Keeping Live Music and Performance Alive in a Covid Lockdown Culture

The Four Fathers’ gig on October 31, 2020, successfully completed before the second Covid lockdown starts on November 5.

Please support my work as a reader-funded investigative journalist, commentator and activist. If you can help, please click on the button below to donate via PayPal.





 

I was preparing to play a gig — yes, an actual gig! — on Saturday evening, with my band The Four Fathers, when news of a second lockdown in England was finally confirmed by the government. It wasn’t surprising, because infection rates had been steadily rising, but the government — as indecisive as ever — had missed the opportunity to impose a two-week “circuit breaker” lockdown to coincide with half-term, as recommended by medical experts, and was now, belatedly, announcing a four-week lockdown instead, starting on Thursday, November 5, and lasting until December 2.

Unlike the first time around, though, the government announced that schools and universities were to stay open, even though what are regarded as “non-essential” shops and businesses will be required to shut, imperilling the future of countless small businesses, who had just begun to find their feet, and who must now be facing, in numerous cases, a fatal loss of business in the run-up to Christmas. Even if they are allowed to reopen on December 3, it seems pretty certain that Amazon and a host of other online retailers — many in the “fast fashion” business, and many with dodgy employment practices — will be making a fortune while nailing shut the coffins of high streets across the land.

To impose this kind of sweeping lockdown for an entire month while leaving schools and universities open is exactly the kind of muddled thinking on the government’s part that — even putting aside for a moment their cronyism, corruption, and obsession with incompetent, overpaid corporate service providers to do jobs that should be provided by health professionals — will enrage and alienate people, whilst also failing to actually tackle the problems of rising infection rates.

Read the rest of this entry »

Back to home page

Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo and We Stand With Shaker. Also, photo-journalist (The State of London), and singer and songwriter (The Four Fathers).
Email Andy Worthington

CD: Love and War

The Four Fathers on Bandcamp

The Guantánamo Files book cover

The Guantánamo Files

The Battle of the Beanfield book cover

The Battle of the Beanfield

Stonehenge: Celebration & Subversion book cover

Stonehenge: Celebration & Subversion

Outside The Law DVD cover

Outside the Law: Stories from Guantánamo

RSS

Posts & Comments

World Wide Web Consortium

XHTML & CSS

WordPress

Powered by WordPress

Designed by Josh King-Farlow

Please support Andy Worthington, independent journalist:

Archives

In Touch

Follow me on Facebook

Become a fan on Facebook

Subscribe to me on YouTubeSubscribe to me on YouTube

The State of London

The State of London. 16 photos of London

Andy's Flickr photos

Campaigns

Categories

Tag Cloud

Afghans in Guantanamo Al-Qaeda Andy Worthington British prisoners Center for Constitutional Rights CIA torture prisons Close Guantanamo Donald Trump Four Fathers Guantanamo Housing crisis Hunger strikes London Military Commission NHS NHS privatisation Periodic Review Boards Photos President Obama Reprieve Shaker Aamer The Four Fathers Torture UK austerity UK protest US courts Video We Stand With Shaker WikiLeaks Yemenis in Guantanamo