Christmas in London, 2012, a set on Flickr.
Best wishes for the holiday season to those following my work, or to anyone who has just stumbled across it. This is a selection of Christmas-themed photos that I’ve taken over the last month during my journeys around London, as part of my ongoing project to photograph the whole of London by bike, which I began in May this year.
This is the 69th set of my London photos, and it was fun to go through all the photos I’ve been accumulating from my almost daily journeys, large and small, over the last month, picking out those with a Christmas theme — from locations in north London, in central London and the City, on the Isle of Dogs and at various places in south east London, where I live — including my home in Brockley, and also Blackheath, Camberwell, Deptford, Greenwich, Honor Oak, Lewisham and Rotherhithe. Read the rest of this entry »
Glass, Light and Fantasies: The City of London At Night, a set on Flickr.
This latest photo set, on Flickr, from my ongoing project to photograph the whole of London by bike — the 23rd instalment in what will be at least a year-long project — follows up on a previous set, Parks, Water and Dreams: Photos of a Journey from Surrey Quays to Central London, in which I recorded a journey through Rotherhithe on the evening of July 19, 2012, when I travelled to The Arts Catalyst, on Clerkenwell Road, in London EC1, to speak at an event marking the sixth anniversary of the arrest of Talha Ahsan, a British citizen and a Londoner, who has been held without charge or trial ever since, while fighting extradition to the US — an unjust situation that I have also written about here and here. Please also see this photo of me wearing an “Extradite Me, I’m British” T-shirt, to highlight the problems with the US-UK Extradition Treaty.
After the event — shortly after 9pm — I set off for home, but took a detour through the City of London, to capture photos of the City of London at night, the morally and legally dubious powerhouse of Britain’s financial industry, which fascinates me (see the evidence here and here), as does its offshoot at Canary Wharf on the Isle of Dogs (see the photos here and my essay here). Read the rest of this entry »
The Wealth of Empire: The City of London in the Rain, a set on Flickr.
To describe these photos of the City of London, I used the word “empire” in the title because I believe that, in many fundamental ways, it is apt, although I realise that the British Empire is not, of course, the only source of money and power in the City of London and in its modern offshoot, Canary Wharf. In many ways, the mafia would be a better reference point for what these well-connected crooks have been getting up to as a result of the financial deregulation initiated by Margaret Thatcher (which benefitted David Cameron’s father, who made a fortune through the creation of tax havens) and Ronald Reagan, the subsequent repeal, under Bill Clinton, of the crucial Glass-Steagall Act — which was introduced after the Depression in 1933, separating “domestic” banking from its potentially fatal speculative aspects — and New Labour’s enthusiasm for filthy lucre, and whatever scum happened to have loads of it. The current shower of clowns in Downing Street and the Cabinet are only different from New Labour in the sense that most of them are already rich, millionaires out of touch with the people and thoroughly unconcerned about it.
In particular, the modern money markets are international, and much of the expertise in dodgy financial engineering — of the kind that ought to be illegal, and of the kind that nearly bankrupted the world in the global crash of 2008 — came from Wall Street as much as from the robber barons of the British establishment, although, crucially, it was the long-cherished secrecy of the City that allowed Wall Street bankers to initiate policies in London that were illegal at home. Read the rest of this entry »
Writer, campaigner, investigative journalist and commentator. Recognized as an authority on Guantánamo and the “war on terror.” Co-founder, Close Guantánamo, co-director, We Stand With Shaker. Also, singer and songwriter (The Four Fathers) and photographer.
Email Andy Worthington
Please support Andy Worthington, independent journalist: