the story, reporting, as Omar Deghayes also confirmed to me, that one of the two men, Salem Ghereby (aka Gherebi) had voluntarily returned to Libya, as he desperately wanted to be united with his wife and children, and because he hoped that his connections in the country would prevent him from coming to any harm. My second article is here.

Unfortunately, on his return, Salem Ghereby was imprisoned at Tripoli’s Mitiga Airport, where human rights abuses have been widely reported, and the British NGO CAGE then reported that the other Libyan, Omar Khalifa Mohammed Abu Bakr (aka Omar Mohammed Khalifh), who didn’t want to be repatriated, had also been sent back to Libya, where he too was imprisoned at the airport. I wrote about that here, and then exclusively published Salem Gherebi’s letter explaining why he had chosen to be repatriated. Read the rest of this entry »

Ex-Guantánamo Prisoner Discusses Prison Artwork with the BBC, While Lawyers for “High-Value Detainee” Demand His Right to Continue Making Art

Untitled (aka Crying eye) by Mohammed al-Ansi, who was released from Guantanamo to Oman in January 2017, just before President Obama left office (Photo: Andy Worthington).Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months of the Trump administration.

 

I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.

Last October, an exhibition opened in the President’s Gallery, in John Jay College of Criminal Justice in New York, that might have attracted little attention had the Pentagon not decided to make a big song and dance about it.

The exhibition, ‘Ode to the Sea: Art from Guantánamo Bay,’ featured artwork by eight former and current Guantánamo prisoners — four freed, and four still held — which was given by the prisoners to their lawyers and their families, and it was not until November that the Pentagon got upset, apparently because the promotional material for the exhibition provided an email address for anyone “interested in purchasing art from these artists.” The obvious conclusion should have been that “these artists” meant the released prisoners, who should be free to do what they want with their own artwork, but the Pentagon didn’t see it that way.

On November 15, as I explained in my first article about the controversy, a spokesman, Air Force Maj. Ben Sakrisson, said that “all Guantánamo detainee art is ‘property of the US government’ and ‘questions remain on where the money for the sales was going,’” while, at the prison itself, Navy Cmdr. Anne Leanos said in a statement that “transfers of detainee made artwork have been suspended pending a policy review.” Read the rest of this entry »

The Guantánamo Art Scandal That Refuses to Go Away

'The Statue of Liberty' (2016) by Muhammad Ansi (aka Mohammed al-Ansi), who was released from Guantanamo in January 2017.Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months of the Trump administration.

 

I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.

Two weeks ago, in my most recent article, for Close Guantánamo, I covered the latest scandal to involve the prison — the US military’s decision, prompted by an art exhibition of prisoners’ work being shown in New York, to threaten to destroy their art, and to insist that it does not belong to the men who made it, but, instead, belongs permanently to the US military.

As I mentioned in the article, the most troubling aspect of the authorities’ position was articulated by Andrea Prasow of Human Rights Watch, who stated in a powerful tweet that the development was “no surprise” because the “Pentagon has long claimed it owns detainees’ own memories of torture.” When prisoners are not even allowed to own their own thoughts by the US government, it is no surprise that the government also claims that it also owns their artwork.

Nevertheless, since the article was published, criticism of the US authorities’ position has not diminished. At the weekend, the New York Times published an editorial, “Art, Freed From Guantánamo,” which began by stating, powerfully, “The American prison at Guantánamo Bay, Cuba — where men suspected of terrorism are for the most part being held indefinitely without trial — has long been a stain on this country’s human rights record. Now the military has stumbled needlessly into a controversy over, of all things, art.” Read the rest of this entry »

An Extraordinarily Powerful, Poetic Article about Guantánamo and the Sea by Former Prisoner Mansoor Adayfi

Artwork by former Guantanamo prisoner Mohammed al-Ansi.Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months of the Trump administration.

 

Back in March, following up on an NPR feature, I profiled former Guantánamo prisoner Mansoor al-Dayfi (aka Mansoor al-Zahari), a Yemeni citizen who was released from the prison in July 2016, but was not repatriated because the US refuses to send any Yemenis home, citing security concerns. Instead, like dozens of other men (including stateless Palestinians, and some other men in whose cases it was regarded as unsafe for them to be repatriated), he was sent to a third country after intense US negotiations.

In al-Dayfi’s case, he was sent to Serbia, where, it is clear, he has struggled to adapt, telling Arun Rath of NPR, “When they brought me to Serbia they make my life worse. They totally kill my dreams. It’s making my life worse. … Not because I like Guantánamo, but my life become worse here. I feel I am in another jail.”

He told Rath that, as I described it, “he wanted to be sent to an Arab country, and to protest his conditions he embarked on a hunger strike, just as he had at Guantánamo.”

It is impossible not to sympathise with al-Dayfi, an evidently bright man, and an insignificant prisoner of the “war on terror,” whose long imprisonment was a result of him being a victim of mistaken identity, and who, in Guantánamo, also developed a fascination for US culture, which, as I described it, involved him “becoming a fan of Taylor Swift, Shakira, Game of Thrones (although he felt there was too much bloodshed), US sitcoms, Christopher Nolan movies and Little House on the Prairie, which ‘remind[ed] him of his very rural home with few modern conveniences.’” Read the rest of this entry »

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo, co-director, We Stand With Shaker. Also, singer and songwriter (The Four Fathers) and photographer.
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