Launching A Crowdfunder to Support a UK Tour of ‘Concrete Soldiers UK’, the New Documentary Film About the Threat to Social Housing, Which I Narrate

A promotional poster for 'Concrete Soldiers UK', designed by the Artful Dodger. The film, directed by Nikita Woolfe, was released in December 2017, and a crowdfunded was launched in March 2018 to take the film on the road.Please support the crowdfunding campaign here!

Dear friends and supporters,

I’m writing to ask if you can help with a crowdfunding campaign I’ve just helped to launch, for a new documentary film, ‘Concrete Soldiers UK’, which I narrate. Directed by Nikita Woolfe, the film looks at council estates threatened with destruction in the UK, and the inspiring resistance of residents to the proposed destruction of their homes, and we’re hoping to raise the money required to take it around the country, and to produce a booklet compiling information about how to successfully resist estate destruction — and which pitfalls to avoid. If you can help out at all, it will be very greatly appreciated.

The crowdfunding page is embedded below:

My involvement with the film came about after I met Niki at an open meeting last June, called by ASH (Architects for Social Housing) to discuss the Grenfell Tower fire — and specifically, to examine what caused the fire, and what lessons can and must be learned from it. Niki was filming that meeting, which was later made available as a video, and afterwards she asked me to narrate ‘Concrete Soldiers UK’, which she had been working on for three years. Read the rest of this entry »

Nine Months After the Entirely Preventable Grenfell Tower Fire, UN Housing Rapporteur Says UK Government May Have Breached Residents’ Human Rights

The Silent Walk for Grenfell, December 14, 2017 (Photo: Andy Worthington).Please support my work as a reader-funded investigative journalist, commentator and activist.


Today, survivors of the Grenfell Tower Fire last June — and supporters from across London —  are taking part in a Silent Walk that begins outside the offices of Kensington and Chelsea Council and ends by the blackened skeleton of the tower, where over 70 people died. The fire should never have happened, but did so because safety standards have been fatally eroded over many years by those responsible for the safety of tenants and leaseholders — central government, local government, management companies that have taken over the management of swathes of social housing, and contractors.

For me, the fire was the defining moment of 2017, and in summer I wrote a song about it, remembering those whose lives were “so needlessly lost”, and calling for ”those who only count the profit not the human cost” to be held accountable. Three members of my band The Four Fathers — myself, Richard Clare and Mark Quiney, accompanied by my son Tyler beatboxing — were recorded playing the song by a German film crew in autumn. We released it as a video in December, and I’m pleased to note that it currently has nearly 1,500 views on YouTube (posted below) and on Facebook. Please watch it, and share it if you like it. We hope to make a studio recording soon, and would be delighted to hear from anyone in the Grenfell community who would like to be involved, as we would love it to be used to help the survivors.

Read the rest of this entry »

Over 1,200 Views for The Four Fathers’ ‘Grenfell’ Video, Remembering Those Whose Lives Were Lost, and Calling for Those Responsible to be Held Accountable

The Silent Walk for Grenfell, December 14, 2017 (Photo: Andy Worthington).Last month, at a party of activists in Brooklyn, towards the end of my annual US visit to call for the closure of the prison at Guantánamo Bay on the anniversary of its opening (the 16th anniversary of its opening, on January 11), I played ‘Grenfell’, the song I wrote after an entirely preventable inferno consumed Grenfell Tower, a residential tower block in west London last June, killing 71 people.

I wasn’t sure how much the small audience of human rights activists knew about it — how much news of distant disasters spreads around the globe, despite the notion that technology has made us all inter-connected — but I realised when introducing it that it was, for me, the defining moment of 2017, and I’m sure my passionate rendition of it helped one small corner of Brooklyn to understand.

I wrote ‘Grenfell’ last summer, as my response to the disaster, and played it with my band The Four Fathers for the first time in September at a benefit gig for campaigners in Tottenham, as part of their opposition to the Haringey Development Vehicle (HDV), a deeply unpleasant proposal by Haringey Council to enter into a £2bn deal with the rapacious international property developers Lendlease (the destroyers of Southwark’s Heygate Estate), which would involve the council transferring all its social housing to the HDV, with the ensuing destruction of entire estates, and their replacement with new private housing, from which most of the existing tenants would almost certainly be excluded. Read the rest of this entry »

Following the Successful World Premiere of ‘Concrete Soldiers UK’ at the Cinema Museum, the Next Screening is at Deptford Cinema on Dec. 18

A poster for the launch of 'Concrete Soldiers UK', at the Cinema Museum in Kennington on December 8, 2017.Last Friday a new and timely documentary film that I narrated, ‘Concrete Soldiers UK’, had its world premiere at the Cinema Museum in Kennington, London SE11, showing to a full house of over 150 people, with pre-screening performances from beatboxer Bellatrix and spoke word artist Potent Whisper. The film was directed by Nikita Woolfe, and is the result of three years’ work. As she says, “Three years ago I was looking at all the new developments in London and was surprised to see how much of the construction happened on old council estate land. I started wondering why the councils wanted to sell off their valuable assets and whether there were alternatives. That’s how ‘Concrete Soldiers UK’ began. Three years later and ‘Concrete Soldiers UK’ is not only answering my questions but it has also become a film about the fighting spirit that I encountered on the way.”

The next screening is at Deptford Cinema on Monday December 18, at 7.30pm, followed by a Q&A with me and with representatives of estates and community spaces threatened with destruction in the borough of Lewisham — Old Tidemill Garden and Reginald Road in Deptford, and Achilles Street in New Cross — under the ‘No Social Cleansing in Lewisham’ umbrella term that I came up with in October, and which has so far spawned a benefit gig and a Facebook page.

Niki and I are planning to take the film on the road next year — primarily around estates threatened with destruction in London, but also beyond, if we can secure funding for our time and our travel. We also hope it will be shown in cinemas, and if you can help at all with any of these proposals, do get in touch. You can email me here, or you can email Niki here or call her on 07413 138909. We’re currently setting up a fundraising page, so if you want to help with that, do let Niki know. Read the rest of this entry »

Just Two Days Until the World Premiere of ‘Concrete Soldiers UK’, About Community Resistance to the Destruction of Council Estates, Which I Narrate

A promotional poster for 'Concrete Soldiers UK', designed by the Artful Dodger. The film, directed by Nikita Woolfe, is released in December 2017.Please support my work as a reader-funded investigative journalist, commentator and activist.


This Friday, December 8, it’s the world premiere of ‘Concrete Soldiers UK’ at the Cinema Museum, in Kennington, London SE11, and if you’re in London and care about social housing, I do urge you to come and watch it.

I’m the narrator of the film, but I came to it after all the hard work had been done — by the director, Nikita Woolfe, who spent three years working on it between other projects. It focuses on the destruction of council estates, and their replacement with new projects built by private developers, from which, crucially, existing tenants and leaseholders tend to be excluded, a form of social cleansing that is on the verge of becoming an epidemic in London.

Starved of funding by central government, councils have been working with private developers, who have no interest in renovating existing estates, as they know that there are huge profits to be made by demolishing estates instead and building new housing for private sale. To try to avoid claims of social cleansing, some of these new properties are marketed as “affordable”, but because “affordable” rents were set at 80% of market rents under Boris Johnson during his lamentable eight-year tenure as the Mayor of London, they are not actually affordable for most Londoners. Another scam is shared ownership, whereby, for many times more than they were paying previously in social rent, tenants get to nominally own a share of their property (say, 25%), but on what can only objectively be construed as a nominal basis, as it’s not something that can ever actually be sold unless the occupier can eventually afford to buy the entire property, which many can’t. In the meantime, as solicitor Giles Peaker explained in an article in 2013 looking at the case of a woman who had lost her part-owned home through rent arrears, “In practice … shared ownership is just a tenancy, with an expensive downpayment for an option to buy the whole property at a later date.” Read the rest of this entry »

No Social Cleansing in Lewisham: Please Join the New Campaign!

No Social Cleansing in Lewisham! The logo for the new campaign, designed by Lilah Francis of the Achilles Street Stop and Listen Campaign.Please visit and like the No Social Cleansing in Lewisham Facebook page!

And, if you can, please support my work as a reader-funded investigative journalist, commentator and activist.


Back in October, after being hit by a number of pieces of bad news regarding the state of social housing in Lewisham, I rather impetuously came up with a name for a campaign and a rallying cry — No Social Cleansing in Lewisham — and emailed Deptford’s legendary live venue, the Birds Nest, to ask if they would host a night of music, consciousness-raising and and solidarity, to which they said yes.

I had been encouraged to think that a gig in defence of social housing — essentially, not-for-profit rented housing, typically available for no more than a third of what unregulated private rents cost — was possible because, contrary to popular notions that politics has no place in music, which is assiduously promoted by the corporate media, my own band, The Four Fathers, refused the imperative to be bland and non-confrontational, and I had been meeting appropriate performers over the previous year — the acclaimed spoken word artist Potent Whisper, whose work is relentlessly political, the Commie Faggots, who play theatrical singalong political songs, and Asher Baker, a singer-songwriter and rapper from Southwark.

Potent Whisper and I had got to know each other online, and had then both played at a benefit for housing campaigners in Haringey in September, which was a particularly inspirational evening. I’d seen the Commie Faggots play at an open mic event in New Cross, and had then put on an event with them for the Telegraph Hill Festival, and Asher and I had met when we were both on the bill for an evening at the New Cross Inn. I then added people I met recently — the fabulous all-women Ukadelix, and local spoken word artist Agman Gora — and, with the last-minute addition of the Strawberry Thieves Socialist Choir, had a powerful evening of protest music lined up for a great night of conscious partying. Read the rest of this entry »

Celebrating 200 Days of Andy Worthington’s Photo Project, ‘The State of London’

Recent photos from 'The State of London', Andy Worthington's photo project, launched on Facebook in May 2017.Please support my work as a reader-funded investigative journalist, commentator, activist and photographer.


Today is the 200th day of ‘the State of London’, a photo project that I launched on Facebook on May 11 this year, the fifth anniversary of when I first began travelling around the capital by bike, taking photos on a daily basis. I also set up a Twitter page recently, and, in the new year I hope to get the website (currently just a skeleton) up and running. My article introducing the project is here, and also see here for my reflections after 100 days.

The photos cover every one of London’s 120 postcodes, and also include some of the outlying boroughs, and, since launching the daily photos on Facebook, I’ve posted photos from over half of London’s 120 postcodes.

They feature what I hope is a fascinating cross-section of the capital’s many faces beyond those seen by tourists — its abandoned and run-down places, its buildings old and new (the latter rising up like a plague of greed), night and day, the light, the rain, the seasons and the weather, political protests, and, increasingly, those parts of the city that are threatened with destruction — primarily, council estates that are being knocked down and replaced with new private developments from which the existing residents (both tenants and leaseholders) are generally excluded, a disgraceful form of social cleansing involving councils from across the entire political spectrum. Read the rest of this entry »

‘No Social Cleansing in Lewisham’: After Success of Gig in Deptford on Nov. 12, Campaigners Plan to Stage Events in Other Boroughs

No Social Cleansing in Lewisham! A logo for the campaign made by Lilah Francis of the Achilles Street Stop and Listen Campaign.Please support my work as a reader-funded investigative journalist, commentator and activist.


It was hard to move in the legendary music pub The Birds Nest in Deptford on Sunday night. I’d arranged a benefit gig there — also intended as a consciousness-raising event, and an opportunity for all kinds of different campaigners to meet — under the umbrella heading, ‘No Social Cleansing in Lewisham’, and it had proved to be so popular that the place was rammed, with sets from the acclaimed spoken word artist Potent Whisper, my band The Four Fathers, playing punky political rock and roots reggae, the theatrical singalong politics of the Commie Faggots, the talented Southwark-based rapper Asher Baker, Deptford spoken word artist Agman Gora passionately tackling current crises, the massed voices of the Strawberry Thieves Socialist Choir, and the ukulele-wielding women of Ukadelix, with their wonderful vocal harmonies. Check out all my photos here.

I organised the event because I’d become aware that the plague of modern London — social cleansing by, predominantly, Labour boroughs — was starting to make its baleful presence felt in the borough of Lewisham, where I live, in south east London. This is not to say that Lewisham had previously been impervious to this greedy, class-based curse. The monstrous Lewisham Gateway development in the heart of the borough had begun with the destruction of a council estate, the Sundermead Estate, and the council is also currently involved in the long-running destruction of two estates on the border with Greenwich, Heathside and the wonderfully Brutalist Lethbridge Estate (which I’ll need to write about soon, as I can find absolutely no criticism of the estate’s destruction online, and very few photos), as well as demolishing the extraordinary Excalibur Estate of post-war prefabs high in the back streets of Catford.

The Four Fathers playing at 'No Social Cleansing in Lewisham' at the Birds Nest pub in Deptford on November 12, 2017.However, compared to its rapacious neighbour, Southwark, Lewisham is not yet a fully paid-up member of the Premier League of social cleansers. Lewisham’s biggest imminent project is the redevelopment of Convoys Wharf, a historically significant wharf on Deptford’s shoreline. This insulting effort to recreate Dubai at the end of Deptford High Street on the site of Henry VIII’s great dockyard is profoundly disappointing, but it doesn’t involve the destruction of people’s homes, whereas Southwark Council, at the Heygate Estate, working with the Australian-based international property developer Lendlease, has destroyed an estate of 1,034 socially rented homes, replacing them with 2,704 new homes, but with only 82 for social rent, and is currently undertaking similar destruction on the Aylesbury Estate, one of Europe’s biggest council estates, with Notting Hill Homes, a former social housing provider that has eagerly responded to government cuts by becoming an enthusiastic private developer. Read the rest of this entry »

‘Concrete Soldiers UK’: New Documentary Film About Social Cleansing and Council Estate Destruction in London Features Andy Worthington as Narrator

A promotional image for 'Concrete Soldiers', a new documentary film about the threat to social housing in London, directed by Nikita Woolfe, featuring narration by Andy Worthington.

Please support my work as a reader-funded investigative journalist, commentator and activist.


I’m delighted to announce the launch of the website for ‘Concrete Soldiers UK’, a new documentary film directed by Nikita Woolfe, for which I’m doing the voiceover. I met Niki at ‘The Truth About Grenfell’, a powerful event the week after the terrible Grenfell Tower fire in June, organised by ASH (Architects for Social Housing), which Niki was filming (and which also features in ‘Concrete Soldiers UK’). The completed film of the event, which has had nearly 15,000 views to date, is here.

Please note that there is also now a Facebook page and a Twitter page. Please like and follow us!

A few months later, Niki asked me if I’d like to narrate the film, and I was honoured to say yes. I live in social housing (which, for foreign readers, is rented housing that is, essentially, run on a not-for-profit basis), and am a passionate defender of it, and it has been thoroughly depressing watching as it has been denigrated by those who seek to destroy it so they can make a profit from its privatisation or its destruction and replacement by new private developments.

Those who want to get rid of social housing have a number of ploys: one is claiming that it should only be for those who are especially poor and desperate, and not, as I think it should be, for anyone who wants to rent rather than own a property, but who wants to do so cheaply, and sees that as a fair trade, as those who rent never end up owning the properties they live in, unlike those who take out mortgages. Read the rest of this entry »

How Architects for Social Housing Took On the Dangerous Neo-Liberal Contempt for Social Housing of Patrik Schumacher and Others at the Barbican

A banner in defence of social housing at the Anarchist Bookfair in Tottenham on October 28, 2017 (Photo: Andy Worthington).Please support my work as a reader-funded investigative journalist, commentator and activist.


On Saturday, while I was meeting up with other social housing campaigners at the Anarchist Bookfair in Tottenham (where there was a screening of the powerful documentaryDispossession: The Great Social Housing Swindle,’ housing activist and academic Lisa McKenzie and anti-fascist activist Martin Lux were discussing ‘Taking it to the Streets — the politics of Class Solidarity,’ and the Radical Housing Network was discussing ‘After Grenfell, the struggle for housing justice’), Simon Elmer of Architects for Social Housing was taking on some of those seeking to justify and celebrate the neo-liberal destruction of social housing at the Battle of Ideas in the Barbican Centre, described as “two days of high-level thought-provoking public debate.”

To be blunt, it is hard to think of a more important topic for those living in the UK right now than the parlous state of housing, and the class war and exploitation of the poor by the rich that is currently underway, and that, if it isn’t stopped, will destroy the lives of hundreds of thousands of people over the coming decade.

Those people live in social housing, on estates that are being torn down not because there is fundamentally anything wrong with them structurally, but because those responsible for them — councils and housing associations — starved of funding by central government, have chosen not to fight for their tenants, but to enter into deals with wealthy and rapacious international property developers, who knock down the estates, and replace them with hideously overpriced new apartment blocks and towers, largely for sale to foreign investors. Read the rest of this entry »

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Andy Worthington

Investigative journalist, author, campaigner, commentator and public speaker. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo, co-director, We Stand With Shaker. Also, singer and songwriter (The Four Fathers) and photographer.
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