Welcome to Andy Worthington

As the Supreme Court turns down a request for a review of his case by Moath al-Alwi, a Yemeni held at Guantánamo without charge or trial for over 17 years, I examine the significance of a statement made by Justice Stephen Breyer, questioning whether the court’s decisions over the last 15 years – and particularly in relation to Hamdi v. Rumsfeld, in June 2004 – have led to an endorsement of “perpetual detention.” The answer is yes, but it remains to be seen if the court is willing or able to tackle such a profound and lingering injustice.

It’s exactly two years since the Grenfell Tower fire, in which 72 people people died because those responsible for their safety – from central government to the local council, the management company in charge of the towers, and various contractors involved in its fatal refurbishment – prioritised cost-cutting and profiteering instead. As survivors continue to call for justice, and housing reforms to protect those in social housing, I join those calls, reflecting on how, across London and the country as a whole, those in social housing continue to be treated as disposable, whether through living in towers with unsafe cladding, or living on estates that continue to be cynically demolished as part of the ‘regeneration’ industry that is actually a tool for social cleansing.

Here’s a link to, and discussion of my recent radio interview with Andy Bungay of Wandsworth’s Riverside Radio, in which we discussed Guantánamo, and the housing crisis in London, and Andy played songs by my band The Four Fathers, about Shaker Aamer and Grenfell.

It’s my quarterly fundraiser, in which I ask you, if you can, to support my work as a reader-funded journalist, working to close the prison at Guantánamo Bay, but also working on social justice issues in the UK, particularly involving housing and the environment, as well as chronicling the changing face of London in my ongoing photo-journalism project ‘The State of London.’

On the 13th anniversary of three deaths at Guantánamo, contentiously described by the US authorities as suicides, I revisit that terrible night, remembering the men, and recalling the robust challenges that have been made over the years to the official narrative – that the men died by committing suicide.

My thoughts on the release from a US prison of John Walker Lindh, the “American Taliban”, after he served 17 years of a 20-year sentence for having supported the Taliban, as some commentators continue to insist that he should not have been freed early for good behavior.

It’s 34 years since a truly disgraceful event in modern British history – the Battle of the Beanfield, when police under Margaret Thatcher violently decommissioned a convoy of modern-day nomads, environmental protestors and anarchists trying to get to Stonehenge to establish what would have been the 12th annual Stonehenge Free Festival. 34 years on, I discuss a thread that runs from the free festival movement to Extinction Rebellion, the movement of now, which, powerfully but sadly, has an urgency that no previous protest movement has been able to call upon.

My response to the outrageous and alarming decision by the US Justice Department, under Donald Trump, to charge Julian Assange of WikiLeaks under the Espionage Act, and how fundamentally it threatens press freedom, plus my call for the British government to refuse to extradite Assange to the US, and also to move him from Belmarsh, where his mental health is deteriorating.

My analysis of the UK’s elections to the European Parliament, which took place on May 23, 2019, in which I look at why the Brexit Party’s performance is not as good as it might initially appear. I also congratulate the Green Party on their performance, thanks my fellow Londoners for voting the most sanely in England, and propose a few solutions to the ongoing Brexit deadlock.

As campaigners withdraw from a protest camp outside the bitterly-contested site of the Old Tidemill Wildlife Garden in Deptford, I look at how the ‘regeneration’ industry, of which Tidemill is a part, is coming under increasing scrutiny from environmental campaigners demanding an end to practices that contribute to climate change.