My Band The Four Fathers Launch A Year of Political Gigs in Walthamstow This Saturday, In A Protest Against Another Divisive Private Development

The poster for the occupation of Walthamstow Town Square on February 24, 2018 at which The Four Fathers are playing.Check out all The Four Fathers’ studio recordings here, and the video of our song ‘Grenfell’ here.

Kicking off a year of varied gigs — involving a healthy dose of political events and community festivals — Lewisham-based band The Four Fathers are heading to Walthamstow this Saturday, February 24, to play a few songs (including ‘London’ and ‘Fighting Injustice’) at an occupation of Walthamstow Town Square by campaigners resisting plans to redevelop the square, primarily because of their opposition to the lack of genuinely affordable housing in the planned new development, but also because of concerns about the size of the towers that are proposed for the site, and the loss of public land in the centre of the town.

Please note that I’m also attending a screening of ‘Concrete Soldiers UK‘, the new documentary film about the housing crisis, directed by Nikita Woolfe, and for which I’m the narrator, at Harmony Hall in Walthamstow at 6pm, and also staying on afterwards what I hope will be a lively post-screening Q&A session. Further details here.

The Observer picked up on the story this weekend, in large part because of Walthamstow’s proximity to Haringey, where, last month, council leader Claire Kober announced her resignation, after an extraordinary grass-roots campaign to stop the council from entering into a unprecedented £2bn deal with the international property developer Lendlease, which would have seen much of Haringey’s social housing, and other assets, put into a 50:50 development project with Lendlease, known as the Haringey Development Vehicle (HDV). Read the rest of this entry »

Two New London Screenings of ‘Concrete Soldiers UK’, Documentary Opposing the Destruction of Council Estates, in Hackney Wick and Walthamstow on February 20 and 24

Concrete Soldiers UK: an image by street artists the Artful Dodger, who has created the imagery and logos for the film.Please support my work as a reader-funded investigative journalist, commentator and activist.

 

In December, ‘Concrete Soldiers UK’, a new documentary film about Britain’s housing crisis, was released, for which I was delighted to have been asked by the director, Nikita Woolfe, to be the narrator. As we explain on the film’s website:

“‘Concrete Soldiers UK’ is a new documentary film by Nikita Woolfe, looking at an under-reported scandal in London and across the country — the social cleansing of council estates. Starved of funds by central government, councils and housing associations are entering into deals with private developers in which, instead of renovating estates, they are being demolished and rebuilt. The developers make huge profits, but existing tenants, and leaseholders are squeezed out, socially cleansed from their homes, and often from the boroughs in which they have lived for years, for decades, or for their whole lives.”

The film looks in particular at three struggles currently taking place — on the Aylesbury Estate in Southwark, and Central Hill and Cressingham Gardens in Lambeth — and is particularly concerned to provide a voice for those resisting the destruction of their homes. As we put it, “The film encourages viewers to have hope, and a belief that a fairer future is out there.” And with good news of late — Haringey residents seemingly victorious over their council, which sought to put all the borough’s social housing into a development vehicle with the rapacious Australian-based international property developer Lendlease, and with both Jeremy Corbyn and Sadiq Khan backing residents’ ballots before any demolitions can take place — it is to be hoped that 2018 will be the year that the tide finally turns on the social cleansing that has threatened to become an epidemic in recent years. Read the rest of this entry »

Over 1,200 Views for The Four Fathers’ ‘Grenfell’ Video, Remembering Those Whose Lives Were Lost, and Calling for Those Responsible to be Held Accountable

The Silent Walk for Grenfell, December 14, 2017 (Photo: Andy Worthington).Last month, at a party of activists in Brooklyn, towards the end of my annual US visit to call for the closure of the prison at Guantánamo Bay on the anniversary of its opening (the 16th anniversary of its opening, on January 11), I played ‘Grenfell’, the song I wrote after an entirely preventable inferno consumed Grenfell Tower, a residential tower block in west London last June, killing 71 people.

I wasn’t sure how much the small audience of human rights activists knew about it — how much news of distant disasters spreads around the globe, despite the notion that technology has made us all inter-connected — but I realised when introducing it that it was, for me, the defining moment of 2017, and I’m sure my passionate rendition of it helped one small corner of Brooklyn to understand.

I wrote ‘Grenfell’ last summer, as my response to the disaster, and played it with my band The Four Fathers for the first time in September at a benefit gig for campaigners in Tottenham, as part of their opposition to the Haringey Development Vehicle (HDV), a deeply unpleasant proposal by Haringey Council to enter into a £2bn deal with the rapacious international property developers Lendlease (the destroyers of Southwark’s Heygate Estate), which would involve the council transferring all its social housing to the HDV, with the ensuing destruction of entire estates, and their replacement with new private housing, from which most of the existing tenants would almost certainly be excluded. Read the rest of this entry »

Haringey Leader Claire Kober’s Resignation Ought to Signal an End to Labour’s Frenzy of Council Estate Destruction, But 70 Labour Leaders Disagree

On the left: Claire Kober, the leader of Haringey Council, who announced her resignation on January 30, 2018 after profound grass-roots opposition to her plans to transfer all the council's social housing to a 50:50 development vehicle between the council and rapacious international property developers Lendlease. On the right: a poster by the Stop HDV campaign, which led a brilliant grass-roots campaign against the proposal.Please support my work as a reader-funded investigative journalist, commentator and activist.

 

There was great news on Tuesday, as Claire Kober, the Labour leader of Haringey Council, announced her resignation, explaining that she will not be standing in May’s elections. Kober — and her close associates, like Alan Strickland, Cabinet Member for Regeneration and Housing — had imperiously decided to hand over all of Haringey’s social housing to the predatory international developer Lendlease, in what was laughingly described as a 50:50 partnership. Lendlease, however, has all the money, and what was intended to happen, via the £2bn deal for Haringey, was a large-scale version of what Southwark Council arranged for Lendlease at the Heygate Estate in Walworth: the destruction of council estates and their replacement with private developments for sale, or for rent at unaffordable prices.

At the Heygate, as I explained in an article last September, 1,034 homes, housing around 3,000 people, were demolished, most of which were socially rented, costing around 30% of market rents. 2,704 new homes are being built on the Heygate’s replacement, Elephant Park, but only 82 of those will be for social rent, with the rest laughably described as “affordable” in the biggest scam in the developers’ current lexicon. “Affordable” rents were set at 80% of market rents by Boris Johnson, in his miserable tenure as London’s Mayor, but that is actually unaffordable for the majority of hard-working Londoners.

As Aditya Chakrabortty of the Guardian explained when describing the Haringey proposal, known as the Haringey Development Vehicle (HDV), in July, “Haringey plans to stuff family homes, school buildings, its biggest library and much more into a giant private fund worth £2bn. It’s the largest scheme of its kind — ‘unprecedented’, in the words of backbench councillors. Together with a property developer, it will tear down whole streets of publicly owned buildings and replace them with a shiny town centre and 6,400 homes.” Read the rest of this entry »

Grenfell, Six Months On: The Four Fathers’ New Song Remembering Those Who Lost Their Lives and Calling for Those Responsible to be Held Accountable

A screenshot from the video of The Four Fathers performing 'Grenfell' - with added titles.Before June 14 this year, anyone reflecting on the skyline of London would think about the Shard, the Gherkin, One Canada Square, the ostentatious towers of the face of modern capitalism; on the morning of June 14, however, a new vision of a tower was seared into the nation’s memory — the charred, still-smoking remains of Grenfell Tower, a 24-storey residential tower block in North Kensington, in west London, consumed in an overnight inferno with the loss of 71 lives.

The Grenfell Tower fire was entirely preventable. Designed so that each flat would be able to withstand fire until the emergency services arrived, the tower’s structural integrity was destroyed when it was given new cladding — through holes made in the body of the tower, through the use of flammable cladding to save money, and through the gaps behind the cladding that facilitated the extraordinarily swift spread of the fire. At every level, it seems clear — central government, local government, the devolved management responsible for Kensington & Chelsea’s social housing, and the various contractors involved in maintenance and refurbishment — safety standards were eroded or done away with completely,

When I wrote about the fire just two days later, I was deeply shocked to discover that the disaster had been foretold by residents in the Grenfell Action Group, who had stated in a post in November 2016, “It is a truly terrifying thought but the Grenfell Action Group firmly believe that only a catastrophic event will expose the ineptitude and incompetence of our landlord, the  KCTMO [Kensington & Chelsea Tenant Management Organisation], and bring an end to the dangerous living conditions and neglect of health and safety legislation that they inflict upon their tenants and leaseholders. We believe that the KCTMO are an evil, unprincipled, mini-mafia who have no business to be charged with the responsibility of  looking after the every day management of large scale social housing estates and that their sordid collusion with the RBKC Council is a recipe for a future major disaster.” Read the rest of this entry »

Following the Successful World Premiere of ‘Concrete Soldiers UK’ at the Cinema Museum, the Next Screening is at Deptford Cinema on Dec. 18

A poster for the launch of 'Concrete Soldiers UK', at the Cinema Museum in Kennington on December 8, 2017.Last Friday a new and timely documentary film that I narrated, ‘Concrete Soldiers UK’, had its world premiere at the Cinema Museum in Kennington, London SE11, showing to a full house of over 150 people, with pre-screening performances from beatboxer Bellatrix and spoke word artist Potent Whisper. The film was directed by Nikita Woolfe, and is the result of three years’ work. As she says, “Three years ago I was looking at all the new developments in London and was surprised to see how much of the construction happened on old council estate land. I started wondering why the councils wanted to sell off their valuable assets and whether there were alternatives. That’s how ‘Concrete Soldiers UK’ began. Three years later and ‘Concrete Soldiers UK’ is not only answering my questions but it has also become a film about the fighting spirit that I encountered on the way.”

The next screening is at Deptford Cinema on Monday December 18, at 7.30pm, followed by a Q&A with me and with representatives of estates and community spaces threatened with destruction in the borough of Lewisham — Old Tidemill Garden and Reginald Road in Deptford, and Achilles Street in New Cross — under the ‘No Social Cleansing in Lewisham’ umbrella term that I came up with in October, and which has so far spawned a benefit gig and a Facebook page.

Niki and I are planning to take the film on the road next year — primarily around estates threatened with destruction in London, but also beyond, if we can secure funding for our time and our travel. We also hope it will be shown in cinemas, and if you can help at all with any of these proposals, do get in touch. You can email me here, or you can email Niki here or call her on 07413 138909. We’re currently setting up a fundraising page, so if you want to help with that, do let Niki know. Read the rest of this entry »

No Social Cleansing in Lewisham: Please Join the New Campaign!

No Social Cleansing in Lewisham! The logo for the new campaign, designed by Lilah Francis of the Achilles Street Stop and Listen Campaign.Please visit and like the No Social Cleansing in Lewisham Facebook page!

And, if you can, please support my work as a reader-funded investigative journalist, commentator and activist.

 

Back in October, after being hit by a number of pieces of bad news regarding the state of social housing in Lewisham, I rather impetuously came up with a name for a campaign and a rallying cry — No Social Cleansing in Lewisham — and emailed Deptford’s legendary live venue, the Birds Nest, to ask if they would host a night of music, consciousness-raising and and solidarity, to which they said yes.

I had been encouraged to think that a gig in defence of social housing — essentially, not-for-profit rented housing, typically available for no more than a third of what unregulated private rents cost — was possible because, contrary to popular notions that politics has no place in music, which is assiduously promoted by the corporate media, my own band, The Four Fathers, refused the imperative to be bland and non-confrontational, and I had been meeting appropriate performers over the previous year — the acclaimed spoken word artist Potent Whisper, whose work is relentlessly political, the Commie Faggots, who play theatrical singalong political songs, and Asher Baker, a singer-songwriter and rapper from Southwark.

Potent Whisper and I had got to know each other online, and had then both played at a benefit for housing campaigners in Haringey in September, which was a particularly inspirational evening. I’d seen the Commie Faggots play at an open mic event in New Cross, and had then put on an event with them for the Telegraph Hill Festival, and Asher and I had met when we were both on the bill for an evening at the New Cross Inn. I then added people I met recently — the fabulous all-women Ukadelix, and local spoken word artist Agman Gora — and, with the last-minute addition of the Strawberry Thieves Socialist Choir, had a powerful evening of protest music lined up for a great night of conscious partying. Read the rest of this entry »

How Much Is A Life Worth? New Album Released Today by The Four Fathers, London Journalist and Activist Andy Worthington’s Band

The cover of The Four Fathers' new album, 'How Much Is A Life Worth?'I’m delighted to announce that today my band The Four Fathers are releasing our second album, How Much Is A Life Worth? via Bandcamp, where you can buy it on CD (which can be sent anywhere in the world), or as a download (either the whole album, or individual tracks). The CD costs £8 (about $10.67), plus postage and packing, while the download of the album costs £5 (about $6.67), with individual tracks available for $1 (about $1.33). These are the minimum prices, but you can always pay more if you want to provide us with extra financial support, to help us recoup the costs of recording and production.

The album features ten original rock and roots reggae songs — eight written by me, as lead singer and rhythm guitarist, and two written by lead guitarist Richard Clare. It follows the release in 2015 of the band’s first album, ‘Love and War,’ and continues to demonstrate a commitment to political issues, with six of the album’s ten songs being protest songs. The band also features Brendan Horstead on drums and percussion, Andrew Fifield on flute and harmonica, and Louis Sills-Clare on bass (replaced after the album was recorded by current bassist Mark Quiney).

Followers of the band on Bandcamp — or those who have seen us live — will already know some of these songs, as six of them have previously been released online, although all of them have now been slightly remastered. Those songs are, in order of release, ‘Close Guantánamo’ (used for the ‘Close Guantánamo’ campaign that I run), ‘Dreamers’ (a song about friendship, written for a friend’s 50th birthday), live favourites ’Riot’ (about austerity and the need for social and economic justice) and ‘London’ (a lament for how the capital’s vibrancy in the 80s and 90s has been destroyed by housing greed), ‘She’s Back’ (Richard’s song about Pussy Riot) and ‘Equal Rights And Justice For All’ (my celebration of habeas corpus, which always gets a laugh when I say live that no set is really complete without a song about habeas corpus). Read the rest of this entry »

‘No Social Cleansing in Lewisham’: After Success of Gig in Deptford on Nov. 12, Campaigners Plan to Stage Events in Other Boroughs

No Social Cleansing in Lewisham! A logo for the campaign made by Lilah Francis of the Achilles Street Stop and Listen Campaign.Please support my work as a reader-funded investigative journalist, commentator and activist.

 

It was hard to move in the legendary music pub The Birds Nest in Deptford on Sunday night. I’d arranged a benefit gig there — also intended as a consciousness-raising event, and an opportunity for all kinds of different campaigners to meet — under the umbrella heading, ‘No Social Cleansing in Lewisham’, and it had proved to be so popular that the place was rammed, with sets from the acclaimed spoken word artist Potent Whisper, my band The Four Fathers, playing punky political rock and roots reggae, the theatrical singalong politics of the Commie Faggots, the talented Southwark-based rapper Asher Baker, Deptford spoken word artist Agman Gora passionately tackling current crises, the massed voices of the Strawberry Thieves Socialist Choir, and the ukulele-wielding women of Ukadelix, with their wonderful vocal harmonies. Check out all my photos here.

I organised the event because I’d become aware that the plague of modern London — social cleansing by, predominantly, Labour boroughs — was starting to make its baleful presence felt in the borough of Lewisham, where I live, in south east London. This is not to say that Lewisham had previously been impervious to this greedy, class-based curse. The monstrous Lewisham Gateway development in the heart of the borough had begun with the destruction of a council estate, the Sundermead Estate, and the council is also currently involved in the long-running destruction of two estates on the border with Greenwich, Heathside and the wonderfully Brutalist Lethbridge Estate (which I’ll need to write about soon, as I can find absolutely no criticism of the estate’s destruction online, and very few photos), as well as demolishing the extraordinary Excalibur Estate of post-war prefabs high in the back streets of Catford.

The Four Fathers playing at 'No Social Cleansing in Lewisham' at the Birds Nest pub in Deptford on November 12, 2017.However, compared to its rapacious neighbour, Southwark, Lewisham is not yet a fully paid-up member of the Premier League of social cleansers. Lewisham’s biggest imminent project is the redevelopment of Convoys Wharf, a historically significant wharf on Deptford’s shoreline. This insulting effort to recreate Dubai at the end of Deptford High Street on the site of Henry VIII’s great dockyard is profoundly disappointing, but it doesn’t involve the destruction of people’s homes, whereas Southwark Council, at the Heygate Estate, working with the Australian-based international property developer Lendlease, has destroyed an estate of 1,034 socially rented homes, replacing them with 2,704 new homes, but with only 82 for social rent, and is currently undertaking similar destruction on the Aylesbury Estate, one of Europe’s biggest council estates, with Notting Hill Homes, a former social housing provider that has eagerly responded to government cuts by becoming an enthusiastic private developer. Read the rest of this entry »

‘Concrete Soldiers UK’: New Documentary Film About Social Cleansing and Council Estate Destruction in London Features Andy Worthington as Narrator

A promotional image for 'Concrete Soldiers', a new documentary film about the threat to social housing in London, directed by Nikita Woolfe, featuring narration by Andy Worthington.

Please support my work as a reader-funded investigative journalist, commentator and activist.

 

I’m delighted to announce the launch of the website for ‘Concrete Soldiers UK’, a new documentary film directed by Nikita Woolfe, for which I’m doing the voiceover. I met Niki at ‘The Truth About Grenfell’, a powerful event the week after the terrible Grenfell Tower fire in June, organised by ASH (Architects for Social Housing), which Niki was filming (and which also features in ‘Concrete Soldiers UK’). The completed film of the event, which has had nearly 15,000 views to date, is here.

Please note that there is also now a Facebook page and a Twitter page. Please like and follow us!

A few months later, Niki asked me if I’d like to narrate the film, and I was honoured to say yes. I live in social housing (which, for foreign readers, is rented housing that is, essentially, run on a not-for-profit basis), and am a passionate defender of it, and it has been thoroughly depressing watching as it has been denigrated by those who seek to destroy it so they can make a profit from its privatisation or its destruction and replacement by new private developments.

Those who want to get rid of social housing have a number of ploys: one is claiming that it should only be for those who are especially poor and desperate, and not, as I think it should be, for anyone who wants to rent rather than own a property, but who wants to do so cheaply, and sees that as a fair trade, as those who rent never end up owning the properties they live in, unlike those who take out mortgages. Read the rest of this entry »

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo, co-director, We Stand With Shaker. Also, singer and songwriter (The Four Fathers) and photographer.
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