The Guantánamo Art Scandal That Refuses to Go Away

'The Statue of Liberty' (2016) by Muhammad Ansi (aka Mohammed al-Ansi), who was released from Guantanamo in January 2017.Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months of the Trump administration.


I wrote the following article for the “Close Guantánamo” website, which I established in January 2012, on the 10th anniversary of the opening of Guantánamo, with the US attorney Tom Wilner. Please join us — just an email address is required to be counted amongst those opposed to the ongoing existence of Guantánamo, and to receive updates of our activities by email.

Two weeks ago, in my most recent article, for Close Guantánamo, I covered the latest scandal to involve the prison — the US military’s decision, prompted by an art exhibition of prisoners’ work being shown in New York, to threaten to destroy their art, and to insist that it does not belong to the men who made it, but, instead, belongs permanently to the US military.

As I mentioned in the article, the most troubling aspect of the authorities’ position was articulated by Andrea Prasow of Human Rights Watch, who stated in a powerful tweet that the development was “no surprise” because the “Pentagon has long claimed it owns detainees’ own memories of torture.” When prisoners are not even allowed to own their own thoughts by the US government, it is no surprise that the government also claims that it also owns their artwork.

Nevertheless, since the article was published, criticism of the US authorities’ position has not diminished. At the weekend, the New York Times published an editorial, “Art, Freed From Guantánamo,” which began by stating, powerfully, “The American prison at Guantánamo Bay, Cuba — where men suspected of terrorism are for the most part being held indefinitely without trial — has long been a stain on this country’s human rights record. Now the military has stumbled needlessly into a controversy over, of all things, art.” Read the rest of this entry »

An Extraordinarily Powerful, Poetic Article about Guantánamo and the Sea by Former Prisoner Mansoor Adayfi

Artwork by former Guantanamo prisoner Mohammed al-Ansi.Please support my work as a reader-funded journalist! I’m currently trying to raise $2500 (£2000) to support my writing and campaigning on Guantánamo and related issues over the next three months of the Trump administration.


Back in March, following up on an NPR feature, I profiled former Guantánamo prisoner Mansoor al-Dayfi (aka Mansoor al-Zahari), a Yemeni citizen who was released from the prison in July 2016, but was not repatriated because the US refuses to send any Yemenis home, citing security concerns. Instead, like dozens of other men (including stateless Palestinians, and some other men in whose cases it was regarded as unsafe for them to be repatriated), he was sent to a third country after intense US negotiations.

In al-Dayfi’s case, he was sent to Serbia, where, it is clear, he has struggled to adapt, telling Arun Rath of NPR, “When they brought me to Serbia they make my life worse. They totally kill my dreams. It’s making my life worse. … Not because I like Guantánamo, but my life become worse here. I feel I am in another jail.”

He told Rath that, as I described it, “he wanted to be sent to an Arab country, and to protest his conditions he embarked on a hunger strike, just as he had at Guantánamo.”

It is impossible not to sympathise with al-Dayfi, an evidently bright man, and an insignificant prisoner of the “war on terror,” whose long imprisonment was a result of him being a victim of mistaken identity, and who, in Guantánamo, also developed a fascination for US culture, which, as I described it, involved him “becoming a fan of Taylor Swift, Shakira, Game of Thrones (although he felt there was too much bloodshed), US sitcoms, Christopher Nolan movies and Little House on the Prairie, which ‘remind[ed] him of his very rural home with few modern conveniences.’” Read the rest of this entry »

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo, co-director, We Stand With Shaker. Also, singer and songwriter (The Four Fathers) and photographer.
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